There was nothing for Amber to fear in this fight; the ghost was already dead.
Amber is essential to the story of Freya Snow, a girl who was born right before her mother died. Lily bound Amber to Freya as a protector and teacher.
Freya awoke the familiar sound of her sister screaming.
Although not sisters in a biological sense, Freya and Alice have been sisters in the foster system in England. Alice is the only of the two diagnosed as autistic. Alice’s autism is so obvious that mental health professionals are unable to deny it. Freya is another matter. She falls into my category, and, therefore, it was obvious to me that her suspicion that she is also autistic is true. They are the only people who take each other’s hang-ups seriously and know that meltdowns are not tantrums.
She was quiet, bright, and didn’t cause trouble for those looking after her. That was enough for everyone to overlook her trouble making friends, her obsessive nature, and her feeling faint in crowded spaces as “quirks”. It was only because of Alice that Freya recognized a lot of her behaviour as stemming from autistic traits.
Freya also happens to be the Hero of Hunt. In typical Hero style, Freya is an orphan, at the cusp of discovering her magic and acts as a magnet for powerful people. Apparently, she has little say over her life.
“I don’t know, getting fostered kind of loses its “special day” status once you get past the tenth time.”
Alice and Freya are about to be parted from each other. Alice has been found by her aunt and Freya will be going to the Big city. Well, larger than the town she is currently living in. She does not expect much of the new family or of the new school. Her expectations will be met but they will also prove invalid. Past experiences do not have to predict the future. She will get a friend. One who is not put off by her behaviour and that friendship sets all sorts of things into motion.
Hunt was well-written. Not great, but fun. I liked it enough to get the next book in line, and White‘s writing was much better. Again, it was freaking amazing to read about a supernatural Aspie girl. Talk about breaking stereotypes. Thank you L.C. Mawson.
Steamfunk! is my first encounter with the genre. Like all anthologies I have ever read, some of the stories appealed to me while others did not. No wonder really, considering the span of genres. Steamfunk is a US-centric collection of stories that love their steam. I keep on wondering to what extent steam could be an energy source. There are some ideas here that I have not seen before.
The Steamfunk anthology came about from a conversation that I and several authors had online about the lack of Steampunk stories told from a Black / African perspective. We all agreed we would create an anthology in which we would tell such stories. Author Maurice Broaddus suggested we call it Steamfunk and author / publisher Milton Davis agreed to publish it.
They chose the correct person to illustrate the cover. Marcellus Shane Jackson has done a great job capturing the essence of each story. There are cosmetic problems with my kindle version, mostly to do with ↵. It’s a distraction from the stories themselves.
In the late 1800’s women needed chaperones to go anywhere. Anthony Wainright paid for one of the puppet-men (steam-powered robot) from GWC Factories to escort his fiancée, Miss Appelgate, from Freedonia to New York City. When they get there, Mr. Wainright has not come to meet them. Instead she is kidnapped by a Beuregard Clinton. Clinton shot the puppet-man and managed to hit one of the steam veins. Mr. Stiles, from the airship, fixes him. The puppet-man is fixed and he and Mr. Stiles must off to find and save Miss Appelgate from her kidnappers.
Problem-solvers Rudy and Boatwright get off the hopper at Thomasville. They have been hired by head gang-boss of the underbelly of Thomasville, Stanford “Rip” Tatum, to solve the problem of Rip’s ex and her river-wolf. Grace Baptiste-Neely and Lloyd “Daddy” Green supposedly hijacked and killed people Rip would prefer lived. Plenty of surprises line up to whack them in the face like a marching band on coke.
The title does not have anything to do with cockroaches invading earth. Whitewood and Blackwood are neighbouring towns. Mainly whites live in one of them and only Blacks live in the other. 40 years after slavery ended tensions still run high and it takes little to get lynching blood cooking. Laurence, from Blackwood, heard his dad say that this next lynching of a coloured man was unjust. So Laurence convinces Big Walter to see what it is all about. Whitewood certainly gets the surprise of its life during the sham trial.
Genetic tinkering brought about Aeshna with her compound eyes and insect mouth parts. All she and Petal want is to be left alone. But that cannot be when Aeshna is able to judge a person’s soul and mete out appropriate punishment. Petal is another changed human fitted with a steam clock for a heart and a compost boiler for guts. One day Bald Man Head comes on an errand from the Hanged Man. I liked these two women and the story was fun to read. Especially towards the end.
Zahara and Porter are left in the desert to die. They had both fallen a long way from a steady income with Cross Continental Airship Line. Was all that was left for the two friends a slow and painful death in the desert?
In the world of Kochava Green humans must extremely careful around bodies of water or they risk the fate of the Lepidoptera larvae. The St. Lauritz All-Mother cloister are extremely lucky in getting a woman from San Lazare wishing to become a novice. The All-Mother cloisters accept women from all walks of life, no-holds-barred. Sister Amelia brings unique strengths that aid in the survival of the women. She, in turn, finds a new purpose to life. Refugee is one of my favourite stories.
Revolutions seldom bring change, only new overlords. Z100 was a key player in the revolution that made women property. Because she had been a spy, she was exempt from those rules. But only as long as she did not marry. She was careful in her choice of men by never having humans for lovers. Life-like robots were her get-out-of-jail card. What is easy to forget is that no matter how tight your security is, all security protocols have weaknesses.
Slavery is a common tool in human history. One of the many problems with slavery is the de-humanizing of people. In rare cases that might actually work to a slave’s advantage because masters generally do not see slaves or servants. Infiltrating the slaves is the only way our investigator, Sam, sees to find out what Cicero Jensen and Secretary Patterson are trying to hide in Jensen’s barn. In the process Sam learns a bit about himself, his attitudes and how far people will go to keep a secret.
This was another favourite. Nansi is a shape-changing human/spider. Imagine the size of that spider! Her dual identity is a result of her Trickster father. At night Nansi, the spider, fights crime in the city. She is not the only shape-changer. There are wolves and tigers as well. One night, to protect a new-born baby, Nansi kills a tiger. That choice changes her life and the life of the city.
Through the journal of the Headmistress of a women’s college we learn what happens when the ocean brings a dock, or part of it, to the beach by the college. The dock is to be brought inside the city walls. A short time later, body parts turn up on the same beach. Then a sub-mariner hears a pulse coming from the depths of the ocean.
I really liked this one as well. It is time for the initiation of the Masai boy Saitoti into the ranks of lion-hunters. Eleven lion-hunters travel to Mombasa to meet with Ethiopian Bahati Mazarin. She tells them that there are two lions she wants killed. That is, if they are lions. Rumours would have it otherwise. Bahati Mazarin is coming with them to hunt. Saitoti cannot help but wonder why she is coming along with them or why she specifically asked for their group and hopes it has nothing to do with his history.
Clara Perry is on the strangest journey of her life. Unbeknownst to her, Clara’s cryogenic chamber was not sitting in Las Vegas waiting to be opened years into the future. Instead, persons unknown had sent her to the planet Pless to introduce them to technology. It turns out Pless has human-like people on it, people who breathe air Clara can breathe, eat food Clara can eat and behave in a manner Clara can relate to. She soon establishes herself as a woman to be reckoned with. Widow Perry breaks gender roles and class roles enabling her integration with people from the various walks of life on Pless. I really liked this story as well. There is something about realistically portrayed strong women that I like. Not that steamfunk is realistic, but I hope you understand what I mean.
Every ‘jack knew that secrets were death on the rim. But secrets had been kept from the younger generations of Breaktown. When a rip tears Kally Freeman from Other Country to somewhere else, Bannecker Jack does not hesitate to jump after her. “Where did we come from?” “How did we get here?” were questions the child Bannecker often asked his mother. He is about to find out.
Warden Clemons tells prisoner John William Henry that he is about to experience the breeze of the Virginia wind and the smell of its dirt again. Only thing is, John Henry will do that by being part of a chain-gang working on laying tracks for The C and O Railway. Oh joy. John Henry uses this as a chance to run away. He is shot but manages to make his way into an opening in the side of a hill.
Pritchard asked me to review her story about a potential future.
At some point in the future the huge division between rich and poor became the excuse revolutionists needed. As with all revolutions, all that had changed was who was in power. From the descriptions in the book we are in a fairly small Monarchy. Citizens are divided between seven sectors. The central one is the capitol city. The other six sectors produce what the population needs to survive, including members of the military. The military is made up of the oldest children of people in six of the sectors. Constance is one such youth. These youth are sent to the capitol the year they turn 16.
Once there, the group of teens first go through an induction week that is supposed to break them. After that, they are given whatever job society (Lex) thinks they qualify for. Once Constance has been inducted into the Brigadiers, she must follow orders (just as we would expect of any soldier). There is romance and all of the other relationships we often find in young adult stories.
Monarchy is not a finished product. It did have potential. With more editing and a couple of beta-reads it would have been fun. Basic stuff like getting “pallet”, “palette” and “palate” right.
As the bus-doors squealed shut, she fantasized about stealing the rainbow-striped balloon and drifting away to wherever the wind blew. Maybe to wherever her father was.
Victim mentality is difficult to let go. A person gets so wrapped up in what has been that they forget the future does not have to look the same. There are choices. However, getting to that point when one’s self-image seems shot to pieces and one’s position as underdog appears set in stone, is nigh to impossible.
Dee is 17 years old and considered an odd-ball. She is taller than most, has unusual hair and a scarred back. Her position on the social status totem pole is low. Laura, her only, and now ex-, friend, left her for a higher place. Predatory kids consider her easy bait.
“Don’t feed the wolves. Never feed the wolves.”
To top it all Dee thinks she is probably insane. She hears and sees stuff that the other kids apparently do not. Take Danny’s broken pencil:
Every tooth mark incised the instrument with Danny’s belief in magic – belief in gods who used magic.
And, the pencil…… It glowed and floated.
Her way out of victim mentality and hiding from the wolves slowly begins when the Vasquez brothers go after Danny. Dee ends up with dog shit in her hair, but facing her fears is slowly becoming possible.
Dee has a strange collection. A broken pencil, broken key-chain, broken glasses, broken lighter, broken needle and broken guitar pick probably do not seem like much to most of us. But Dee senses that these objects represent something more, and the only person with whom Dee dares talk about what she sees and hears is her grand-father. He is also the person who reveals who her father is, a man called River who turned up and disappeared right before his eyes. As it turns out, Dee’s heritage becomes essential to her survival. One day, a guy disappears with her collection. Dee desperately wants her things back but has no idea how to go about that.
Then, she sees a speaking glow bug that calls itself Nid. A a deal is made. Nid’s freedom pays for travelling to the place where the box has gone and making sure Dee gets back, safe and sound, to her family.
Yates has done a great job on her new world. Crescent is both similar and dissimilar to our own world. Society is highly stratified into different Breeds. At top are the “Leaders” and near the bottom are “Stealers”. Guess which one Dee belongs to. The right to naming and defining is a right we fight wars over. Stealers are a perfect example of what happens when the powers that be use their power to re-name. Stealers used to be called “Scouts”.
A scout is a person who seeks information about the unknown, one who goes in front, one who acts as a buffer for those behind while a stealer is a person who takes what does not belong to them. Instead of being part of a team, Stealers are now enslaved by those who can afford to own them. Propaganda has it that the only thing Stealers do well is run from trouble and steal your things. Propaganda also has it that as long as people fulfil the duties Leaders claim each breed must, all needs will be taken care of. As Stealer shows, propaganda in Crescent is as true as propaganda anywhere.
Some of the foreshadowing is obvious and trendy. For instance, Dee and Hunter. If two people meet, and that meeting is hostile, it is likely they will become lovers. Yates copies what has been urban fantasy fashion for a few years by throwing in a competitor for the main character’s affections.
Dee follows in the tradition of mystery parent giving the child great powers. Then something happens and those powers become immense. Although Dee does use her unexpected powers to get out of sticky situations, Yates usually manages to avoid the trap of overdoing it. Yates also writes Dee as a believable confused and surprised young woman in a confusing and surprising situation. Moving to a new culture is difficult. Language, traditions and presentation in Crescent are different to the ones of her own home town somewhere in the US.
Stealer is the first book in a Young Adult trilogy. It is 292 pages. Yates tells a story full of action and adventure with interesting characters, both the main- and the side-characters. I could identify with some of them. Crescent is a fun world with solutions I do think I have seen before. I really liked Stealer and definitely recommend it.
Bacchanalia (Bakkheia) scene on sarcophagus (210-220)
Satyr playing the aulos. Creusa Painter. ca. 400–390 BC.
I recommend reading The Janus Cycle before you continue with Dinnusos Rises. Dinnusos continues some of the stories from it. Toward the end of The Janus Cycle, we read:
“… Janus was once this great place where nobody gave a fuck and you could just have fun, but then some bloody kids who don’t have a clue tried to steal your vibe.”…
“You just need to move on, he declared. “Look around you – this, what we have here tonight – isn’t it that feeling, that craziness you were looking for? You are Janus. Let those kids keep the empty shell. You can make a new one!” (The Janus Cycle, p. 217)
“… Victorian, with high ceilings and sash windows. It’s big, too. … If the main bar ever gets too rowdy and you fancy some quiet, there’s a whole labyrinth of rooms on the upper floors you can get lost in. One of the city’s old canal ways runs along the back of the building.” (Dinnusos, p. 14)
You can find Dinnusos in Yesterville:
“A place of urban decay and broken streetlamps. Vagrants and outcasts. Faded signposts and overgrown gardens. Thrifty means and humble dreams.” (Dinnusos, p. 14)
Dinnusos is owned by Neal. Neal and Tristan became a couple in The Janus Cycle. Tristan is a painter and he has painted murals on most of Dinnusos’ walls, murals that magically change during the story behaving as prophetic tools.
We reconnect with the paranormal members of Sunset Haze: Patrick (violin+half-fey), Faye (flute+dream walker), Jack (acoustic guitar+half-fey), and Ellen/Jessica (voice+medium/ghost). Neal lets them practice in one of the club’s rooms in exchange for the occasional session downstairs. Their abilities draw people. We also reconnect with Tilly, Pandora and Frelia.
Tej Turner has used the same writing style he used in The Janus Cycle. Each chapter is told from a different person’s point of view. That lets us catch up with the life of the individual and keeps the story going at the same time. Taxus Baccus (TB) is an environmental organization led by Jardair, Jack’s wuduwāsa father (Turner plays with the Greek and Roman pantheons throughout the story). Until TB arrived at Jack’s house, Jack and his pet squirrel, Nuttles, lived on their own. Their lives go from quiet to chaotic in a matter of hours. TB travels from town to town addressing, in their own way, environmental issues each town struggles with. Tej Turner uses Taxus Baccus to address the fragility of our supposed right to free speech and the right to live our lives as we wish.
“It seems to me that this country is run by sociopaths with gloating expressions and oily hair. They wander around Westminster with their leather briefcases, selling off public assets to their pals from boarding school and members of their extended family who have vested interests. All the while, class war is waged through an ever-encroaching succession of draconian legislations. They will not rest until they have rounded up everyone into the rat race because they, by fortune of birth, are the big cats. The the more rats there are, the more they have to dig their paws into.” (Dinnusos, p 62)
Dinnusos Rising contends that it we, the general populace, make such methods possible through our complacency and docility. The percentage of people who turn up for various elections certainly seem to agree with that contention. Westminster uses various media to pimp their message to the public
“… the news channels and tabloids were doing their utmost to demonise us. Footage and photos were being carefully selected, and it seemed their cameras only had spare film for the more outrageous members f the movements … They never told the public why were were doing the things we were doing. They made us seem like rebels without a cause.” … (Dinnusos, p. 72)
Through The National Conciliation Act, Westminster intends to cement the corporatocracy we see strengthening its hooks into various governments around the world.
“Later on we will be interviewing MP, Mr. Ben Fitzgerald, to see if he can shed any light upon rumours Westminster is considering bringing in new legislation which will grant authorities more power to dismantle anti-social behaviour.” (Dinnusos, p. 92)
The NCA bans political demonstrations and movements like Taxus Baccata. It would give Westminster the power to shut down any business charity or organisation which was perceived as having a “subversive agenda“. They could tighten restrictions on the internet. It would become illegal for employees to speak badly about the companies they work for, and turn civil disobedience into a criminal – rather than civil – offence.
Pandora’s workplace, Fibertine Investment Bank, is a great example of a corporation that wants the NCA voted through. FIB invests in corporations around the world and outwardly appear to be concerned about ethical corporation issues. They even have their own Ethical Practices Officer. However, when Pandora tries to bring ethical issues to the attention of her boss, Mr. Watts, he reminds her of FIB’s business motto:
“Business is blameless,” … there is no need to feel guilt, or worry about facing consequences. (Dinnusos, p. 92)
Corporatocracy is not the only topic Turner addresses. Friendship represented by Pandora and Frelia, Faye and Tilly, and Jack and Tilly is a complicated subject. Trust is betrayed, destructive and healthy decisions are made, and new beginnings are all part of the friendships in Dinnusos Rising. Turner also shows us individual experiences with self-harm, suicide ideation, drugs, abuse, sexuality, and gender. We see how falling in love may affect other relationships. Again, Tilly is the one who meets the most challenges. She is also the youngest of our characters.
Dinnusos Rises is well-edited, well written, has fleshed out characters, and presents current issues in a package filled with action and adventure. Both Dinnusos Rises and The Janus Cycle are excellent contributions in discussions about the above topics. Dinnusos Rises has my whole-hearted recommendation.
Steel is a historical fantasy about a girl who is thrown into the past and desperately wants to return to what she had not realized she had. It is an action-filled coming of age story set in beautiful Bahamas on the Diana, captained by Marjorie Cooper. It is a story about choices, and how those choices end up defining us. What Steel is NOT is a swashbuckling romance.
A large wave surged under them then, sending the boat rocking steeply. Jill, the world-class athlete who’d never yet lost her balance in a fencing bout, fell. Stumbling back, she hit the side of the boat and went over. Grabbing uselessly for the edge, she rolled into the ocean. ….
Waves pitched her, her sunglasses were torn away, the water was cold, shocking after the tropical air. She couldn’t catch her breath – swallowed water instead. Flailing, she searched for up, groped for the surface – couldn’t find it. Her lungs were tightening. It had been sunny a moment ago – where was the sun?
Someone grabbed her. Hands twisted into her clothing and pulled her into the air. She clutched at her rescuers, gasped for air, heaving deep breaths that tasted of brine, slimy and salty. But she was out of the water. She was safe. She wasn’t going to die.
Many people talk about pirates as if they lived a romantic kind of life. I suppose many historical eras have people longing for them. But there was little romance going on in days that were usually all about survival. Marjorie Cooper is the Captain of the pirate ship Jill ends up on. Cooper and the rest of the crew quickly realize that Jill is completely at a loss about everything that has to do with a pirate’s life. Suspicions about her being a spy for Edmund Blane (another pirate) are soon squashed by her ineptitude. Even fencing, a sport Jill thought she excelled at, was of a whole different caliber in the Bahamas in the late 1800’s.
Jill could only shake her head – no, she’d never fought for blood. Not real blood. Only ranks, medals, and maybe a college scholarship. She bowed her head, embarrassed, when tears fell. She wiped them away quickly. Her still-wet hair stuck to her cheeks. Salt water crusted her clothing. However much she wanted to sit down, pass out – or drop the rapier, which she wouldn’t have been able to raise again if Henry came at her in another attack – she remained standing before the captain, as straight as she could, which wasn’t very at moment.
“What’s your name, lass?”
“Jill. Jill Archer,” she said, her voice scratching. She only just noticed that she was thirsty.
“And, Jill, how do you come to be adrift in the wide sea so far from home?”
The tears almost broke then, and she took a moment to answer. “I don’t know.”
Slowly, Jill learns what it means to be a pirate and also what it means to be an adult. Basically, that meant work. The kind that left her little time and energy to plan, to regret or to think about her family. Wood had to be kept free of mold, sails had to be mended, ropes had to be spliced, the ship had to be emptied and barnacles removed and repeat. Slaves were rescued, battles fought, magic rapier tips followed and lives were put on the line. All the time the Diana kept on chasing Blane and Jill became more and more part of most of the crew. But not all of it, the Diana‘s prisoner included.
On board, the pirates have a Doctor Emory. When Diana was landed to clean off barnacles, he tried to signal his friends in the hopes that they would see and come rescue him and kill the pirates. Having signed their articles, Jill does not feel the same.
Often, Jill finds herself thinking that she should tell her siblings Tom and Mandy about her experiences. She wonders if her family misses her. She regrets her moping, when, really, there was nothing to mope about. Slowly she goes from being an unaware, privileged, white, middle-class girl to learning some of life’s more difficult lessons. One is that very little in life can be taken for granted. A difficult lesson to learn is that when you feel helpless it is easier to follow orders you do not understand rather than to disobey. What happens when a point that seems like one of no return appears? What then? Jill learns what obsession looks like and how it brings danger to others. She learns about the dire consequences some choices have and how some of those consequences reach far into the future to bring a 16-year old girl into the past to right them.
Nosferatu is loosely based on “Count Dracula” by Bram Stoker.
“Orochi (「ヤマタノオロチ」?; Yamata no Orochi) is a major demon of Ōkami and Ōkamiden. It is an eight-headed serpent demon that resides in the Moon Cave.” (Ōkami Official Complete Works, 2007)
From a Bhagavata Purana manuscript, c. 1640.
“An advert for Hayatake Torakichi’s circus troupe in Hirokoji Street in Nishiryogoku.” (“REKIHAKU” No.118)
Cover art by Fred Gambino
Resting Incubus, p. 118 of Demonomicon
Harajuku Girls in Japan, Photograph from GoJapanGo.com
The world of Owl and the Japanese Circus, by Kristi Charish, is dominated by antique thief extraordinaire, Owl, previously known as Alix Hiboux. Alix’s transformation from archaeology grad student to thief is in part a result of one of the laws we get to know in this urban fantasy. The International Archaeological Association (IAA) operates outside the law of the land in certain cases. Not all archaeological discoveries can be shared with the public. Also, the IAA takes care of their people in the know. Unfortunately for Alix, she fell victim to one such person.
“In exchange for saying, “No, I was wrong, none of the data in that report was falsified, the postdoc and supervisor still remain god apparent, I’m a bad grad student,” I had been verbally promised funding for the next four years and a coveted transfer to the lost city dig site in Ephesus, Turkey. Right after I had signed the paperwork that had legally absolved the university and my supervisor of any wrongdoing, all my funding had been terminated and my transfer had disappeared.”
All of a sudden, Alix was persona non grata in academia. Her reputation was ruined, and she needed to make a living. Turning thief was a matter of getting back at her old university and utilizing her outstanding understanding of the authenticity of antiques and antique languages. She chose her clients carefully (she thought), made sure they never met face-to-face, and paid a courier well to deliver the orders. All went well. Owl made loads of money. And then – poof – vampires. Once the lid is off Pandora’s box, there is no putting the monsters back. When we meet her, Owl is on the run from said vampires.
“I turned around slowly and looked up at the tallest Japanese man I’d ever seen, wearing a pair of designer sunglasses. He wore a tailored suit with diamond cuff links – real diamond cuff links – and matching shoes, but that wasn’t what got the kid. A tattoo of a dragon wound its way around his neck and disappearing underneath his shirt. It was striking, and a stark contrast to the expensive outfit. It was also a signature.”
One does not refuse Mr. Ryuu Kurusawa. Owl has done jobs for him before but never met him or his people. That is about to change.
“Ryuu Kurosawa, a Vegas mogul known for his Japanese Circus-themed casino, looked up from a white couch and smiled that business smile you come to expect from professional sharks. Not the ones that take your money, the ones that eat you while you’re still screaming.”
In return for retrieving the missing contents of a magical egg, Mr. Kurosawa will hold off the vampires. Or else.
Like most humans I have met, Owl is incredibly inconsistent and willfully blind to her own fears. And, as is the case when we are willfully blind, she does not learn from her mistakes. Even though she now knows that there are supernaturals, she never spots them. For one so focused on the details of archaeology, Owl misses the details of people around her. This leaves her with room for growth. Quite naturally, she also has huge trust issues. Along with those come a tendency to self-sabotage anything that might lead to friendship. Her tools are language and running away. However, there is some hope.
“You made me nervous the last time I was here. I didn’t know what to make of it, and personal conversations make me uncomfortable, so I did something stupid and decided to avoid you.” I ran my hand through my hair. “I’m a hell of a lot better with inconsequential conversations about vampires and RPGs,” I added, hazarding a look at him. He was still watching me and sizing me up from the doorway. Then he walked back to the outdoor bar and took the seat beside me. “All right,” he said. “We can go back to talking about RPGs and my vampire problems?” I said, maybe a little too hopefully. “No. We can have the conversation you didn’t want to have three months ago, and then I’ll decide whether I still want to be friends with you.”
One relationship Owl would never dream of sabotaging is her relationship with her Egyptian Mau cat, Captain. He goes with her everywhere. At first, I thought that would be a problem because of all of her traveling and her line of work. After a look at the various cat carriers out there, traveling was no longer an issue. When it comes to her line of work, Captain is a potential liability. Traveling with a cat in a carrier makes it easier to be spotted once that detail leaks. However, he is also a vampire alarm. Plus she loves him and he gives her balance.
Owl’s best, and oldest, friend is Nadya. The two met while at grad school. About six months before trouble hit Alix, Nadya suspected something nasty was going on and left for Tokyo. She advised Alix to do the same, but as we know, Alix ended up as Owl. Nadya is extremely smart and business savvy. She lives in the Shiyuba (sp?) district of Tokyo, owns a night club called the Space Station Deluxe and is Alix’s go-to-person when there is need of hacking.
Owl and the Japanese Circus was a fun YA urban fantasy with long-term potential. Definitely recommended.