Tag Archives: #SpaceOpera

Lisle, H. (2014). Born from Fire. One More Word Books.

“The Truth of We”

“We speak the Truth, and the Truth speaks Us,
We live by the covenants, We abide by the Words.

That none may laugh until All can laugh,
That All sleep on dirt until none sleep on dirt.

Dirt is Our birthright. Hardship is Our glory.
Hardship strengthens Us. Hunger feeds Us.

The Known is All. The new is Willful.
Welcome Pain. Pain is Knowledge. We are WE.

Self is selfish. One is none.
All are All. We are We.

Each flesh belongs to All.
Each thought belongs to All.

Children are duty. All tend All.
Duty is life. Life is dying. Dying is duty.
We die for Duty. We are WE.

Within Each hides Evil. Be All, not Each.
In Aloneness is Willfulness. We will never be Alone.

We share, We do not own.
Property is an abomination.

Beauty is property. Property is crime.
Passion is property. Property is crime.

Love is property. We out love and lovers.
Secrets are property. We out secrets and secret-keepers.

All is Sharing. Sharing is Duty.
We serve Sharing. We are WE.

We speak the Truth, and the Truth speaks Us.
We live by the covenants, We abide by the Words.
The Will of All is all of Will. We are WE.” (Kindle Loc 307-339)

Since 1991 Lisle has published all kinds of writing from writing classes, short stories, poetry, novels (sci-fi & fantasy) and co-written material. I own many of the stories and have enjoyed the ones I have read, including Born From Fire.

Born From Fire is a 102 pages long science fiction novella. It is episode 1 of the Chronicles of Longview serial (i.e. not stand-alone). Its title suits the story well and has both a literal and figurative meaning. Born From Fire does not seem to have a particular age group in mind. There is no recognizable swearing, some violence and no sex. 

DOWN THE DARKNESS, down the line of standing cells, three words rippled urgently and under breath. “Death Circus here!”

In the dark, this criminal had waited long and longer for death to come. This criminal could not lie down, could not sit down—its captors had made certain its cell, and the cells of the others like it, permitted only standing.

With its bandaged knees pressed into one corner, its spine jammed into the other, this criminal drifted in that lightless place, never certain whether it was waking or dreaming. When it ate, it ate maggots. When it dreamed of eating, it dreamed of maggots. When it pissed or shit, it pissed or shit down its legs. When it dreamed, it dreamed of the same. (Kindle loc 37-44)

“It” or We-39R is a member of a People’s Home of Truth and Fairness (PHTF) settlement. These settlements are owned by the PHTF franchise and run by Speakers for We. As long as leaders of the various planets in the Longview universe do not execute their citizens, they may do as they wish with their people. PHTF franchises are the worst places to live for everyone but Speakers. We-39R earned the death penalty for Willfulness. However his death was delayed since executions must be carried out by Death Circuses, i.e. space ships travelling from collection point to collection point buying Class A (at least 30%) and Class B (at least 10%) prisoners.

The Longview is the biggest and most expensive Death Circus. It has the best salaries, the most extensive training for its crew and even offers investment incentives. More Class B prisoners are bought by them than by other circuses and it sells the fewest prisoners, yet it makes more money than any other Death Circus. 

Crew members begin as Provisional Crew Three Green. Once a person is hired on, they become Crew Three Green and advance up through Crews Two and One. Each crew is colour-graded from Green to Blue to Silver to Gold.

Born from Fire is told from three points of view, i.e. We-39R, Kagen (Crew Three Gold) and Melie’s (Crew Two Gold). The first half of the novella switches between We-39R and Kagen, the second switches between Kagen and Melie. Lisle handles the transitions well. The greatest differences lie between We-39R and the other two, however I do not think I could mistake Kagen for Melie (or vice versa). Since we see so much less from Melie’s perspective, she is less well-defined than the other two. All three are easy to sympathize with and their worldviews and reactions are believable. Our antagonist is less easily spotted. There is Mash, of course, but he is not the main one. That spot goes to the meta-entity that the Pact Worlds make up.

Freedom of choice and responsibility for the consequences is a theme that runs through the entire serial. Anything that might lead to the slave conditions of the PHTF worlds is seen as something to fight against. At the end of my Kindle copy Lisle explains how she built a model of The Longview on Minecraft before writing about it. I appreciate her geekiness and as a reader I get to enjoy her dedication to detail when she takes us through parts of the ship. Both the world-building and plot are interesting, well written, detailed and dark. I liked Born From Fire and recommend it.

Wells, Martha; The Siren Depths; (2012); New York, Night Shade Books

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As the last mentor hopped out of the chamber, Moon saw that the seed had sprouted new white tendrils. They snaked out and twined around the crumbling remnants of the dead tendrils to follow their path into the heart wood. The tension ran out of Moon’s body and he leaned back against the wall, letting his breath out. That’s it, he thought. The seed was alive and well and back in its place. ………….

“Well, we’re home now.”

The Indigo Cloud Court mountain tree survived the adventures of The Serpent Sea and is now ready for the adventures of The Siren Depths. The last story of the trilogy begins with the leavetaking of Niran and his two air ships. Stone, the line grandfather, and several warriors and Arbora travel with him to return him safely to his family on the Golden Islands (floating islands).

Stone was cranky, moody, and had lied to get Moon to follow him across the Three Worlds, and Moon wanted him to leave slightly less than he wanted to lose a wing.

Moon loves deeply. In spite of his fears of getting thrown out of the Indigo Cloud court he cannot help loving many of them and hoping that this is his home. A place he does not have to leave. A place to feel safe. A place to belong. In the past six months Moon has come to know what he is (a Raksura Aeriat Consort) and that there are other beings like him (the Indigo Cloud Court). Except for vague memories from early childhood, up until he met Stone, he had never encountered another like himself. His foster-mother and foster-siblings were eaten when he was around 4-5 years old. For the past 35 years he made the best of what survival skills his foster-mother had taught him to survive The Three Worlds and its diverse groundling populations. However, getting accepted by the court’s members has not been a simple matter.

“He doesn’t have to think about it,” Root said suddenly, with a pointed glance around at the others. “Nobody wanted Moon here, remember?”

There was a moment of appalled silence. Then Floret hissed and aimed a slap at Root’s head. He rolled out of reach, bounced up to stand in the safety of the passage door, and hissed at them all. “You know it’s true!”

The past six months haven’t been safe. He has battled the Fell and magicians and has saved the Indigo Cloud Court mountain tree. Not by himself, but he played a major part in all three situations. That is a lot of danger for six months. In spite of proving himself several times over, a faction of the Indigo Cloud Court see Moon as a threat to the Raksura way. That makes sense, when you think about it. Living in a variety of cultures, over a number of years, has shown Moon alternative life-styles and he has trouble fitting into the various views of what being a consort entails. Both consorts and queens are high-strung creatures yet Queens are taught to channel this into aggressive and assertive leadership while Consorts are taught to be timid and nurturing. In healthy courts consorts are pampered and protected from the outside world until they reach maturity. They then go to the consort halls. After a while, they are either claimed by a queen of their court or given away to another court to cement relations between them.

“The courts in the Reaches have to see us as something besides struggling refugees coming back to our old mountain-tree to die off in peace. It’s bad enough that they know we have a feral consort with no bloodline; when you act like one your’re shaming all of us, making us look weak.”

Yet Moon never received that socialization and that is a good thing for the survival of Indigo Cloud Court. Moon has endeared himself to most of the Arbora and the fledglings. Getting the mountain tree up to its old standards takes hard work. Hard work that he is willing to put in but that Aeriats like River are not. Moon has shown much of the Aeriat that they, too, can help make platforms safe, hunt animals and clean house. Particularly Jade has taken his example to heart. Because he is her consort, his behavior reflects upon her. By joining in when she is able to she shows the entire court her approval and her willingness to get dirty. The Arbora appreciates Moon’s example and leaves him small gifts in his bower (the consorts’ rooms).

Not only the Arbora and the Aeriat have benefitted from Moon’s untraditional life. His experiences with dealing with trauma has made him the ideal person to help the three fledgling Summer Sky court survivors, Frost, Bitter and Thorn (clutch queen and two consorts). They trust him implicitly and take advantage of him in all ways he allows them. He benefits by having someone to share his knowledge with who will not judge him on what he “is supposed or not supposed” to do. Moon underestimates the impact he has on the Indigo Cloud Court.

When they went to the Emerald Twilight Court, Ice, mother-queen of Emerald Twilight Court, saw something about Moon that made her wonder about his heritage. In an attempt to make up for Halcyon’s behavior she looks into the matter. What she discovers turns Moon’s life up-side-down once more.

Wells’ stories about the Raksura blend current issues with an imaginative world into a compelling story. My brain harmonizes with her writing. It baffles me that her stories have not been translated into other languages.


My review of:

Lee & Miller; Agent of Change (1988)

Predictions about how future technology might look when one is bound by the limitations of current technology or the imagination of engineers is one of the things that makes reading science fiction fun.  Agent of Change was written in 1988 and I noticed a few technological doodahs that we have surpassed. Val Con’s camouflage method is not one of those areas.

The man who was not Terrence O’Grady had come quietly.

And that, Sam insisted, was clear proof. Terry had never done anything quietly in his life if there was a way to get a fight out of it.

Pete, walking at Sam’s left behind the prisoner, wasn’t so sure. To all appearances, the man they had taken was Terrence O’Grady. He had the curly, sandy hair, the pug nose, and the archaic blackframed glasses over pale blue eyes, and he walked with a limp of the left leg, which the dossier said was a souvenir of an accident way back when he’d been mining in the Belt of Terado.

Val Con yos’Phelium is a deep-undercover agent sent to accomplish “impossible” assassinations. Before becoming a spy, he had been first-in scout, i.e. front-line explorer. When he became a spy, an enhancer was imbedded into his brain. All spies were inserted with similar enhancers. In Agent of Change he discovers most of its down-sides and gets to show off its benefits.

The alley twisted once more and widened into bright spaciousness, showing him a loading dock and five well-armed persons protected behind shipping containers and handtrucks. Before the dock a red-haired woman held a gun to the throat to a Terran, using his body as a shield between herself and the five others.

“Please guys,” the hostage yelled hoarsely. “I’ll give you my share-I swear it! Just do like she -”

One of those behind the containers shifted; the hostage stiffened with a throttled gasp, and the woman dropped him, diving for the scant cover of a wooden crate. Pellets splintered it, and she rolled away, the fleeing hostage forgotten, as one of the five rose for a clear shot.

Miri Robertson had been a sergeant with a mercenary group. After leaving the group, she hired on with Sire Baldwin as a body guard on a three-month contract. Sire Baldwin had not been upfront about what Miri might need to protect him from, i.e. he was on the run from the interplanetary mob called Juntavas. Unknowingly (obviously), Miri and the rest of his staff were caught in Baldwin’s double cross. As a result Miri was on the run from vengeful Juventas with a bounty on her head. The above fight is between Miri and one of the many groups out to cash in that bounty. It is this fight that brings Val Con and Miri together and leaves them sticking together until they manage to outfox those who have it in for either of them.

Rapt, Edger came into the lobby, kin trailing after. Here, he noted, the sound of the sirens was not so shrill; the rich counter-harmony of the singers faded to a primal growl over which the solitary, singlenoted song of the building soared triumphant, nearly incandescant.

And there were other textures herein encountered, doubtless meant as a frame to the piece: the softness of the carpeting beneath his feet; the clearness of the colors; the harshness of the light reflected from the framed glass surfaces. Edger stepped deeper into the experience, opening his comprehension to the wholeness of this piece of art.

Patiently, his Clan members waited.

Edger is a member of the T’Carais, a people who live centuries, even millenia. He is not yet considered adult in spite of being 900 human years old. As they grow, the T’Carais shed their old shells and grow new ones. Edger is on his Twelfth Shell. The name in his visas reads: Twelfth Shell Fifth Hatched Knife clan of Middle River’s Spring Spawn of Farmer Greentrees of the Spear-makers Den, The Edger. T’Carais names show others who they belong to, their positions, their age and important phases during their lives and, therefore, might take hours to say. Due to his interests Edger acts as ambassador/market researcher and is multi-lingual. T’Carais are social animals, much like humans, and there are several other T’Carais travelling with Edger in a Clutch spaceship. Edger is in Agent of Change because Val Con was once adopted by him as clan-brother, and he helps Val Con and Miri because that is what brothers do.

Both Miri and Val Con are essential to the story. Neither plays second fiddle to the other, and neither is a stranger to violence.  Given their roles in life, that is only to be expected. I really enjoyed how gender was played out in the story. Even today’s authors (either gender) tend to fall into stereotypical traps. Sharon Lee and Steve Miller have not and I wish more authors would follow their example. In addition, the author pair, try to not make fun of cultural cultural differences, something that might be tempting with a species such as the T’Carais. However, one does not mess with the T’Carais. They have me smiling with, rather than at, differences between Terran, Liad and T’Carais. All three are baffled at times by what the others do, but all of them seem genuinely interested in learning from each other. Val Con and Miri carry mental baggage from their pasts.  Sometimes that gets in the way of them, but not of the plot.

Agent of Change exceeded my expectations. I understand why the Liaden universe has become popular.


Reviews:

Huff, Tanya; Valor’s Choice (Confedation of Valor I)(2000)

“If space is big and mostly uninhabited, it should be safe to assume that any life-forms who really didn’t get along would avoid spending time in each other’s company.

Unfortunately, the fact that said life-forms could avoid each other doesn’t necessarily mean that they would.

When the Others attacked systems on the borders of Confederation territory, Parliament sent out a team of negotiators to point out that expansion in any other direction would be more practical as it would not result in conflict. The negotiators were returned in a number of very small pieces…”

The Confederation and the Others each consist of several sentient life forms wanting a piece of the other side’s action. Unlike the Others, the Confederation had been at peace for long enough to evolve an inability to kill species they defined as sentient, leaving the Elder races desperate for someone to protect them. As Humans had, already, ventured out into their own solar system, they were uplifted on the condition that they, in effect, become the military arm of the Confederation. Once the Krai and di’Taykan were included into the Conferation, that military was expanded.

Valor’s Choice takes us to a world where another warlike species has been discovered. The Silsviss are tough enough that the military want them to join the Confederation and not the Others. Enter  the Human Torin Kerr, staff sergeant for the Sh’Quo Company. General Morris, who has never been in a ground battle, orders Kerr to recall the battleworn Sh’quo Company, supposedly to serve as honor guard for the diplomats. On top of that she is given a brand new  second lieutenant, the di’Taykan di’Ka Jarret to train. Their relationship is part of the humour of the story, but not for the reasons one might suspect. Jarret is not a bumbling fool. Instead the humour lies in their preexisting relationship.

Neither Kerr nor Jarret are fools. Both of them know that General Morris is planning on something unpleasant for them. Nothing they can do other than be as prepared as they can. On to diplomat-sitting duty they travel. Fortunately, Huff does not fall into some of the tempting traps that are available to authors. Male and female characters are not stereotyped. Nor are the other marines portrayed as stupid fighting machines. Granted, the extras do not have in-depth personalities, but Huff has tried to bring them somewhat to life. Huff manages to blend the three fighting species into a unit all the while maintaining species-typical behaviour. Valor’s Choice is told in third person from Kerr’s point of view and  she is the person who is most three-dimensional. I found myself liking her. Another character I really liked was the envoy from the Silvsniss, Cri Sawyes.

There is definitely entertainment value in Valor’s Choice. In the sense that it draws me in and keeps me reading, it could be called escapist. Yet, escapism isn’t all there is to this story. Power and politics are major themes of Valor’s Choice. General Morris is a political general, i.e. he wants advancement at whatever price others have to pay. I strongly dislike people who intend to use other people’s lives to get there. Even when fighting is inevitable, war-hawks tend to up the tally of dead.

Valor’s Choice is also about specieism. Colourism or culturism are inevitable. Humans are programmed to use pre-existing information upon meeting people who look or behave different from themselves and their contemporaries. Humans, Krai and di’Taykan are all war-like. Disparaging remarks are made about the Silvsniss by the marines, but they aren’t said in the same spirit they use on each other. The three military species have worked out their differences (with the help of translators) and joke about those species-specific behaviours (like eating your grandmother). In many ways they find  Silvsniss easier to understand than the Elder races the marines babysit. Nor are the Elder races able to comprehend how bloodthirsty the three military species.

Valor’s Choice is a military sci-fi space opera with fighting on the ground. Except for the last bit. Fighting does not begin until after page 100. For me it was easy to get into and was interesting even when action was slow.

Stross, Charles; Iron Sunrise (2004)

Considering this is my third or fourth time reading Iron Sunrise, it should come as no surprise that I like it. Iron Sunrise is a science fiction thriller space opera lingering within certain degrees of believability. There are two main characters. One of them was apparently in the previous Eschaton story, Singularity Sky.

Rachel Mansour is Black Ops, i.e. top-secret with/without wet-work (e.g. killing people). I’ve never figured out why politicians, academics and the military use so many substitute words in an attempt to camouflage what a soldier often has to do. Although, in the case of politicians, in real life and in Iron Sunrise, I expect it has to do with living in pretend worlds inside their own heads. Pretenses and pretty words do nothing to save people like Rachel from having recurring nightmares. She is the kind of person, who instead of asking “Why should I do this?” or “Why is this happening to me?” asks “Why not me?”. She is who the UN sends out to clean up their or other worlds’ messes. In the first part of Iron Sunrise, Rachel has a nasty encounter with Emperor Idi Amin. She manages to save Geneva from him. After that, she is sent off to save humans from themselves.

One of the people who experienced the start of the mess Rachel is trying to fix is our other main character, Wednesday Strowger. The first few pages are about her experiences three years earlier when  her invisible friend, Herman, asked for her help.

She’d read the papers in the strong room, realized how important they must be, and pushed the door ajar, thinking to leave – yanked it shut barely ahead of the snarl and the leap. Acrid smoke had curled up from the hinges as she scrambled into the duct-work, fled like a black-clad spider into the service axis and though the pressurized cargo tunnel and the shadows of the almost-empty dock, panting and crying as she went. Always hearing a scrabble of diamond-tipped claws on the floor behind her.

After the evacuation of Old Newfoundland Four, we next meet Wednesday three years later. She is now 19 has people out to kill her. Wednesday ties them to her past. Again, with the help of Herman, she jumps, once more, into the fray. That jump eventually brings her into contact with Rachel.

Another person sent by her government to clean up after other people’s stupidity is U. Portia Hoechst. Same thing, only she belongs to the other side, the enemy to Wednesday and Rachel’s beliefs about right and wrong. Portia is as convinced of the need for the ReMastered as Rachel believes in the need for Eschaton. Two people, each trying to bring the galaxy back into their kind of order. Take what it may. Already, Wednesday’s home-world, Moscow and her second home on Old NewFoundland have been destroyed or made uninhabitable for humans. Once more, Wednesday and millions of other people stand to lose their lives.

I’m on Wednesday and Rachel’s side, but that is because Stross has written the story with them made out to be the quasi-goodies. Yet I can see the attraction of a tyranny run the way the ReMastered do. Only if I was considered one of the usable ones. The only good tyrannies, in my mind, are ones with leaders who put the needs of their people before their own wants. Yeah, not likely.

There are some technologies that Stross describes that I wouldn’t mind. Smart pigments for hair and skin could be incredibly fun to play with. But not really practical unless you’re trying to camouflage yourself. I’m not sure about brain implants (basically a smarter brain) because the concept seems too easy to hack. Plus they seem kind of clunky. Plus I’m not sure which parts of the brain they would be hacked into. Our brains are only electrical impulses traveling along a fragile network easily disrupted by neurochemical signals. I imagine our calorie intake would have to increase to make up for the extra energy requirements of a global implant such as Stross describes. Cause we would have to be able to energize these networks by ourselves, the way we do with our meat brains. Which is why I’m not buying all the “hard science fiction” labels that Iron Sunrise has gotten. Not when it comes to Eschaton either.

Faster than light travel, wormholes, null spaces or even almost up to light travel are never going to happen for humans. We are too stupid to come together as a planet for long enough to get it done. Hell, we’re too stupid to make our own planet more environmentally sound. Even me, and I know what is going on. But that doesn’t make this stuff any less fun to read about. Iron Sunrise is an excellent thriller that is already, more or less, happening here on Earth. This is how stupid people are. And how dedicated. And how terrified yet willing. And how terrifying. And how greedy. Greed. Ain’t it wonderful. Where would thrillers be without it or fanaticism.

If ever an Artificial Intelligence comes about that is somewhat like Eschaton, it deserves a UN citizenship.

According to Stross, the set-up of Iron Sunrise

“allows for narrative structures that map onto intercontinental travel circa 1880-1914; we have railroads space elevators that link national planetary populations to ports space stations where steam starships dock, to transport passengers and cargo slowly between stops; and we have trans-oceanic telegraph cables causal channels to allow instantaneous (but expensive and limited-bandwidth) information transfer.”


My reviews of other Charles Stross stories

Gorman, K.; Black Dawn (Eurynome Code 1)(2017)

Karin Makos has a secret she wants to keep under wraps. Her sister knows about it. After all, Nomiki was another child experimented on. In Black Dawn, Karin is our protagonist. We get to know her sister through Karin’s dreams. Black Dawn is told from a third-person perspective as seen from Karin’s point of view and everything we find out about her universe is what Karin experiences and thinks.

Karin, Marc and Soo-Jin  are scavengers, travelling in the Nemina, chasing First Gen Earth objects – like beer cans. They travel to abandoned sites/worlds to find goods and sell them on to collectors. Karin is the overqualified pilot, Marc owns the Nemina and Soo-Jin is their First-Gen specialist and marketer. They are both Karin’s side-kicks and play vital seconds to her in different episodes of this novel. Karin is the only three-dimensional character.

After a successful run someone enters their space ship and attacks all three while they sleep. Abruptly waking from a dream …

She sucked in a breath.

It was a man – or, at the very least, a very life-like, man-shaped shadow. Tall, with edges that blended into the room’s already significant darkness, he stood against the wall with no definition to him, only darkness. she couldn’t see any features, not eyes or the rumples where clothes might be, or – heck, were those arms?

Karin is forced to use her special ability or die. An ability that becomes more and more difficult to hide as the story progresses.

Light pricked through the blackness. The white droplets on her arm still shone, dimmer than before, but persistent.

She brought her hand up. Muscles shaking, she pushed energy into the light. It shivered at her touch like water under a full moon, waxing, growing. The thing’s hand moved into her eyes. A fingertip brushed through her skull like the touch of a feather. She cringed, pulled away. Then she pushed back.

Light exploded from her skin.

The black think shrieked.

Karin confronts her dilemma many times during Black Dawn. To use or not to use. She knows what to expect if people find out about her ability, yet it may be that her ability can save people from the effects of the Shadow people. Few individuals find themselves with both a talent that might save many along with a tendency to freeze in dangerous situations. Karin does. If she had been all alone in the situations in Black Dawn, the novel would have ended much sooner. However, our shero works hard to control her panic attacks and manages to pull through each time.  Black Dawn might be about learning to trust yourself and others. It’s also about needing to use gifts/talents if you want them to grow and about trying to not let past decisions rule current ones.

We find out about Karin’s background and genetic modification as the story develops. Even though it is a serial, the Black Dawn ends at a good spot rather than in the middle of a climax. The story is a science fiction space opera low on technology but high on action/drama/adventure. There is no graphic violence or  sexual content. I liked the prose and do not think I have come across plots with Shadows attackers in them. This was an entertaining story that is the first of a trilogy. Recommended.

Halstead, Jason; Voidhawk (2011)

https://images.gr-assets.com/books/1397213139l/21607512.jpg

Longing for his own spaceship, Dexter Silvercloud drags his friend Kragor away from his life as a married man to fix a space derelict called Hawk’s Talon. The space ship is stuck in the asteroid field off their planet. Two nights a week are spent fixing up the vessel and Dexter will do anything to buy it. The rest of the week is spent getting enough money together to buy Hawk’s Talon.

One day while traversing the Playground to fetch his friend Dexter stumbled into an ambush. Contrary to stories told around hearths with mulled ale, most ship to ship encounters in the void do not involve catapult shot and ballista bolts flying. Even the rare bombards so often talked about in the story are seldom seen, let alone fired. Only the Federation and the Elven Armada ships are prone to fire at the slightest provocation. Repairs and even ammunition are too expensive for the private ship owner to run the risk.

Three small ships emerged from teh background of floating rocks to close with him. Dexter quickly identified an Ant, a Dart, and the third was little more than a skiff with a sail upon it. Dexter sped up his Gnat, risking the perils of the asteroid field and trying to lose the pursuing ships. Being a Federation scout ship, Dexter was correct in assuming that his was faster than the pirates. They were very familiar with the asteroid field; however, so he was unable to lose them.

The largest one, the Ant, slammed into a pony sized rock, sending one man flying into the void and another to the deck bleeding. Broken planks of wood drifted free, bobbing in the small vessel’s gravity plane. Seeing that gave Dexter an idea.

Yes. You read correctly. Space vessels with wood plating and sails. In space. Sail ships in space. Sorry. I just cannot comprehend why Halstead would choose to place sail ships in space. It makes no sense. Even if they have their own gravity wells. Even though I do not hold space operas to the same rules as most other forms of science fiction. There are  minimum requirements that I have, and Halstead keeps on breaking them throughout the story.

One of the reasons I think I kept on reading was because of a fascination with an author who completely disregards physical laws. Plus Halstead’s writing is halfway decent. If only he had chosen a stricter editor and science fiction beta-readers. Sadly, Voidhawk‘s characters suffer from the same lack.

I cannot say that I recommend Voidhawk. If only … I probably would have.

Bell, Odette C. The Betrothed & Shattered Destiny. 2015

“Life, in all its imperfect variation, was nothing compared to the scale of nothingness that made up most of the known universe.”

Shattered Destiny (loc 19537)

Hogarth, Mica; Earthrise (Mortal Instruments I); Studio MCAH; 2013

 

“Great,” Reese said, losing what little energy she had. She imagined it bleeding into the ground beneath her tailbone and shoulders. “You were supposed to be in a jail cell we could get you out of for money, not underground in a place pirates hide people they want to make disappear.”

The Eldritch canted his head, hair hissing against one shoulder. “I’m sorry for the inconvenience.”

“Yeah, well, I’ll send you a bill,” Reese said, trying to get a hand under herself so she could sit up.

(Earthrise, p. 29)

Green, Dominic: Saucerers and Gondoliers (Ant & Cleo 1) (2008)

Saucerers and Gondoliers cover
Cover by Dominic Green

It was the cover that lured me in. Sometimes I am lucky and the cover actually presages the contents.

Dominic Green‘s Ant & Cleo series is as well-written and ridiculous as only British humor can be. These two young (12 years old) people go through experiences that are disconnected to reality as we prefer to believe it. Unless, of course, Britain, Russia (USSR) and the US have actually managed to get colonies into space. I suppose it is possible?

First, Antony and Cleopatra, the main characters. Their characters have little to do with the portrayal by Shakespeare but more in common with the originals. Ant seems to be bluff, passionate and a little simple-minded (and highly underestimated by Cleo), while Cleo is fairly intelligent and practical.

It all begins with a trip to the woods with Ant’s father. Forests are great places for adventure, though I doubt many people get to go into space with an alien from Lalande 21185. Strangely enough, this alien looks like a human:

“The new man looked tired and thin, and had a haircut that suggested he spent a lot of his time in prison. He was wearing neither a suit nor combat fatigues, but a pair of Levi’s which still had the label dangling from the back of them, and a maroon T shirt. The T shirt had aliens in flying saucers on it, along with the words SPACE RASTA.”

Mr. Green throws Ant & Cleo into situations that keep them wondering about the things they have learned in school. The spaceship they leave Earth in is their first clue to their ignorance. “Made in Britain by Hawker Siddeley Aviation” seems a bit far-fetched to them. But that is what the maker’s plate says.

Then they meet Americans (US) in space. What a parody of every prejudice non-US citizens have had of them. White-supremacy, a confederate flag and deep southern accents along with names like Billy-Bob, Billy-Hank and Wayne-Bob. A whole sleuth of movies go through my memories as I write this. The funniest thing about these stereotypes is that Hollywood is the worst perpetrator of the image (and early James Bond). Their new compatriots join them on that planet. Glenn Bob and Truman make an odd couple. One very curious and the other diligent in carrying out assigned jobs.

After the US, Ant & Cleo get to meet members of the Soviet Union. Yes. In space the USSR still rules and feelings between the US and Russians continue to be very cold (I guess a bit like today).  Here, too, accents and behavior copies movie and television stereotypes. Mr. Green nails these stereotypes.

“Glorious Soviet Yutopia does not kyill wyomen and chyildren”

OMG, non-russians speaking English with Russian accents drive me crazy. Finally, Ant & Cleo get to meet and talk with the British. Their poor kidnapper has been unconscious ever since their spaceship broke Earth’s orbit, so they do not know who he is and where he is from. He is British. Here again, Green nails every stereotype. These are the British who shake their head and carry on with the job even when they are severely wounded, wring sweat out of their long underwear to make water and express strong feelings by saying things like “Golly”, “Gosh” and “Bally good”.

Nothing is realistic. Well, except that quite a lot of it is. Tension between countries, secretive and lying governments and people who try to follow the propaganda they have been brought up are all things Green portrays as is. Propaganda, my goodness, what a great examples of propaganda and the brainwashing citizens are put through and accept.

I enjoyed this book immensely and think it would be appropriate for people from around 10 years old and up. Adults might have to explain some of the references, but with the I-net available to many, they might not.

Definitely recommended.


Reviews:


Reading order:

Scott, Alan: The “Y” Front Chronicles (2013)

Cover artist: Saskia Schnell
Cover artist: Saskia Schnell

Alan Scott has written a wonderfully funny and dark story about murder and mayhem.

I suppose it could be read as a warning about the consequences of training our soldiers too well. The thought did not enter my mind until the classroom situation. But, yeah, that could work.

A man with his own brand of conscience and his pet hamster, TF. A killer with a pet hamster. Not much like the hamster I used to own and adore. SCoT-01 is a fun and terrifying person I would hope to always keep on my side. His hamster, too.

Definitely recommended.

MacLeod, Ken: Engine City (The Engines of Light III) (2003)

Identifying a ruling class and state posed no such problem. The upper and usually senior ranks of the various corporate bodies, patricians and patriarchs or the merchant houses, administrators of cooperatives, guildmasters and latifundists, heads of religious orders and philosophical schools, retired courtesans, professors emeritus, and so on and so forth, formed what was blatantly called the Electorate, who just as blatantly elected the Senate and staffed its administration, and that was that. Volkov had no scruples about elites – having been part of one – and was surprised to find himself shocked by the sheer effrontery of the Republic’s lack of the forms of democracy. All his experience had been with people who insisted on at least the illusion of popular rule, and it was disquieting to encounter a people who seemed satisfied with the substance of self-government in everyday life while letting his politics and statecraft go on over their heads – as it almost always and everywhere did, of course. (Ken MacLeod)

Decruyenaere, Gilles: I Dreamt of Trees (2015)

I Dreamt of Trees is an amazing first novel. Mr. Decruyenaere has managed that difficult feat of listening to his editors and written tightness and tension into his story. Words flow from one to another drawing me into a dreary and terrible future inhabited by people who are all too believable.

The USS McAdam seems to have been built with every contingency in mind except the humans inhabiting it and the Squelchers. But for the most part it is the humans who are its main problem and also the main theme of the story. We enter the USS McAdam centuries after its launching from a place only guessed at by the general population.

“to think that anyone on the ship actually knew its true origins was just ridiculous; too many centuries had passed since the ship had launched; too many computer malfunctions, human errors, and political shenanigans had transpired for any real proof of Earth to remain.”

The society on the MSS McAdam seems to have been half-way decent during the Prologue. Thirty-five years after the appearance of the Squelchers, life has changed for the entire population of the vessel.

A crisis is a wonderful thing for power-hungry people. What was once unthinkable becomes doable by manipulating a fearful population into wanting to destroy the new “THEM” by any means possible. Even if that entails becoming a strictly stratified and segregated population (“one must make sacrifices”). The “have-nots” are stuck on the Rim-side of a ship-wide sewage moat while the “haves” get to live on the Core-side. Understandably, Core-dwellers will do what is required to remain on their side of the moat.

Core-dwellers are the people the High Command (and true rulers after the revolution) deemed desirable. The High Command tell their puppets, the Council, what attitudes need to be enforced through propaganda and terror. Like many of our own revolutions here on earth, life seldom becomes better for any but the very few. But while life may be terror-laden for Core-dwellers, it is infinitely better than what Rim-dweller endure.

What new regimes need are heroes and “Them”. In this case the major “Them” is obvious. Squelchers are bizarre aliens who zap people into their spaceships when their beams get through the shields of the MSS McAdam. Our new heroes are the Flashers and the Boosterettes.

Flasher Jason Crawford is our main character and seventeen years old. His level of aggression is at a height that is either drug-induced or bred into him. For some reason anger and aggression are seen as a positive qualities for the Flashers (along with youth and short and slender bodies). Everything about Jason screams aggression. His language reveals both his lack of ability to control his temper but also the extremely homophobic and misogynistic nature of his society.

A young girl’s greatest goal is to be able to work in privilege suites as a Boosterette. I strongly doubt dream and reality line up for these young girls. Medical staff are assigned to take care of what is left once the Flashers have “released the pressure”. Thankfully, Mr. Decruyenaere never shows us what goes on in the privilege suites.

Life is going to be full of surprises for young Jason and most of those surprises will shock him. I loved the ending. It was perfect.

Definitely recommended.


I Dreamt of Trees available at:


I was given a copy of this book by the author

 

Hurley, Kameron: God’s War (The Bel Dame Apocrypha I) (2011)

God’s War, huh. On Religious Tolerance you will find recent religious conflicts around the world. I counted 25. While most of those wars are across religious lines, some of them (Iraq, Pakistan and Somalia) are, like the 3000 year long World War on Umayma, about interpretations of a faith. As far as we can tell, the people on Umayma had the same origins and values upon leaving Earth. If a time ever comes when humans are able to terraform and populate another planet, war will probably ensue as soon as people manage to settle down. Humans do seem to like their wars.

Terraforming (or engineering) a planet would be a long and complicated process. The time span required and the amount of genetic tinkering needed for humans to be able to live on a far flung planet has to be staggering. While every person needs some degree of engineering in some fashion to survive, there are inhabitants of Umayma who have changed more than others.

Bugs and their magicians are two. Something in their genetic make-up makes certain people able to communicate with bugs. Talking to bugs could be useful here on Earth. On Umayma, bug-talking is vital to existence as bugs are used in most arenas of life. From food, to fuel, to engines, to clothing, to lighting, and so the list goes on. Magicians are not equal. One of our main characters, Rhys, is less equal in the area of bug-control than others.

Shape-shifters is the other strange product of tinkering (possibly). There is a legend that they are a product of the union of Angels and humans. Hurley doesn’t tell us that shape-shifters have been made by genetic engineers, so my understanding is just a guess.

“The war still raged along the ever-changing border with Chenja. Nyx started up her storefront with the dancer and tech in Punjai, a border city at the heart of the bounty-hunting business. While she was in prison, Punjai had been swallowed by the Chenja for six months, the “liberated” by a couple of brillian Nesheenian magicians and an elite terrorist-removal unit. All of the city’s prayer wheels were burned and the old street signs were put back up. There had been air raids and rationing and a couple of more poisoned waterworks, but, as ever, the war was just life, just how things clicked along – one exhausting burst and bloated body at a time.”

Three thousand years of constant killing has to do something to a population and the environment. Umayma is certainly no paradise with areas of it contaminated by biological bombs, human disease carriers and the drafting of men to the front lines. Nasheen and Chenja have solved the dearth of male genetic availability in two different ways. In Nasheen they rely on artificial insemination and breeding tanks for new generations. In Chenja they use a more traditional method of one male to many females to get the job done. Rhys is from Chenja.

Nyx is the goddess of night, the daughter of Chaos, and also the name of our main character. Our Nyx is unpredictable, loyal to those she cares about, principled and passionate. However, values created by people in times of peace or the powerful are not hers. I truly adore Nyx. Hurley portrays her strength and vulnerability in a manner that I can believe and that appeals to me. Definitely my favorite character of the story, and maybe my all-time favorite character.

Rasheeda (shape-shifter) is one loony bird. Holy cow, that woman has sanity issues. No wonder Nyx is wary of her. Bel dames might be sanctioned by the queen, but some of them do messy wet-work with lust and gusto. Creepy lady.

Definitely recommended. Definitely.


Reviews:


God’s War available at Amazon UK

Omnibus at Amazon US

Sweeney, Stephen J.: The Honour of the Knights (The Battle for the Solar System I) (2009)

The Honour of the Knights - Stephen L Sweeney

Stephen L. Sweeney states in the front of the 2009 edition of The Honour of the Knights that if you are interested in reading the whole trilogy then you would be wise to favor the 2011 edition. I read the 2009 edition (Mr. Sweeney’s first novel).

The Honour of the Knights is pure space opera with a military setting. I have no idea as to how realistic that setting is. Placing the fighting in space opera gives Mr. Sweeney the freedom to play with reality. In many ways space opera is fantasy due to the many breaches of physical laws that occur. This story is no exception to that.

I see that Estelle has been changed into a less ambitious person in the second edition. Bummer. I kind of liked that about her. I’m not sure I like her, but her character was fun and like some real life people I have met. Considering the type of work Mr. Sweeney used to have, I imagine he has met his share of Estelles. Kelly seemed to be the opposite of Estelle.

Kelly’s character was the one that was most difficult to fit in with a pilot and military culture. She seemed too spaced out most of the time. Perhaps that is a prejudice of mine – that spaced out people won’t fit with a pilot and military unit. Other than that she seemed to fit well with her unit. Maybe I just read her wrong.

Dodds is the main character in the 1st edition. We meet him at the beginning of the story and follow him through to the end. He seems to have a hero complex, one that led him into serious trouble in the past. He travels from his parents’ farm to his assignment in another solar system and meets up with his team. Parks, his commanding officer, expects Dodds to clean up his act, but once Dodds is back with his unit, old habits surface.

The Honour of the Knights is a good first novel. There are hiccups here and there but they did not interfere with the story. This was Mr. Sweeney’s unique take on a space yarn. I recommend it – but go for the 2nd edition rather than the 1st.


Reviews:


The Honour of the Knights links available on author’s website