Tag Archives: Slavery

Lisle, H. (2014). Born from Fire. One More Word Books.

“The Truth of We”

“We speak the Truth, and the Truth speaks Us,
We live by the covenants, We abide by the Words.

That none may laugh until All can laugh,
That All sleep on dirt until none sleep on dirt.

Dirt is Our birthright. Hardship is Our glory.
Hardship strengthens Us. Hunger feeds Us.

The Known is All. The new is Willful.
Welcome Pain. Pain is Knowledge. We are WE.

Self is selfish. One is none.
All are All. We are We.

Each flesh belongs to All.
Each thought belongs to All.

Children are duty. All tend All.
Duty is life. Life is dying. Dying is duty.
We die for Duty. We are WE.

Within Each hides Evil. Be All, not Each.
In Aloneness is Willfulness. We will never be Alone.

We share, We do not own.
Property is an abomination.

Beauty is property. Property is crime.
Passion is property. Property is crime.

Love is property. We out love and lovers.
Secrets are property. We out secrets and secret-keepers.

All is Sharing. Sharing is Duty.
We serve Sharing. We are WE.

We speak the Truth, and the Truth speaks Us.
We live by the covenants, We abide by the Words.
The Will of All is all of Will. We are WE.” (Kindle Loc 307-339)

Since 1991 Lisle has published all kinds of writing from writing classes, short stories, poetry, novels (sci-fi & fantasy) and co-written material. I own many of the stories and have enjoyed the ones I have read, including Born From Fire.

Born From Fire is a 102 pages long science fiction novella. It is episode 1 of the Chronicles of Longview serial (i.e. not stand-alone). Its title suits the story well and has both a literal and figurative meaning. Born From Fire does not seem to have a particular age group in mind. There is no recognizable swearing, some violence and no sex. 

DOWN THE DARKNESS, down the line of standing cells, three words rippled urgently and under breath. “Death Circus here!”

In the dark, this criminal had waited long and longer for death to come. This criminal could not lie down, could not sit down—its captors had made certain its cell, and the cells of the others like it, permitted only standing.

With its bandaged knees pressed into one corner, its spine jammed into the other, this criminal drifted in that lightless place, never certain whether it was waking or dreaming. When it ate, it ate maggots. When it dreamed of eating, it dreamed of maggots. When it pissed or shit, it pissed or shit down its legs. When it dreamed, it dreamed of the same. (Kindle loc 37-44)

“It” or We-39R is a member of a People’s Home of Truth and Fairness (PHTF) settlement. These settlements are owned by the PHTF franchise and run by Speakers for We. As long as leaders of the various planets in the Longview universe do not execute their citizens, they may do as they wish with their people. PHTF franchises are the worst places to live for everyone but Speakers. We-39R earned the death penalty for Willfulness. However his death was delayed since executions must be carried out by Death Circuses, i.e. space ships travelling from collection point to collection point buying Class A (at least 30%) and Class B (at least 10%) prisoners.

The Longview is the biggest and most expensive Death Circus. It has the best salaries, the most extensive training for its crew and even offers investment incentives. More Class B prisoners are bought by them than by other circuses and it sells the fewest prisoners, yet it makes more money than any other Death Circus. 

Crew members begin as Provisional Crew Three Green. Once a person is hired on, they become Crew Three Green and advance up through Crews Two and One. Each crew is colour-graded from Green to Blue to Silver to Gold.

Born from Fire is told from three points of view, i.e. We-39R, Kagen (Crew Three Gold) and Melie’s (Crew Two Gold). The first half of the novella switches between We-39R and Kagen, the second switches between Kagen and Melie. Lisle handles the transitions well. The greatest differences lie between We-39R and the other two, however I do not think I could mistake Kagen for Melie (or vice versa). Since we see so much less from Melie’s perspective, she is less well-defined than the other two. All three are easy to sympathize with and their worldviews and reactions are believable. Our antagonist is less easily spotted. There is Mash, of course, but he is not the main one. That spot goes to the meta-entity that the Pact Worlds make up.

Freedom of choice and responsibility for the consequences is a theme that runs through the entire serial. Anything that might lead to the slave conditions of the PHTF worlds is seen as something to fight against. At the end of my Kindle copy Lisle explains how she built a model of The Longview on Minecraft before writing about it. I appreciate her geekiness and as a reader I get to enjoy her dedication to detail when she takes us through parts of the ship. Both the world-building and plot are interesting, well written, detailed and dark. I liked Born From Fire and recommend it.

Hogarth, Mica; Earthrise (Mortal Instruments I); Studio MCAH; 2013

 

“Great,” Reese said, losing what little energy she had. She imagined it bleeding into the ground beneath her tailbone and shoulders. “You were supposed to be in a jail cell we could get you out of for money, not underground in a place pirates hide people they want to make disappear.”

The Eldritch canted his head, hair hissing against one shoulder. “I’m sorry for the inconvenience.”

“Yeah, well, I’ll send you a bill,” Reese said, trying to get a hand under herself so she could sit up.

(Earthrise, p. 29)

Brin, David; Kiln People (2002)

As with many of his novels, David Brin’s Kiln People is an excellent science fiction story about a highly possible future. David Brin seems to keep himself up-to-date on neurological research and extends that information into alternatives we might well encounter if humans do not destroy themselves (also highly probable) before such technology becomes possible.

Racism is a huge part of the short lives of dittos in Kiln People. Dittos are clones, made of nano-clay, who live only 24 hours. A person’s  consciousness is copied into them and all of their experiences may be copied back into your consciousness again – as long as it is done within 24 hours after their birth. At that time, dittos turn into a kind of sludge. The color the ditto equals its value and abilities. Prices go from the cheapest Orange dittos, that are generally used for manual labor where independent thinking or sensing is seldom required, to the most expensive Platinum ones, that are like a better version of their Archie (original). Dittos are have varying degrees of independent thinking but must always be obedient to their Archie’s commands. They can be forced to do anything you can possibly imagine. Dittos are made to fight each other to the death, to be sex-slaves, to dig in the mines or to be substitute private detectives. Their sensory system can be hyper-sensitive or practically non-existent depending on exactly what you want them to experience, which leaves a lot of room for shitty owners to make their ditto’s life a living hell. While an Archie may do anything to a ditto they meet, instant destruction follows if a ditto harms an Archie. Even though people are allowed to make their dittos do anything, only wealthy people get away with “real” criminal activities. So, just like today. No matter how nice their owner is, dittos are still at the bottom of the social ladder. Albert Morris is a fairly decent owner.

“… I figure if you make a creature, you’re responsible for it. That ditto wanted to matter. He fought like hell to continue. And now he’s part of me, like several hundred others that made it home for inloading, ever since the first time I used a kiln, at sixteen.”

“… The copier sifts your organic brain to engrave the Standing Wave onto a fresh template made of special clay, ripening in the kiln. Soon a new ditto departs into the world to perform errands while you have breakfast. No need even to tell it what to do.

It already knows.

It’s you.”

Albert is the main character. As a private investigator he uses dittoes to go where he does not want to go. In fact, with enough money, he would never have to leave his home. Depending on the case, Albert uses different colored dittos. In Kiln People, Albert uses Ebony (huge processing abilities), Greys (used as representatives) and Greens (used for his dirty work).

Albert has two missions in life. One is to reveal the identity of Beta. Beta and Albert have a long history of killing each other (i.e. their dittos), and Albert really wants to know who is behind his arch-nemesis’ alias. Being as good a private detective as possible is his second mission. Corporate espionage and digging up dirt on  competitors is something private investigators continue to do in the future.

“Ugh. What put me in this mood? Could it be Ritu’s news? A reminder that real death still lurks for us all?

Well, shrug it off! Life’s still the same as it was in the old days.

Sometimes you’re the grasshopper.

Sometimes you are the ant.”

Albert gets hired by incomprehensibly wealthy Aeneas Kaolin, co-inventor of dittos and owner of Universal Kilns, to look into the disappearance of Kaolin’s long-time friend, Yosil Maharal. When Maharal turns up dead in what seems to be a car accident, Albert wonders if it might be something more.

One thing I really liked about Kiln People was the way Brin told the stories of Albert’s dittos in Albert’s voice. At one point, there were four Alberts at the same time. None of them knew what was going on with any of the others because they had not been reintegrated into their Archie. Brin’s world-building happened through the eyes and ears of the various Alberts. What they learned, we learned.

I would not have wanted to live in such a society. I find ours challenging enough. It was an interesting society, though, and one I think most people would embrace. No room for Aspies though. Genetic tinkering had become common enough that our worst ailments were eradicated. That, I wouldn’t mind. Just as I think of today’s society, some of the political choices of the society of Kiln People did not make sense. At least the fanatics behaved predictably.

Towards the end, I felt preached at. I don’t mind crazy men’s ranting, but this felt more like Brin telling, not showing. I also enjoyed Brin’s sense of humour.

“Albert? Is that you in there?”Illusion or not, I couldn’t refuse her anything. Though lacking a body – or any other means to make sound – I somehow gathered strength to mouth four words.

“… just … a … fax … ma’am …”

In conclusion, I think I can safely say that there is plenty of action, no romance, much social commentary, humour, and some preaching. I liked it.


Reviews:


Translations:

  • Audible: Read by Andy Caploe; Brilliance Audio, 2016
  • Bulgarian: Килн хора; Translated by Венцислав Божилов; Бард, 2002; Goodreads
  • English (British): Kil’n People; London, Orbit, 2002; Review
  • French: Le Peuple d’argile; Translated by Thierry Arson; Presses de la Cité, 2004; Review
  • German: Copy; Translated by Andreas Brandhorst; Heyne, 2005
  • Hebrew:  אנשי הכבשן; Translated by Ṿered Ṭokhṭerman; מודן הוצאה לאור, 2004; Review
  • Hungarian: Dettó; Translated by Haklik Norbert; Budapest, Metropolis Media, 2009; Reviews
  • Japanese: キルン・ピープル; Translated by 酒井昭伸 (Sakai Akinobu);  ハヤカワ文庫 (Hayakawa bunko) SF1628, 2007; Cover art: 加藤直之 (Katou Naoyuki); Review
  • Russian: Глина; Translated by С. Самуйлов; АСТ: Люкс, 2005 г; Cover art: SharksDen и Д. Бернса; Reviews
  • Spanish: Gente de Barro; Translated by Rafael Marín Trechera; Nova, 2003; Review

Jensen, Megg: Anathema (Cloud Prophet I) (2011)

Keeping slaves is generally not something people openly admit  today. Many countries continue this practice and my contention is that most states participate in this tradition while closing our minds and eyes to that fact. Traditionally, people have become slaves either through being conquered by another nation, power-hunger or through criminal acts.

Sometimes being conquered happens via false promises. Such is the case with the Serenian island in Anathema. Serenians were lured by promises of help from the Malborn. Once the Malborn were in force on the island, it took ten years for them to eradicate opposition. Criminals were those who would not obey the three “rules” Malborn leaders had set as a condition of harmony between the two people. “Trust, adore and obey” was what the Malborn required from the Serenians. Once you were deemed a criminal you would either be killed or enslaved along with your entire family. Add to that their military prowess, and the Malborn were bound to win.

Reychel remembers nothing but slavery. At fifteen slaves were branded with their master’s mark. This mark and their shaved heads clearly divided slaves from the rest of the population and it also make it extremely difficult for successful escapes to happen. Kandek, her master, is about to lose two of his slaves, one of whom is Reychel. The other is Ivy, Reychel’s best friend. First out is Ivy.  Fortunately for Reychel, her turn comes soon after. Her escape was public and unusual.

When slavery is all a person has known all sorts of things about being a free person had to be learned. There was a whole network set up to help escaped slaves deal with their new status. Blending in was vital. Both of them also had to come to terms with Reychel having magic powers of some sort. Ivy already knew about hers. Her ability to calm others, even to the point of forcing them to do things, becomes an important element of the story. Learning Reychel’s ability is also essential. The reader knows this long before Reychel does.

Another discovery Reychel ends up making is the value of her friendship with Ivy. Why did Ivy want her rescued, and why is Ivy acting so strange now that they are out of slave quarters? Sometimes people have different opinions of what friendship is and what friends are for.

Usually, slaves weren’t worth enough for a master to mount a search for too long. That was the case with Ivy. Reychel, however, was the exception to the rule. Kandek will not give up. If not for the friendship of one of the militia both girls would have been caught within the first weeks. There is a love interest with Marc, the militia guard. Another discovery about Ivy is the result of that interest.

Ivy is a fun character. Reychel is in line with a young adult hero type. So is Marc. All three are important to the story and the action-filled adventure Megg Jensen gives us.

Recommended.


Reviews:


Anathema can be found at Amazon

Gee, Emily: The Sentinel Mage (Cursed Kingdoms I) (2011)

Jáume was in his father’s barn when the curse broke free of its dormancy on the easternmost rim of the Seven Kingdoms.

The story of the Sentinel Mage begins with Jáume, eight years old. Ancient magic turns his father into a monster and the boy has to flee to save his life. Reading up on orphaned children showed me that homeless, orphaned pre-teens looking to survive are more common than I thought. That type of homelessness made Jáume’s tale more believable. Where a lot of children would have died from helplessness, Jáume is crafty and cunning. Sometimes he is not proud of what he has to do to live, but he still does them. Choices we seem to be left with, may not be real choices after all. Do or die?

Magic, like the terrible curse, is the reason witches were hunted until thought extinct on the mainland. But complete extinction of a genetic trait when prophecy is around would never be possible for a fantasy trilogy. In life the complete extinction of a genetic trait seems unlikely. Eventually it might turn up again. In the Sentinel Mage that is even more so the case, as Prince Harkeld is about to discover.

Every prophecy needs its tool and these tools are people who vary from the young and innocent to the old and unwilling. Prince Harkeld starts off with power, wealth and a sense of entitlement. He is 22 years old when he meets the feared witches at his father’s court in Osgaard. King Esgar has called him to meet the diplomatic convoy from Rosny in the Allied Lands. When Prince Harkeld hears what the witches (or “mages” as they prefer) have to say about his destiny and his background he is shocked. It turns out the blood of monsters is in him and he needs to choose between honor and his father’s approval. Fortunately for Prince Harkeld, he choses honor. He is not aware of the personal consequences of doing what his father wishes.

Monsters or not, Harkeld is stuck with the mages (or witches as he curses them). A solution to his distrust is found by the mages. However, this solution requires distraction and a certain amount of naivete on Harkeld’s side. Perhaps the mages figure he is distraught enough that he will not discover the discrepancies that occur when Justen appears.

I understood why Harkeld would act like the distrustful, arrogant and annoying person that he was with the mages. His background, the suddenness of his leaving and the shock of his discovery along with the constant fear of discovery and being on the run would all play a part in leaving him a somewhat unlikable person. I’m not certain I cared much for the mages either. They were dishonest toward Harkeld and very open about the possibility of needing only his hands and blood for the fulfillment of the prophecy. Only as a last resort, of course ….

In leaving the castle behind he also leaves his beloved younger sister and two younger brothers behind. Princess Brigitta wants to come with him but Harkeld feels she will be safer with her father. Hmmmm. Time will show. But Harkeld worries. And with cause. Princess Brigitta and her two helpers, armsman Karel and handmaid Yasma were all that were left to protect her brothers, six-year old Rutgar and four-year old Lukas. But eighteen-year old Brigitta is about to encounter her own set of terrible problems leaving her with little will or ability to look after her brothers. She is also all that stands between Yasma and constant abuse. Being a bondservant in Osgaard equates to slavery and terror. At least with the Princess Yasma had escaped daily rape and beatings.

Gee’s writing is what drove the story on. There were some hiccups but for the main part she kept me caught in her words. Recommended.


Reviews:


The Sentinel Mage is available at Amazon, Amazon UK, IndieBound, Barnes and Noble, Book Depository

Rust, Angelika: Once a Rat (Istonnia III) (2014)

once-a-rat - Angelika Rust

Angelika Rust displays one of my favorite traits in an author. She evolves and improves over time. Once a Rat shows just how far Rust has come in her writing. The only thing she continues to do that annoys me is to overuse the word “whom”.

“It’s worse than I thought,” she groaned, rolling onto her back. “It isn’t innocence, it’s honor. You’re the son of a rich bastard of a trader and a madwoman. Whom, for fire’s sake did you inherit your honor from?”

Honor is a strange concept. For one thing, honor varies from person to person. There does seem to be a common denominator across nations, namely that to be considered honorable, one must keep promises/oaths made. Nivvo seems to have honor as an in-born character trait. Such a trait makes Nivvo perfect for some roles but disqualifies him when breaking promises might be needed. There are several high-status professions, in real life and in Istonnia, involving deception and deceit, that Nivvo could not fill.

In Once a Rat Nivvo is sent on a joint mission for the Regent and Underlord of Istonnia in the hopes that Istonnia might be saved from more fighting. Being the kind of story that Once a Rat is, the likelihood of Nivvo surviving that mission is in doubt. But Nivvo accepts that as his duty. Part of that duty has to do with his promises to obey Vicco, but Nivvo also seems to feel that his relationship with the Regent obliges him to serve Istonnia as best he can.

Part of his mission terrifies him. Practical experience of slavery turns out to be completely different from the theoretical understanding of its nature.

“…, he knew they’d come back to haunt him for the rest of his life … a child, little more than a toddler, on his hands and knees, and a soldier stomping on the tiny fingers till they broke with a sickening crunch … a woman his own age, tears streaming from her closed eyes as a slave handler cut her clothes away to reveal her body to a customer … a man hugging the pole he was tied to, screaming relentlessly as a lash opened up gash after gash on his already scarred back …”

Slavery, the objectification of people taken to extremes. The real world still embraces slavery and most of us are quietly complicit in letting it carry on. Nivvo’s mission is to get to the person trying to work against slavery in Baredi and help that person succeed. But the odds are against the abolitionists.

There are some very angry people left in Istonnia. Choosing to smother his loved ones in protectiveness happens to be one of Nivvo’s greatest failings. Even Vilores is kept in the dark. Shame on Nivvo and his father for breaking that law once again.

While Nivvo is gone Cambrosi is having fun trying to stay alive. Fedoro is helping him. Someone in his organization is trying to overthrow the Underlord. If it works, then Istonnia seems doomed to enter what might become a civil war.

Plenty of action, some violence, some sex – neither very explicit.

Definitely recommended.


Once a Rat available at Amazon US

Flynn, Sabrina: A Thread in the Tangle (Legends of Fyrsta I) (2013)

Cover 1 by Nele Diel / Cover 2 by ???
Cover 1 by Nele Diel / Cover 2 by ???

A Thread in the Tangle can be read by itself. Although the ending was abrupt and clearly meant as a cliff-hanger, the dilemma of the story was resolved.

“No, absolutely not,” Sotaen said shaking his head. “The nymphling is worth far too much. You’re nothing but a barbarian. How do I know you won’t sell her yourself, or take her for yourself when she come of age? Your fondness for women and debts are well known in my court.”

Isiilde is the nymphling Emperor Sotaen and Wise One Oenghus are talking about. Nymphlings are coveted by men, raped by men and forcibly married away to the highest bidder.

Our own world is not much different from the world of Fyrsta in that regard. Selling women into marriage is still a common practice. Slavery is a condition millions of people suffer through today as well. Having to live with the knowledge that your life is not your own and that at any time anything can happen to you if your owner wills it so must be gruesome. Slaves of old have shared their experiences with the world.

At four Isiilde doesn’t quite realize what it entails to be considered an object in the world of wealth. But she will learn.

Thankfully, her allies are powerful and devoted. Oenghus has reasons of his own for protecting Isiilde so fiercely. Her other ally is also a Wise One and the Archlord of the Isle all in one person. Marsais allows the two to live on the Isle under the protection of the Wise Ones until Isiilde comes of age.

Marsais and Oenghus are old friends. They both stand against the Void and the terrors it can unleash. Now their mission is to make Isiilde’s life as good as it can be until it is time for the bidding to begin. A Thread in the Tangle is full of humor and welcome relief from what lies in the future. Isiilde’s less than stellar ability to focus on anything for more than 5 seconds at a time gets her into trouble time and again. Good thing she is Marsais’ apprentice.

Being a nymph is a challenge in the world Isiilde is born into. Where once upon a time they had been revered for their connection with nature, they were now seen as sex-toys for the wealthy. Once the Guardians had defined them as less than sentient, it was a free-for all with regard to sexual abuse. When Isiilde learns of that history from the MUCH older Marsais she is angry.

I found the idea of a tooth fetish funny. What a cool creature Flynn introduced into her story along with that fetish.

A Thread in the Tangle fit me. There were some hiccups, but I see that other reviewers have addressed those. Flynn managed to combine humor, tension, sadness and magic into a world that I stayed in all night to finish.


Reviews by:


A Thread in the Tangle on Smashwords

A Thread in the Tangle on Amazon

A Thread in the Tangle on Barnes & Noble


Various on deviantart.com: Silverbeam / Birgit Engelhardt / Lileya / i-a-grafix / Bohemian resources / Cathy E. Child / Starraven
Various on deviantart.com: Silverbeam / Birgit Engelhardt / Lileya / i-a-grafix / Bohemian resources / Cathy E. Child / Starraven

Gimpel, Ann: Earth’s Blood (Earth Reclaimed II) (2014)

Artist: Kelly Shorten Interior book design: Cera Smith Editor: Angela Kelly Line editor: Jenny Rarden
Artist: Kelly Shorten
Interior book design: Cera Smith
Editor: Angela Kelly
Line editor: Jenny Rarden

First of all I am going to talk about going off on tangents. My thing is words – Autism is part of me. That means that sometimes the sound of a word in my head or the way it feels in my mouth sets me off on a chase. One of the words in Earth’s Blood that set me off was Lemurian. The Lemurians are also called the Old Ones and are hated by both the Celtic gods, of which Fionn is one, and Aislinn. But the name Lemurian. It keeps on going round and round in my head. Part of it has to do with lemurs. Lemurs are soooo cute/adorable/sweet (maybe not) and all of those adjectives that we give animals that look like them. The other part was when I started looking for things to do with Lemurian on the net. Wow, there is actually a whole belief system centered around the concept (see links below). People are fascinating.

Sometimes when I read a novel one of the characters begins to annoy me. Once I realise what is happening I stop and ask myself why. This time it was Aislinn’s way of handling her situation that got to me. I was getting more and more frustrated with her until I finally stopped and looked at what it was I was projecting. Surprise, surprise. Thinking is problematic to my imagined self.

One of the things that bothered me was all of the sex between Aislinn and Fionn. This is coming from the woman who claims that she wishes there was as much sex (vanilla kind) in novels as there is action. In Earth’s Blood there is. But it bothered me and here is why: Conditioning. My child-hood religion is very orthodox. Sex is no exception to the rule. That in itself makes the whole concept of reading about it – even when it is as well written as Ms. Gimpel writes it – problematic. Oatmeal has a really great poster on the subject. It is funny and incredibly sad at the same time.

My other problem with descriptive sex was my childhood. I was sexually abused by some of my relatives and that scarred me and made sex less than fun for a long, long time (my poor husband). Once I realised what was going on in my head and emotions I could let go of the pain. Sex is good for me now. I got so turned on by some of the scenes that I dragged my husband upstairs and had some adult playtime.

The other thing that annoyed me was how volatile Aislinn was. Once again I had to stop myself from reacting and instead looked at what on earth was causing such a strong emotion in me. One of the things going on between Aislinn and Fionn was a whole lot of insecurity about their relationship from Aislinn’s side. No wonder, considering how it all came about and all of the challenges thrown their way (an understatement if there ever was one). I looked at my own insecurities when it comes to people and especially my husband. Being an autist is a challenge when it comes to a relationship – both for me and my non-autistic husband. My husband is the kind that shows his love through action and not through words. For me that is incredibly cryptic. My thinking muscles are severely challenged when trying to interpret what is going on in our relationship. We have been together 25 years, so I ought to have caught on by now, but you know – some people are just slow.

The other thing that caught me was what happened when Aislinn discovered she was pregnant and the following abortion. The myth about pregnant women being volatile is no myth. Sometimes our hormones take over completely and there isn’t much we can do about it. Add to that the new relationship between Aislinn and Finn and Aislinn just beginning to open her sealed chest of grief over her many losses in life thus far – and my feelings about Aislinn changed.

Is there action in Earth’s Blood. I realise that the above might have made you think otherwise, but there is plenty of action. Plenty, plenty, plenty. And like the sex it is detailed but not explicit (if that makes sense). The dark gods (another concept that sent me off on a tangent) and the old ones used to fight each other. But in their craving for control over the earth they have pooled their resources for the time being. Power is such a seductive thing and power is what both the Old Ones and the Dark Gods want. Power over the people and power to consume the earth’s resources.

By destroying anything to do with technology they have handicapped humans. And by killing off people without magic they have reduced the population and the potential number of people who could rise up against them. These are the creatures the Celtic gods and Aislinn and their bond animals have to fight. But when one of those Celtic gods is a dragon there is hope. Especially when that dragon does what she does best and goes off on a mission of rescue. I like Dewi. She is a cranky, self-important, stubborn, independent and insecure dragon who is terribly lonely as the only dragon left on earth. I believe she is my favorite character.

Anyways, Earth’s Blood affected me and helped me realise something about myself. That is probably one of the more important things an author can achieve. My imaginary hat off to Ann Gimpel.

I have to add one comment here. If you are one of those who struggles with talking to your teenagers about sexuality, I recommend letting them read this series. There is a lot of action and a whole lot of wholesome and fun sex in it. Sexuality is shown as something fragile in new relationships while also showing how turned on by each other people are at the beginning of a relationship.


I’ve reviewed an ARC copy, so Earth’s Blood is not out on the market yet. For a description:


My review of Earth’s Requiem


Lemuria/Lemurians (not connected to the Lemurians of the novel but I got off on a tangent.):

Reine, S.M.: Dire Blood (The Descent V) (2012)

Dire Blood
Cover art S.M. Reine
I’ve had some strange and terrible things happen in my life. Most people have. I grew up in a home with parents who had managed to stray from the original paths their lives might have taken. Instead they changed what they had grown up with into a new type of family life. But the consequences of the lives they had grown up with were there. And let me tell you, their growing up years were extremely difficult. But they changed the script of their lives.

Maybe this is why I prefer Elise over James. Elise continually tries to change what life throws at her into something that will keep the balance between different types of people. James, on the other hand, is driven by his ambition. Both grew up with challenges, although Elise’s seem much more extreme than James’ challenges.

When James was a kid it became apparent that his talent for magic was extreme. At nine years old he taught three girls who were older than he. He thirsted for more knowledge of magic. Conquering magic became his goal in life, no matter what he might end up sacrificing to get there. Sadly, he was good at everything he tried his hand at. I say sadly because in James’ case all of his success turned out to give him a skewed sense of morality (at least it seems that way to me). That affects his relationship with Elise and just about every other person he meets. To him demons are dirty, filthy, evil creatures who deserve only death. Humans are the important breed to him, the ones he needs to protect.

James’ coven has been under the rulership of the angel Metaraon for years and years and years.

Metatron: (Metatetron, Merraton, Metaraon) A great angel honored as the angel of presence, chief of ministering angels, chancellor of heaven, and whom maintained the world.

<

p>The coven has provided Metaraon with girls who are taken to a garden to be with Adam (or Him / God). While James was young Metaraon came to the coven to take away a young girl (Ariane). Metaraon’s ultimate goal was to create “The Godslayer” (yes, you are catching on now, huh? ;= ). Ariane was matched with Isaac Kavenagh in order to create a baby. Ariane became Isaac’s apsis so the two of them would be bound to each other. When Ariane was 16 and Isaac 20 years old Elise was born. And who is Elise supposed to be????

One of Ariane’s co-students was Hannah Pritchard. Hannah later became involved with James and she and James had a son – Nathaniel. If you remember, James found out about Nathaniel in Damnation Marked. James now discovers that Hannah has kept the knowledge of their son from James because of the kind of person James is. That’s got to hurt. James is the god of rationalisation and so manages to keep on finding justification for his actions and ways. Some of the choices he makes bring him and Hannah into great danger. Danger from which Elise is going to have to save them.

As you discovered at the end of Damnation Marked, Elise survived her death. She was changed into a demon of the kind that Yatam and Yatai were. For a kopis that had to suck. All of a sudden she has become what she has fought against her whole life (ever since she was able to hold a falchion). Part of that change has brought confusing urges and a look into other people that she isn’t understanding. So, she is confused, angry and worried.

When Nathaniel turns up, what does she do? Well, in true Elise style she drops everything and goes off to help James. Anthony has stuck with her through thick and thin, but this time he says no thanks and leaves Elise and Nathaniel to the job. And what a job this is turning out to be. Throughout Dire Blood I am reminded of why I like Elise so much (and now Nathaniel as well). Sure, she is a mess, her life has turned up-side-down and she has no idea what is happening to her. So what. Life has to go on and a girl’s got to do what a girl’s got to do. If that means saving James with his magically talented son coming along, then that is what she will do.

Action. Is there action in Dire Blood. Oh, yes. Plenty of that. I had fun with both the action and the background information on our main characters. As usual I loved S.M. Reine’s writing. She does an excellent job with this kind of fantasy.


Review:


  • File Size: 482 KB
  • Print Length: 428 pages
  • Simultaneous Device Usage: Unlimited
  • Publisher: Red Iris Books (December 23, 2012)
  • Sold by: Amazon Digital Services, Inc.
  • Language: English
  • ASIN: B00ASDEHLM

Source: Angelology


My review of:

  1. Death’s Hand
  2. The Darkest Gate
  3. Dark Union
  4. Damnation Marked

Tarwater, Tristan J.: Little Girl Lost (Valley of Ten Crescents) (2012)

Little Girl Lost
Book cover design: Christopher Tarwater
Cover artist: Amy Clare Learmonth (she has some incredible illustrations on her site)
Editor: Annetta Ribken

The cover of Little Girl Lost reminds me of the story of The Little Match Girl by HC Andersen (a story that made me bawl when I read it the first time). That look fits the story well as this is a story of orphans and poverty. A very short story. Only 15 pages long.

Tristan J. Tarwater calls Little Girl Lost a prequel to Thieves At Heart. I guess that makes it story no. 0 in the tale of Valley of Ten Crescents.

Tavera is around seven or eight years old when she is sold into service – not for the first time. Such a fate was not unknown (and probably isn’t today) in many parts of the world. Tavera’s previous work had been coal sorting, fruit picking and laundering.

Being an orphan has never been an easy life. Being a “half-breed” (in this case half-elf) seldom helped.

A sense of Hansel and Gretel enters the story when the ancient, hunched over crone, Mrs. Greswin, pokes a finger in Tavera’s ribs and states that she’ll soon have Tavera fattened up. Yikes, what does this sausage maker put into her sausages?

Like all children, at least I was, Tavera is curious and when Mrs. Creswin is drunk enough Tavera explores as much as she can and discovers surprising facts about the old lady, gets into trouble, and sometimes discovers secrets better left alone. As it is a prequel, you all know this story is going to end well for Tavera. Well, kind of.

I enjoyed this little tale that only took a short, short while to read.


Reviews:


Maxey, James: Bitterwood (2007)

Bitterwood
Cover art by James Maxey

Originally Bitterwood was meant to be a stand-alone novel. I guess sales must have been better than expected and therefore an invitation was extended to James Maxey to expand the tale with Dragonforge and Dragonseed. Due this expansion Maxey now has an edition of Bitterwood that brings the original story more in line with the two other novels. My review is based on the revised edition.

Bant Bitterwood’s mission in life is hunting dragons. Sent by the prophet Hezekiah he believes this is God’s will. Leaving the love of his life behind he sets out and 20 years pass in the turning of a page. While adored by many humans Bitterwood is despised and feared by the dragons who see him as the bad guy. Each story has two sides and we get to have a look at both of them in Maxey’s Bitterwood.

In this tale of action and fantasy set far into the future we see humans made into slaves and dragons more like ourselves than we might like to admit. Karma has bitten humans in their rear ends and shown them (if they only knew) that their meddling with genetics has consequences.

Early on we get to see remnants of previous technology on something that the dragons call the ghost lines. Here dragons fear for their lives for there is a very real danger of them being killed by what is within. Later on in Bitterwood we also come accross surprising pieces of technology. I think one of the reviews below reveals what that is but I shan’t.

Vendevorex (wizard dragon) is the most interesting character of the novel. Perhaps that is because his views correspond with my own in some respects. He is of the faction of dragons that believes that humans should be treated with some decency unlike his extremely feudal king Albekizan. Our own history of slavery and feudalism is reflected in this tale of dragon lords and human slaves. As our own stories tell us, rebellion is part of our past. But as with our history, the consequences of fighting the system can be devastating not only for the rebels.

Another character that I enjoyed a lot was Zanzeroth (tracker dragon). He is ambivalent when it comes to humans and their value. Age is catching up with him and he does not like it. Vanity is not only a human thing in this tale of dragons and humans.

Bitterwood is a good novel. It raises questions that ought to be raised and does so in a highly entertaining manner. Because of some of the reviews on the net I get the feeling my revised edition is quite different to the original. My recommendation is to get the revised edition of the novel.


Reviews:


  • Mass Market Paperback: 416 pages
  • Publisher: Solaris; 1 edition (2 July 2007)
  • Language: English
  • ISBN-10: 184416487X
  • ISBN-13: 978-1844164875
  • Product Dimensions: 16.8 x 10.6 x 4 cm

Butcher, Jim: Captain’s Fury (The Codex Alera IV) (2007)

Jim Butcher‘s series, The Codex Alera, is well worth a read. Captain’s Fury is book number four in the series. In it we meet a Tavi two years older from who he was in Cursor’s Fury.

The hard work that Butcher puts into his books shows. He himself says that being and author is about work, work, work and not giving up even if you are rejected.  I guess I must have been wrong about the Muses just dropping into people’s heads and taking over their hands.

I love it when I can tell that an author has worked for my pleasure. How selfish is that? However selfish, it is true. There is just something incredibly wonderful about an author that takes hold of me and brings me into their text.

That is the kind of author Jim Butcher has become.

Tavi is yet a couple of years older. As a character, Tavi is a warm-hearted person. Somehow he feels that friendship is possible with everyone and works toward that end. Unfortunately, not everybody agrees With that point of view. Senator Arnos is one such person. His goal in life is to destroy Tavy but also to destroy the Canim with what he considers Aleran superiority. Boy is he in for a surprise.

Sadly, Tavi will be impacted (in the shape of Captain Rufus Scipio) by Arnos’ scheming and Tavi’s captaincy hangs in a thread. When Tavi discovers who he really is, his life is not made any simpler.

The First Lord is quite a schemer himself. He knows that he is more or less alone in his battles and seeks a quick resolution to the problem of Kalare. That means that Gaius will have to og undercover and absent himself from the political infighting in Alera. To assist him in his quest, the First Lord brings along his faithful Amara and her Bernard.

——————————

My reviews of books  1 (Furies of Calderoon), 2 (Academ’s Fury), 3 (Cursor’s Fury), 5 (Princep’s Fury) and 6 (First Lord’s Fury)

Briggs, Patricia: The Hurog duology

“The Five Kingdoms” by Michael Enzweiler

Patricia Briggs has written the Hurog duology. As you might have surmised from this blog she is quite a prolific writer. Her books fall into the light entertainment category. The Hurog duology’s version of the Briggsian world-creation is placed in a world reeking of the middle-ages with all of its dragons, shape-changers, magicians and various other people.

I absolutely loved the Danish covers. Wow, what a cool dragon. I don’t think I’ve ever seen an interpretation like that. And it fits with the dragon of the story. This is probably one of the better stories that Briggs has written. Ward is a wonderful character, caught in his own trap, yet never quite giving up hope.

DRAGON BONES (2002)

Danish cover by Bent Holm

Dragon Bones is a stand-alone novel. Its main character is Ward, heir to Hurog. What you need to know about Ward is that his dad was, to put it mildly, a monster. Child-, spouse and animal-abuse were his main hobbies. Until he had managed to damage Ward enough to affect his thinking, he saw Ward as his rival. So when he dies at the beginning of the book, it would be fair to say that Ward did not feel like grieving.

Unfortunately for Ward, the damage done to him had enabled him to pretend to be quite dense. Undoing other people’s perception of himself turns out to be more difficult than Ward would like. Discovering a damsel in distress and the secret of Hurog both play a part in enabling Ward to figure out how to show himself as someone to be trusted. This brings the king’s attention to the Hurog family, driven by his paranoia of the world being against him.

Ward comes across as a believable character. He clearly struggles with the long-term effects of his childhood. But in learning about Hurog’s very secret secret and some truths about the people around him, Ward manages to feel less alone in his struggles. One of the first things Ward must do in getting people to take him seriously is to prove himself a warrior, taking him and a small group accross the kingdom.

The story is told in first-person, through the eyes of Ward. This is part of what makes Ward such a real person, but it also shows us the world around him through his experiences. The people around him are clearly filtered through the life of Ward, making us care more for him and for the people around him. Dragon Bones is quite an enjoyable introduction to the world of Ward of Hurog.

DRAGON BLOOD (2002)

Danish cover by Bent Holm

While Dragon Bones is a stand-alone story,  Dragon Blood depends on the reader having some knowledge of the world. It continues the story of Ward, and in this case Tisala the rebel, and love of Ward. Neither book is a romance, something I quite enjoy. I’m weird like that. For some reason I both dislike romance in books and yet really enjoy it at times. Romance done the Hurog way is great.

The beginning of Dragon Blood is quite brutal. We come upon Tisala while she is being tortured for information about the rebellion that has been realized in the wake of Ward’s exploits in Dragon Bones. She escapes and runs to Hurog. This implicates Ward in the mind of the king and the king demands that Ward be committed for mental illness. All of this comes on top of Ward having to prove himself politically able to his little kingdom. One might say that Ward’s life has a bit more excitement than is good for a person’s health.

Hurog means dragon, and dragons are showing up on the door-steps of the kingdom once more. Dragons have played an important part in the whole kingdom’s past history, not only Hurog’s. Thankfully neither book is very graphic, enabling them to be read by a younger audience (not too young). Neither violence nor romance is explicit. Upon finishing the Hurog duology, I was left with a sense of wanting more.


<

p>Dragon Bones and Dragon Blood are available as audiobook.

Pratchett, Terry: The Watch/Vimes

Streets of Ankh-Morpork (wow)

Samuel Vimes is a beautiful character. He grew up in Cockbill Street, the poorest area of Ankh-Morpork. They were so poor that while they had practically nothing to eat, at least their floors were clean enough to eat off. Getting into the Night Watch was quite a change for Sam. Now he had money for food. Being a guard runs in Vimes’ family. In fact one of his ancestors, old Stoneface, beheaded the last king of the city. Vimes’ worldview is that everyone is guilty of some kind of crime.

Guards! Guards! (1989)

[nightwatch.jpg]Nobby, Colon, Carrot, Vimes and the Librarian by William Bradford

Our first proper meeting with Captain Samuel Vimes occurs with him falling over drunk into one of Ankh-Morpork’s streets. It had been a hard day for the Watch. Poor old Herbert Gaskin had broken one of the fundamental rules of being a guard. He forgot to run away from trouble. Now the most despised group of men in the entire city consisted of only three men: himself, Sergeant Colon and Nobby.

In the meantime a young man is heading for the city with “all the openness, sincerity and innocence of purpose of an iceberg drifting into a major shipping lane.” Carrot is the name of this young man, due to the color of his hair but also due to the shape of his body. One day at sixteen his dad sat him down and told him he was not the six-foot dwarf he had always thought he was. Human was his race. His dwarven parents had in fact found him in the woods next to a burned out carriage. Now it is time for him to depart and seek his fortune as a watch-man in Ankh-Morpork. With him his father sends a sword, a dwarven woolen shirt, a golden cod-piece and The Laws And Ordinances of The Cities of Ankh and Morpork.

The Unique and Supreme Lodge of the Elucidated Brethren of the Ebon Night have a plan to overthrow the Patrician. They are going to summon a dragon. Against all odds they actually succeed in calling one forth. It turns out that this is a double-edged sword. Now that they have called the dragon forth, the dragon figures out a way to get back on its own.

One of the themes that we will encounter again and again in the Watch series is the power play between Vimes and Vetinari (patrician). Vetinari plays Vimes like the strings on a guitar. Carrot is the person who manages quite well to live between a rock and a hard place. His literal interpretation of the laws of Ankh-Morpork and his ability to own any situation makes it possible for him to soften Vimes’ explosiveness after meetings with Vetinari.


Adaptations

  • 1992: BBC4 produced a 6-episode serial dramatisation by Michael Butt of Guards! Guards!
  • 1997: Stage play scripted by Stephen Briggs,
  • 1997: Geoffrey Cush’s stage-adaptation,
  • 2000: Comic adaptation of Guards! Guards! Graham Higgins
  • 2011: Board Game by Backspindle Games in conjunction with Z-Man Games

Men at Arms (1993)

Scenes from Men at Arms by Justyna

Edward d’Eath’s father has just died, leaving him the thirty-seventh Lord d’Eath and an assassin to boot. Unfortunately his father had not left Edward any money. Quite a single-minded person whose belief in a King as ruler of Ankh-Morpork was quite fervent. Coincidentally, he stumbles upon Corporal Carrot, who just happens to look like one of the old Kings. Edward sets about trying to get Carrot and kinghood into fashion.

Captain Vimes is retiring from the police to marry Sybil Ramkin, Countess and the richest woman in Akh-Morpork. He is about to become one of the posh, a gentleman of leisure. But Vimes is finding it difficult to let go of policing.

Thankfully, an important artifact disappears from the Assassin’s Guild. The mystery must be solved. But the Assassin’s Guild aren’t interested in help from the Watch. Vimes loves the chase and the opportunity to get out onto the streets again. The chase after the weapon/artifact turns out to be both challenging and bloody.

Gaspode the wonder dog makes his appearance in Men-at-Arms. Gaspode the talking dog (too much time at the UU can change someone). He is rather keen on Angua (the werewolf).

In Men-at-Arms Pratchett plays with our biases. Here we get to see racism in all its “glory”. Even though the cops in the Watch are only supposed to be cops, they still have to overcome biases towards each other. Like so many others of the Discworld books, Men-at-Arms looks at the power of belief. We get a look at what that belief makes it possible for people to do.


2000: Stage adaptation of Men At Arms by Stephen Briggs

Feet of Clay (1996)

  • 1996: Winner of SFX award for best SF/Fantasy Original Novel
  • 1997: Nominated for 1997 Locus Awards – best Fantasy novel

Warhammer’s miniature grouping

Commander Sir Samuel Vimes is shaving, thinking on the horrors he has to face as a gentleman. People doing things for him, formal dinners and not being able to sit with the servants any longer playing cards and drinking beer. And then: “There was a flicker in the glass. He moved sideways and ducked. The mirror smashed. There was the sound of feet somewhere beyond the broken window, and then a crash and a scream.” The Assassin’s Guild are at it again. Some of the other gentle-people of the city do not want Vimes alive, and the Assassin’s Guild keeps on trying to do their job.

Captain Carrot has made it through his first two years in Ankh-Morpork. The love of his life is Corporal Angua, a werewolf, whose bad-hair days he takes in his stride. She is quite handy to have around when people want scaring. So when some incredibly thick thieves rob Ironcrust’s Dwarf Bakery she does just that – earning the “respect of the community.”

The body of Father Tubelcek is discovered. The watch have just hired their new alchemist, a dwarf by the name of Cheery Littlebottom. She is sent along to investigate the clues she discovers, of which one of them is a strange light in the dead eyes of Father Tubelcek.

Weirdly enough, it turns out Nobby is posh. He has his own coat of arms and has now become a peer. Poor guy, how is he going to deal with this? With increasing desperation it seems.


Adaptation

2007: Stage adapatation of Feet of Clay by Stephen Briggs.

jingo

Jingo by Marc Simonetti

Jingo (1997)

An Ankh-Morporkian and a Klatchian fisher are both at the scene when a strange island rises above the sea. Both immediately lay claim to the island and this leads to a dispute between Ankh-Morpork and Klatch. The Klatchian crown prince is sent to Ankh-Morpork and diplomacy ensues (kind of). One of the funniest scenes Terry has ever written comes when Vimes has to lead a parade. The whole thing came alive in my head and I almost fell over laughing.

An assassination attempt is made on the prince and the Klatchian embassy declare war against Ankh-Morpork. Vetinari resigns and Lord Rust takes over. He is slightly eager for war and his decision leads to Vimes and the gang ending up in the Klatchian desert.

At the same time Vetinari, Colon, Nobby and Leonard of Quirm take a u-boat ride to the island and then to Klatch. Nobby ends up having the time of his life with “nubile” women. This is also an extremely funny scene. Poor Nobby. But while there is plenty of humor in the foursome’s trip, there is also a serious reason for their trip (obviously since Vetinari is involved).


2005: Jingo stage adaptation by Stephen Briggs

French cover by Marc Simonetti – Simonetti has become my favorite Pratchett artist

The Fifth Elephant (1999)

Uberwald – the land of vampires, werewolves, trolls and dwarves, is becoming restless. Something very important is happening in a few weeks time. A new Low King is being crowned, and that is causing fighting in Ankh-Morpork. With 50000 dwarves living in the city, people are bound to notice that something is going on.

The old grievances between trolls and dwarves have not yet been resolved and large areas are controlled as fiefdoms by vampire or werewolf clans. Into this “suet pudding” Vetinari plans to send an ambassador for Ankh-Morpork, and he wants to send the Duke of Ankh. Cunning man that he is, Vetinari had already spoken to Lady Sybil about it. Vimes knew when he was beaten.

The replica of the Scone (dwarf throne) is stolen from The Dwarf Bread Museum. Vimes finds an aboundance of clues, to many in his opinion. To him it is a stupid crime that does not feel stupid.

Vimes goes off to Uberwald, leaving Carrot in charge of the city. Thankfully, Sybil is along. She will take care of the negotiations, while Vimes will represent Ankh-Morpork in his unique style.

Angua discovers that her xenophobic brother Wolfgang has decided to take over Uberwald. She leaves Ankh-Morpork and Carrot to stop Wolfgang. Carrot makes a difficult choice. He chooses love over duty and goes after Angua. This time Colon is left in charge of the Watch – a recipe for disaster.

The Fifth Elephant follows these three journeys – Vimes and Sybil/Carrot and Angua/Colon as head of Watch.

In a sense, The Fifth Elephant is a love story. Sometimes the choice is between the people we love, duty and tradition. Can we have it all?


2002: Stage adaptation of The Fifth Elephant by Stephen Briggs

Ankh-Morpork found at The Same Old Song (I need help finding the name of the artist – Kidby, Kirby ???)

The Night Watch (2002)

The Night Watch for the most part happens in the past. Through a freak accident, Vimes is thrown back to the time when he was a younger man and new to the Watch. Along for the ride is Carcer, a cold-blooded murderer. Carcer’s goal in the past is to kill Sybil, thereby wounding Sam beyond repair. Sam’s goal on the other hand is to make the city safer from people like Carcer. To do that he has to establish a new identity as his old self cannot know who he is. Luckily/unluckily Vimes assumes the identity of John Keel, his old sergeant. John Keel has been killed by Carcer. Vimes knows that changing the past will also affect his future. There might not be a wife and child-to-be when he gets home to modern Ankh-Morpork. But Vimes is who he is and cannot leave the Watch or his old self in their old shape.

Unfortunately, Carcer joins the Unmentionables. They are the secret police, carrying out the whims of Lord Winder (patrician of the time). This often includes people going missing, torture and terror. Vimes sets out to make life difficult for both Carcer and the Unmentionables.

Would we try to change the past if we could? Many of us probably would. In trying to influence his younger self to be a better copper, Vimes changed himself. But the big lines of the city. Hmmm – read and see. Corruption and incompetence are dangerous qualities in rulers, but also in the ones set to carrying out the rules. So, what happens when Vimes sets out to change his old world, trying to make it a better place?

———————————-

2008: BBC Radio 4 2008 radio adaptation dramatised by Robin Brooks

2004: Night Watch stage adaptation by Stephen Briggs

Thud (2005) 2006 Locus F Nominated 

Dribble the dragon, Samuel Vimes, Sam Jr. by Kiriban

Vimes really, really does not like Vampires. Until now he has refused to have any of them on the Watch. That choice is taken away from him by his “beloved” Vetinari. Sally is employed to assist in the investigation around the death of the dwarven demagogue, Grag Hamcrusher. Apparently a troll is the culprit. Sergeant Angua and Captain Carrot are the other Watch member assigned to the case.

Corporal Nobbs and Sergeant Colon get the job of investigating the disappearance of a 50-foot painting titled The Battle of Koom Valley. The discovery of the disappearance leads to several things happening. Trolls vs. dwarves, assassination attempts, a Kube and the Summoning Dark all lead to Vimes, Sybil, Young Sam, Wilikins, and several members of the Watch going to the Koom Valley where Vimes discovers the secret of the valley.

Young Sam has become the mainstay of Vimes’ life. This will prove essential in keeping Vimes alive and sane. Family is all to him. Vimes’ dedication to peace is strong throughout the book, as can be seen clearly in his fight with the Summoning Dark. Racism is prevalent in the book through the animosity between dwarves and trolls. Once again we are confronted by our own biases. One might even replace racism with religious conflict: Protestant/Catholic (Ireland) or political conflict: Palestine/Israel.

Snuff (2011)

Samuel Vimes and one of his weapons (dragon) by Jan Pospisil(Perfect)

Snuff’s focus is for the main part on Vimes and his family. Lady Sybil makes him take a family vacation to her mansion Crundells. Of course Wilikins comes along. Here all is peaceful and Sam is enjoying being able to concentrate on being with his wife and son. But that is not the way things stay. The house-staff seems to hate Sam and Vimes nose is itching with the smell of wrong-doings.

Samuel discovers a grotto of goblins living nearby. For some inexplicable reason the local gentry seems to hate/despise/revile the goblins and treat them as disposables. When the murder of a local blacksmith occurs, all of a sudden the whole country side is involved. On his side, Vimes has Sybil, Wilikins, a young police officer called Upshot and the goblins. Against him are Lord Rust (who has interests in the area) and most of the local gentry and quite a few of the peasants.

It’s time to call in the cavalry. While he has no jurisdiction at Crundell, Vimes is able to ask his people to investigate certain aspects of his discoveries. The Watch does not play a large part in Snuff, but they are present.

I was touched by Snuff. In a sense I felt as though I was saying goodbye to Samuel Vimes, Duke of Ankh-Morpork and Commander of the Watch. Pratchett writing has gotten darker as the years have passed for the Discworld. The topics are no longer solely focused on making fun (in his gentle way) of current sci-fi and fantasy fashions, but very much on personal development and the conflicts people meet in life. The slavery of the goblins in Snuff very much reminded me of the slavery that has gone on and is going on in the world. Somehow people find it in themselves to treat others as nothing. Rising up to fight this slavery, both on a large and a small-scale is incredibly difficult. Thankfully Pratchett always leaves us with a sense of hope that things might get better.


SOURCES: