Tag Archives: #Murder

Adair, Liz; Trouble at the Red Pueblo (Spider Latham IV); Kanab, Century Press, 2014


Trouble at the Red Pueblo is a fun murder-mystery with a  “Christian-literature” style that is probably most interesting for adults.

“ALL SPIDER LATHAM wanted to do was get home. He wanted free of the choking black necktie, free of the memory of his mother in a cheap casket. If he was a drinking man, he’d head right to the whiskey. Instead, he thought he’d fix the fence that ran along the south property line. It’d been on his to-do list for a while, and the work would be hot, hard and demanding.”

Instead Jade Tremain turns up at the Latham’s door-step with an offer from his father, Brick Tremain, that Spider cannot refuse. Times are difficult and Spider’s job as a deputy detective pays less than it used to. He and Laurie have cut back on anything possible. When asked to look into a situation at the Red Pueblo Museum in Fredonia, he does not hesitate. Laurie tags along and the two of them leave for Kanab.

After settling in, they of them drive to their appointment with Martin Taylor, the museum’s director, only to discover him being taken away to the hospital. A tale of woes needs investigating. Some time ago a false law-suit left the Taylors broke. As if that wasn’t enough, another law-suit was then made to claim a cache of artifacts Taylor had found on his land. The only thing of monetary value in the cache was a piece of paper with Abraham Lincoln’s signature and the text:

“Sgt Oscar Goodman, as noted in Archibald letter, take Oath of Dec 8 and be discharged. Jan 16 1864.”

Plaintiff is a woman by the name of Alyssa Goodman, who claims to be a direct descendant of the above Oscar Goodman. In spite of being in the right, the Taylors cannot afford a trial and are desperate for a solution in their favour. Piece by piece the Lathams unravel a crime of greed.

Apparently “Trouble at the Red Pueblo” is the fourth mystery in the Spider Latham series. I had not read any of the previous ones, yet had no trouble understanding who Laurie and Spider were. At times the story suffered from sentences such as:

“When he was finished, he looked at his watch and debated whether to wait for Leona to return, but in thinking about how she had described the door locking behind him, he figured she intended for him to go.”

Spider’s jealousy of Laurie’s third cousin detracted from the rest of the story, and interactions between the three would have been better without.

There was no sense of being preached to. I enjoyed Adair’s nudge with regards to Muslim-hysteria and also noticed a certain blindness regarding white/Native-American issues. If you want a light read that deals with shady characters, strange car-brands, murder, property deals and artifacts, then “Trouble at the Red Pueblo” could be a story for you.

Peters, Elizabeth: The Ape Who Guards the Balance (Amelia Peabody 10) (1998)

I had read one other story in the Amelia Peabody series before I read The Ape Who Guards the Balance (The Ape).  The Ape occurs before my previous read. As each story solves its mystery, that was not a problem. Nor did I have difficulty jumping into the overarching story of the Emerson family.

Elizabeth Peters writes about the adventures of the Emerson family and their friends, servants and enemies. The family consists of Amelia Peabody Emerson (matriarch) and Radcliffe Emerson (patriarch). Both Amelia and Radcliffe have been with the series from the beginning. Walter (Ramses) is their son and Nefret their ward. In The Ape we also have Lia, the daughter of Radcliffe’s brother and sister-in-law and their ward, David. All six travel to Egypt for the 1906-07 excavation season.

Their adventures begin before leaving England. A mysterious man appears at a suffragette picket that Amalie and Ramses attend. This man later turns up in connection with a break-in and hauls away a large collection of Egyptian antiques. Shortly after, the stranger also seems to be involved in a kidnapping attempt of Amalie. The entire family suspects an old “enemy”, Sethos.

Once they arrive in Egypt, Ramses and David go on an adventure including a stolen papyrus, mysterious strangers and a blackmailing Nefret. The Professor is livid when he finds out what the threesome has done. But he is also intrigued. Then a mysterious bearded man turns up in Egypt as well, and it is not Sethos.

The Emerson family is egalitarian for the time it is written for (and for many families and places today). Nefret has just finished her clinical practice and Peters show us what a feat that was for a woman:

“Acquiring that training had been a struggle in itself. Over the violent objections of its (male) medical faculty, the University of London had, finally, opened its degrees to women, but the major universities continued to deny them, and the difficulty of obtaining clinical practice was almost as great as it had been a century earlier. Nefret had managed it, though, with the help of the dedicated ladies who had founded a woman’s medical college in London and forced some of the hospitals to admit women students to the wards and dissecting rooms.”

Lately, I have begun wondering whether I read male and female leads differently. Many of the comments on The Ape seem to be consistent with comments on strong women both in fiction and real life. A woman as strong as Amelia Peabody will be dissed for being strong but not perfect.  In The Ape she certainly shows that she is far from perfect. Her own bias surprised her when David and Lia announced their engagement. She and Emerson are peas of a pod when it comes to stubbornness and a sense that their opinion is the only correct one, even if that opinion changes later on. Both see the other as emotional, adorable and hot. The words used to describe these qualities are different for each of them, further cementing both the standards of the time and the continued power language has today. We do get a taste of what it would be like if language was equal for both men and women in this thought from Amelia:

“… it was time for me to take charge of the discussion, which had degenerated into a series of emotional exchanges. This is often the case when men carry on a conversation.”

Gender is far from the only topic discussed in The Ape. Racism and classicism are very much present in the Victorian English who come to Egypt to loot the graves of ancient rulers and take their loot back to England. Peters points out the difference in the handling of this loot. Sometimes graves were completely vandalized by so-called archaeologists. Others, at least, tried to maintain both loot and their chambers as intact as possible. The Emersons’ are of the last category.

Issues and mystery are both weaved together in an enchanting story in the Agathaian (Agatha Christie) style. I definitely recommend The Ape Who Guards the Balance.


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Ford, Jeffrey: The Shadow Year, 2008

The Shadow Year begins and ends with Mr. Softee, the ice-cream man. At the beginning of the story our narrator, and main character, is “listening carefully for that mournful knell, each measured ding both a promise of ice cream and a pinprick of remorse.”

Our narrator describes a family learning to cope with a new financial reality. Their father lost his old job and was now working three jobs, while their mother worked one job, to pay the bills that still kept on coming in. Even though their father is not present in much of the book, Jeffrey Ford still manages to show a man who loves his family passionately and whose family loves him back. But because of his need to work so much, we also see children who view their father as a distant figure.

Their mother is clearly depressed and self-medicates with alcohol and The Complete Sherlock Holmes. She seems to be manic depressive, and we get to watch her come down from one of her manic episodes.

In those few seconds, I saw the recent burst of energy leaking out of her. As usual, it had lasted for little more than a week or so, and she’d used it all up. Like a punctured blow-up pool toy, she seemed to slowly deflate while shadows blossomed in her gaze.

Childhood is such a passionate time. If you have ever seen a three-year old express anger, joy, sadness or love, you know what a I mean. Everything is new and everything is normal. An adult might see a child’s circumstances as horrible, but that child knows of nothing else. As they grow and learn to compare, some of their passion is sloughed off.

There are three children in our main character’s family: Jim (seventh grade), narrator (sixth grade) and Mary (fourth grade/Room X). All three seem to be pretty smart with Mary as the probable winner. Her placement in a special class is due to the inability of her teachers to get an answer from her. All three are authority adverse. There is an hilarious episode regarding Jim’s personality/IQ test. All three get this self-confidence from their mother, who allows them quite a bit of leeway when it comes to school.

I found myself loving this family. Perhaps Mary in particular (although I probably identified most with the narrator). Mary is a child who follows her own paths. Her friends, Sally O’Malley and Sandy Graham, lived in a closet in her room and sometimes they go to school with Mary in the family basement where they are taught by their teacher, Mrs. Harkmar (all three make-believe). Mary also sports an alter-ego, Mickey. Her math abilities are pretty astounding and all learned while listening to Pop working out his horse races. Those abilities are used to identify the mystery behind the disappearance of Charlie Edison.

Poor little Charlie Edison. Lost in the battleground of Elementary (Primary) school. He is first on the list of who Bobby Harweed (bully and coward) beats up. Charlie is, sadly, also on the bully-list of some of the teachers. He does his best to stay invisible. Then one day he truly becomes invisible by disappearing for good. Our three siblings begin looking and use Botch Town as their aid.

Botch Town is Jim’s creation. It is a model of their neighborhood made from little bits and pieces Jim has picked up and glued together. Mary seems to have super-natural powers in predicting where people will be and what might happen. One of those predictions is regarding their neighborhood’s recent prowler.

Then we have the ghosts.

I loved Jeffrey Ford’s writing. Definitely recommended.


Dick van Dyke (hated by Pop, loved by the narrator): Shanty Town, I’ll Be Seeing You (comedy)

Herman’s Hermits, There’s a Kind of Hush (1967) (marks a transition)


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The Shadow Year available at Amazon US