Converted is the second short-story of The Meantime Series. “Draghan and the shaman had been on the inside of the innermost circles of power since the previous regime” until “King Avlar met his premature death after a clumsy and unfortunate accident where he sat down on his sword”. Both Draghan and the shaman had an instantaneous conversion from the old god to the god of Avlar’s son. We follow the two of them in Converted.
While there are language and grammar issues, Svingen & Pedersen have solved many of the problems I saw in Flushed. I particularly like their take on the worth of people. Some places in the world are still like this.
“Great,” Reese said, losing what little energy she had. She imagined it bleeding into the ground beneath her tailbone and shoulders. “You were supposed to be in a jail cell we could get you out of for money, not underground in a place pirates hide people they want to make disappear.”
The Eldritch canted his head, hair hissing against one shoulder. “I’m sorry for the inconvenience.”
“Yeah, well, I’ll send you a bill,” Reese said, trying to get a hand under herself so she could sit up.
Heide Goody & Iain Grant‘s collaboration began with Clovenhoof. They enjoyed it enough to continue collaborating on at least eleven more stories. I adored Clovenhoof. If you enjoy British humour, this is a must. Life right now needed Clovenhoof. When my Asperger struggles to deal with what life hands me, laughs are precious. Clovenhoof was fall over funny and relevant. Probably relevant for any person who has had siblings, parent issues or have struggled to fit into their local cultures and bureaucracies.
“We’re a little disappointed,” said Saint Peter. “Let’s take the measure of suffering. This was very straightforward. All suffering should be graded as good or higher.”
“And we’re certainly getting those grades in a lot of the suffering that we deliver,” said Satan.
“A lot. Not all.”
“Yes, but it wouldn’t be reasonable to expect it for everything,” Satan argued. “We got some clients who simply enjoy it too much, and then there are those who lie about the experience because they can’t help themselves.”
… “You give me no choice but to recommend your immediate removal from the post.”
Poor Satan. The guy can never catch a break. First he gets thrown out of Heaven. His punishment for wanting to save God’s children was being master of Hell, a hellish job. Then, he gets thrown out of Hell for trying to meet the demands of the assessment board. Fired by uptight Michael and conniving St. Peter (helped by, hmmm, not telling). Where does he end up? Earth. England. Birmingham. Sutton Coldfield.
“Having restocked the shelves of the Thriller section with a newly arrived box of Deightons and Le Carrés and settled down for a mid-morning cup of tea, Ben heard a muffled roll of thunder, looked up and saw that a naked man had appeared on the pavement outside the shop.”
Ben Kitchen is one of our main characters, the owner of the aforesaid used book-store (Books ‘n’ Bobs). He lives in the same building as Mr. Jeremy Clovenhoof (Michael’s sense of humour), and is painfully shy towards women he might be interested in. The two of them coincidentally end up on the same floor of an apartment building in Boldmere. They live in flats 2a and 2b.
We also get to know Nerys from the third floor of the same building. She works at Helping Hand Job Agency. One of her clients turns out to be Jeremy. And what a client he is. Both she and Ben try to figure out where Jeremy is from and why he is such an odd person.
Satan has no concept of money, credit cards, bills, rent, making food, what to wear, social rules, how to find a job or any of the other hellish things we are expected to magically understand upon reaching adulthood. Add in the fact that Satan is an Alien, and as one might expect of The Devil in such a situation, he makes a mess of things – both in his life and in others. However, Satan is an OK guy. He knows he did his best in Hell and wants to get a second opinion from God. Michael and he have not been on good terms since the War in Heaven, so Clovenhoof is not about to trust any decision made by him and St. Peter. Getting that second opinion is not a simple matter when the opposition refuses to cooperate. Because he is an Alien, Satan sees the world without the prejudices we grow up with. He also does not have the same moral compass humans like to imagine they have. In many ways Satan makes me think of the experiences many Aspergers have in trying to connect with their surroundings. So many rules and regulations make no sense and “morals and empathy” are just words people use to persecute others.
The story moves between the new and unusual experiences Satan has on Earth and the reason Satan got kicked out of Hell (it might not be what you think it is). I have learned several vital things about English society. Good thing there are search engines:
Bacchanalia (Bakkheia) scene on sarcophagus (210-220)
Cover art by Alison Buck
Dionysus and Satyr by Karadin
Satyr playing the aulos. Creusa Painter. ca. 400–390 BC.
I recommend reading The Janus Cycle before you continue with Dinnusos Rises. As the story moves along, we reconnect with the paranormal members of Sunset Haze: Patrick (violin+half-fey), Faye (flute+dream walker), Jack (acoustic guitar+half-fey), and Ellen/Jessica (voice+medium/ghost). Neal lets them practice in one of the club’s rooms in exchange for the occasional session downstairs. Their abilities draw people. We also reconnect with Tilly, Pandora and Frelia.Toward the end of The Janus Cycle, we read:
“… Janus was once this great place where nobody gave a fuck and you could just have fun, but then some bloody kids who don’t have a clue tried to steal your vibe.”…
“You just need to move on, he declared. “Look around you – this, what we have here tonight – isn’t it that feeling, that craziness you were looking for? You are Janus. Let those kids keep the empty shell. You can make a new one!” (The Janus Cycle, p. 217)
“… Victorian, with high ceilings and sash windows. It’s big, too. … If the main bar ever gets too rowdy and you fancy some quiet, there’s a whole labyrinth of rooms on the upper floors you can get lost in. One of the city’s old canal ways runs along the back of the building.” (Dinnusos, p. 14)
Neal and Tristan became a couple in The Janus Cycle. Dinnusos is owned by Neal. His partner painted magical murals, on most of the walls of the club, that appear to have prophetic value for some of the main characters. You can find Dinnusos in Yesterville:
“A place of urban decay and broken streetlamps. Vagrants and outcasts. Faded signposts and overgrown gardens. Thrifty means and humble dreams.” (Dinnusos, p. 14)
Tej Turner has used the same writing style he used in The Janus Cycle. There is an overarching story with chapters that get told from a different point of view, allowing us to catch up with the life of the individual and keeps the story going at the same time. Taxus Baccus (TB) is an environmental organization led by Jardair, Jack’s wuduwāsa father (Turner plays with the Greek and Roman pantheons throughout the story). Until TB arrived at Jack’s house (a squat), Jack and his pet squirrel, Nuttles, lived on their own. Their lives go from quiet to chaotic in a matter of hours. TB travels from town to town addressing, in their own way, environmental issues each town struggles with. Tej Turner uses Taxus Baccus to address the fragility of our supposed right to free speech and the right to live our lives as we wish.
“It seems to me that this country is run by sociopaths with gloating expressions and oily hair. They wander around Westminster with their leather briefcases, selling off public assets to their pals from boarding school and members of their extended family who have vested interests. All the while, class war is waged through an ever-encroaching succession of draconian legislations. They will not rest until they have rounded up everyone into the rat race because they, by fortune of birth, are the big cats. The the more rats there are, the more they have to dig their paws into.” (Dinnusos, p 62)
Dinnusos Rising contends that it we, the general populace, make such methods possible through our complacency and docility. The percentage of people who turn up for various elections certainly seem to support that contention. Westminster uses various media to pimp their message to the public
“… the news channels and tabloids were doing their utmost to demonise us. Footage and photos were being carefully selected, and it seemed their cameras only had spare film for the more outrageous members f the movements … They never told the public why were were doing the things we were doing. They made us seem like rebels without a cause.” … (Dinnusos, p. 72)
Through The National Conciliation Act (NCA), Westminster intends to cement the corporatocracy we see strengthening its hooks into various governments around the world.
“Later on we will be interviewing MP, Mr. Ben Fitzgerald, to see if he can shed any light upon rumours Westminster is considering bringing in new legislation which will grant authorities more power to dismantle anti-social behaviour.” (Dinnusos, p. 92)
The NCA bans political demonstrations and movements like Taxus Baccata. It would give Westminster the power to shut down any business charity or organisation which was perceived as having a “subversive agenda“. They could tighten restrictions on the internet. It would become illegal for employees to speak badly about the companies they work for and turn civil disobedience into a criminal – rather than civil – offence.
Pandora’s workplace, Fibertine Investment Bank (FIB), is a great example of a corporation that wants the NCA passed. FIB invests in corporations around the world and outwardly appear to be concerned about ethical corporation issues. They even have their own Ethical Practices Officer. However, when Pandora tries to bring ethical issues to the attention of her boss, Mr. Watts, he reminds her of FIB’s business motto:
“Business is blameless,” … there is no need to feel guilt, or worry about facing consequences. (Dinnusos, p. 92)
Corporatocracy is not the only topic Turner addresses. Friendship represented by Pandora and Frelia, Faye and Tilly, and Jack and Tilly is a complicated dance. Trust is betrayed, destructive and healthy decisions are made, and new beginnings are all part of the friendships in Dinnusos Rising. Turner also shows us individual experiences with self-harm, suicide ideation, drugs, abuse, sexuality, and gender. We see how falling in love may affect other relationships. Again, Tilly is the one who meets most of the challenges. She is also the youngest of our characters.
Dinnusos Rises is well-edited, well written, has fleshed out characters, and presents current issues in a package filled with action and adventure. Both Dinnusos Rises and The Janus Cycle are excellent contributions to discussions about the above topics. Dinnusos Rises has my whole-hearted recommendation.
On Fiaru Island, in the Kingdom of Greylandia, on the world Acu lives the Stone family. We first meet them at the Pairing ceremony of the youngest daughter. Meeting your canonipom and bonding with it is the most important day in the lives of Greylandians. As far as the people we meet know, Kaia Stone (16) is the only person who never did so. The Stones are humans. Canonipoms are not.
A canonipom is about a foot tall and humanoid in appearance, the same gender as its human and similar in nature and looks. Being a companion seems to be its sole purpose. Once a Pairing is complete, the two have a bond that allows telepathic communication.
Soon after the family returned from the bonding, a flird appeared with a message from the Speaker Council on Zavonia. A flird is a type of shape-changer. One form functions as a flying messenger capable of conversation and memorization. Its other form is flower-like. Travel for a flird must be instantaneous because the time it took to go back and forth between Zavonia and Fiaru was, at most, a couple of hours.
The Council invited the Stones to appear before them. Speakers are human magicians whose words, or Utterances, manifest. As with most magicians, talent and work ethics differ between Speakers. To get to the secretive island, the Stone family had travel overnight by ship. The Council of Speakers asked Kaia to go on a mission to the cursed Kingdom of Mar.
Ten years ago, Marians slaughtered the Tivmicians and, thereby, into conflict with one of the Speakers’ utterances:
“Should a group ever seek the extermination of another group, … let Acu’s skies cry blood on that day. Let the plagued realm know only misery, and let it offer escape to none.”
And so the Marians were cursed forever. Or so it seemed. Recently, the Utdrendans (one of the first three races) told the Speakers there was a chance the curse could be lifted. To do so, Kaia Stone of Greyland and Sir Pelliab Blackwell of Darlbent must go to Mar and report the Utdrendan message to King Richard of Mar and discover a cure. Kaia and Pelliab would not have to travel alone. The Council promised to send along two Speakers and five of King Robert’s (brother to Richard) sons. Mr. Stone refused outright to let his 16 year old daughter traipse off into unknown territory. Kaia felt this quest would, finally, give her life meaning and felt devastated by her father’s refusal. However, just as she was about to enter the return vessel, one of the Councillors pushed a flird bulb up her sleeve. If she chooses to go, it will have to be without her family knowing and that worries her.
Capering on Glass Bridges is a hero’s quest story, and that means we know what Kaia will decide. She is our main character and it would be strange if she stayed home. So. We get to meet five princes of King Robert’s 1000 children (busy man), two speakers and a kingsman along with the various people who are part of the adventure. Kaia and Pelliab’s challenge lies in getting to the Kingdom of Mar, then getting to King Richard, then finding out what they and the kingdom need to do to lift the curse. A solution is not found in book one of the duology.
Capering on Glass Bridges is Hernandez debut. It has a good story-line. Genre betas and/or editor would have improved it. Terminology is important and there were inconsistencies. However, there very few spelling/grammar problems, and the plot and creatures fit the “hero’s quest” genre.
Some characters hit me harder than others. In The Broken God that was the boy Zoshi. There really isn’t anything unique about Zoshi. He’s just another “street-rat” among many others. Like street-rats everywhere, hunger, homelessness and poverty are his companions.
“The street rat had survived eight years in the docks, and he knew what danger felt like. This was it. All prickling over his body, making his legs want to run.”
We first met Zoshi in King’s Folly. His plight broke my heart. Zoshi’s story in The Broken God is just as difficult for me to read.
“… The light wavered with his shaking. Zoshi gripped his own arm, trying to keep it still. He was falling, he was sure of it, and his stomach had been left at the cave wall.
Tears slipped down his cheeks and piss seeped down his leg – the smell of courage. It was strangely reassuring in the void of time and space. …”
Courage is like that, and I love that Flynn recognizes this. I also love that one of the bravest people in her story is this 8-year old boy who had just been through one terror and now tries to muddle through his another. All alone, except for the dog/mammoth/crow Crumpet.
Marsais is a mess. Being at least 2000 years old and a seer will do that to you. His mind travels all potential futures and “endless hallways of memory“. Keeping track of when he is has become almost impossible. His meddling left one of his stabilizers behind. Isiilde did not get on the ship with him. Marsais may come to regret that decision; but like all meddlers, he feels he has done what needed to be done. At least Oenghus is with him. Oen is a rock. Yet even stone can crack. Being without his daughter has also destabilized him. But both men have seriously underestimated Isiilde.
“Finally,” she said, “you’re treating me like an equal rather than a pet to be indulged. I will not become one of Syre’s pet nymphs and I am no longer yours.”
A nymph fighting for the humans who view her as an animal is a struggle for Isiilde. Lieutenant Rivan is probably the only one of the Sacred Order who does not. He is also the only man, other than her father, who is not distracted by her presence. Unless you count challenging his faith. Blind faith is a dangerous thing. It is easy to forget that knowledge must have precedence. Rivan viewing Isiilde as equal to humans makes him heretic in the eyes of his Order. He is not alone in questioning old beliefs. Captain Acacia Mael keeps on learning that what her Order claims does not add up with what she observes.
In the meantime, healer must become warrior again. Morigan, and the rest of the Isle of the Wise, are beset by betrayal and the Fey. The Fey are phantoms whose whispers invade a person’s mind and leave them incapable of fighting back. Most become mad or die. Morigan does neither. She and Brynhilde are amazing women who do their best for the people they are in charge of.
I think that what I liked most about The Broken God and The Legend of Fyrsta series was that while there were a huge number of endings, there were no happy endings. There were, however, new beginnings. Occasionally, death is postponed and, instead, another chance was given. Not to make things over or better than before, but to continue trying to make a go of it. We can’t really ask for more than that. Except maybe strawberries.
Some authors write horror too well for my own good. In the case of Mr. Black, this happened before the end of chapter 6. I could not go on. Not since beginning to read Apartment 16 by Adam Nevill have I been this frightened. The time before that was when I was 15 and tried to read Dracula. So, no very often.
It wasn’t the demon dogs who did it for me. They were just gross and gross can be fun, or at least interesting. But good old Elder God, Nyarlathotep, did me in.
Too bad, really, as Mr. Black’s writing was excellent. But, alas, so is my imagination.
The Red Right Hand was given to me to review by Tor Books