Peace Force is a funny scifi action-comedy about poor Harriet Walsh who finds herself invited to become part of the planet Dismolle’s Peace Force.
As she skimmed the flowery sentences, Harriet realised she had been mistaken. The letter wasn’t a scam or a lottery, and it wasn’t asking for money. No, it seemed to be offering her job … and it wasn’t caring for the elderly.
Harriet was certainly correct in being sceptical of the job offer. Nothing is as she expected when she arrives at the address given. I could never decide if I should feel sorry for Harriet. On one hand, her job with the Peace Force saves her from becoming evicted. On the other hand, there’s Bernie, her senior officer. Bernie and Steve are the only ones working for the Peace Force when Harriet is hired. They serve on a planet whose inhabitants are mainly retirees. There is little crime to be found on the planet. Or at least there was until Harriet arrived at the station.
Peace Force is intended for 14+ audiences according to Amazon and I think that is a fair evaluation. Its comedy is of the farcical and slap-stick variety. The covers aren’t representative of the content although they are representative of the current fashion within scifi covers for female leads. The publishers get a big minus for that. Its blurb is honest and representative of the content.
This is the kind of lighthearted read that is not intended to impress or wow its public but rather divert from whatever life throws at you.
Reblog of my review of Terry Pratchett’s “Moving Pictures” from 1990.
Trust is a valuable commodity. To whom do I give my trust? The entertainment industry? News media? Scientific research? Pratchett’s Moving Pictures is a biting and funny social commentary about the impact and influence media can have on us.
About thirty miles Turnwise of Ankh-Morpork the surf boomed on the wind-blown, seagrass-waving, sand-dune-covered spit of land where the Circle Sea met the Rim Ocean.
The hill itself was visible for miles. It wasn’t very high, but lay amongst the dunes like an upturned boat or a very unlucky whale, and was covered in scrub trees. No rain fell here, if it could possibly avoid it. Although the wind sculpted the dunes around it, the low summit of the hill remained in an everlasting, ringing calm.
Nothing but the sand had changed here in hundreds of years. (p.10)
Moving Pictures is the 10th novel in the Discworld bibliography and was published in 1990 (my paperback edition is 333 pages). Its cover was illustrated by Josh Kirby. His illustration is spot on with regards to both the spirit and letter of the story. Our narrator is omniscient and, therefore, knows and shares details from important places and people. One of Pratchett’s techniques is Footnotes. They aren’t essential to the story-line, but they do add to the narrative-believability. Chapter headings are non-existent. At first, that might be confusing but you soon get used to it. There are 17 non-English translations of the story and the novel has been dissected by scholars from some of those countries.
‘Oh, yes. Yes. Yes,’ breathed Soll. ‘What a picture! Pure kinema!’
‘A giant woman carrying a screaming ape up a tall building,’ sighed Dibbler. ‘And we’re not even having to pay wages!’ (p.300)
Making fun of the movie industry begins on the dedication page with Pratchett’s “Thank you speech” and continues throughout the story. Names (e.g. “Silverfish“), titles (e.g. “Last Keeper of the Door“) and places (e.g. “Holy Wood“) are from novels and films (e.g. “Gone with the Wind” + “King Kong” = “Blown Away”) that span the period that started with the Phantasmagoria shows of the 1790’s up through the one-reel Celluloid film from the late 1800‘s that developed into the silent movies of the early 1900‘s ending with the movies 1980‘s.
Many of the characters in this story are like people I know. Main characters are Theda Withel (Ginger/Delores del Syn), Victor Tugelbend (Victor Marachismo), Cut-My-Own-Throat Dibbler (Dibbler), Gaspode The Talking Dog (Gaspode), the Alchemist’s Guild, the Wizards of Unseen University, the Librarian, Holy Wood and Ankh-Morpork.
Our story begins and ends with Holy Wood. From the description above, it seems an idyllic place yet all Keepers of the Door have maintained a 3-times-a-day set of rituals to prevent an apocalypse. When Death puts a stop to the priestly line, whatever was kept back by the chanting begins to seep out……
There was a man who had worked all of his life and had saved all of his money and was a real miser when it came to his money. He loved money more than just about anything, and just before he died, he said to his wife, “Now listen. When I die, I want you to take all my money and put it in the casket with me. I want to take my money to the afterlife with me.”
And so he got his wife to promise him with all of her heart that when he died, she would put all of the money in the casket with him. Well, he died. He was stretched out in the casket, his wife was sitting there in black, and her friend was sitting next to her. When they finished the ceremony, just before the undertakers got ready to close the casket, the wife said, “Wait just a minute!” She had a box with her. She came over with the box and put it in the casket. Then the undertakers locked the casket down and rolled it away.
So her friend said, “Girl, I know you weren’t fool enough to put all that money in there with your husband.” She said, “Listen, I’m a GOOD woman; I can’t go back on my word. I promised him that I would put that money in the casket with him.”
“You mean to tell me you put all that money in the casket with him!!!?”
“I sure did,” said the wife. “I wrote him a check. If he can cash it, he can spend it.”
Wrong Hands by John Atkinson is one of the funniest cartoons I have read. Atkinson way of making fun of life is to the point yet gentle. When I feel hit by one of his arrows that gentleness makes it easier to actually think about what he is trying to point out than to become ornery.
Outside the Bristol Zoo, in England, there is a parking lot for 150 cars and 8 coaches, or buses.
It was manned by a very pleasant attendant with a ticket machine charging cars 1 pound (about $1.40) and coaches 5 (about $7).
This parking attendant worked there solid for all of 25 years. Then, one day, he just didn’t turn up for work.
“Oh well”, said Bristol Zoo Management – “we’d better phone up the City Council and get them to send a new parking attendant…”
“Err … no”, said the Council, “that parking lot is your responsibility.”
“Err … no”, said Bristol Zoo Management, “the attendant was employed by the City Council, wasn’t he?”
“Err … NO!” insisted the Council.
Sitting in his villa somewhere on the coast of Spain, is a bloke who had been taking the parking lot fees, estimated at 400 pounds (about $560) per day at Bristol Zoo for the last 25 years. Assuming 7 days a week, this amounts to just over 3.6 million pounds ($7 million).
And no one even knows his name.
Bristol Post never intended that their 2007 April Fools‘ joke would become an urban legend. However, it continues to raise its head every once in a while and has probably been adapted to fit different locations. If one takes a few seconds to think about the matter it is clear that such an endeavour would have been impossible for that extent of time. For a shorter period of time … who knows.
True story reported by an British guy who was stopped and asked to give a breathalyzer test.
The British guy lives near Le Bugue in the Dordogne and at the time he was stopped he was as pis*ed as a fart…
The gendarme signals to him to wind down the window then asks him if he has been drinking, and with a slurring speech the British guy replies;
‘Yes, this morning I was at my (hic)..daughter’s wedding, and as I don’t like church much I went to the cafe opposite and had several beers.’
‘Then during the wedding banquet I seem to remember downing three great bottles of wine; (hic)… a corbieres, a Minervois and (hic)…a Faugeres.’
‘Then to finish off during the celebrations…. and (hic) during the
evening …me and my mate downed two bottles of Johnny Walker’s black label.’
Getting impatient the gendarme warns him; ‘Do you understand I’m a policeman and have stopped you for an alcohol test’? The Brit, with a grin on his face, replies; ‘Do you understand that I’m British, like my car, which is right-hand-drive, and that my wife is actually sitting in the other seat, which is the one behind the steering wheel?’
Converted is the second short-story of The Meantime Series. “Draghan and the shaman had been on the inside of the innermost circles of power since the previous regime” until “King Avlar met his premature death after a clumsy and unfortunate accident where he sat down on his sword”. Both Draghan and the shaman had an instantaneous conversion from the old god to the god of Avlar’s son. We follow the two of them in Converted.
While there are language and grammar issues, Svingen & Pedersen have solved many of the problems I saw in Flushed. I particularly like their take on the worth of people. Some places in the world are still like this.
Topics of the Meantime short-stories are independent of each other. Thus far there are three of them. Flushed is the first one, and the one I enjoyed the least. Most of that has to do with translation problems and proper word usage. That is not to say that it was bad. Flushed is a story about how a president handles “an uninterrupted log of such length and girth” when it refuses to be flushed down the UK PM’s toilet. Most of the story is about the president’s thoughts interspersed with short spurts of action.
While “any resemblance to real persons” is entirely coincidental according to Svingen & Pedersen, their presidential character borrows heavily from a certain US president. Flushed’s president certainly behaves the way much of media presents him.
Remember! Flushed is supposed to be a piece of humour, not a piece of political commentary.
I bow down to Heron Carvic. Intelligent humour. British humour. If you aren’t a fan of either of those, don’t bother. I giggled. Then I giggled some more.
Each one of Carvic’s gallery is a Character in some way. I’m sorely tempted to compare with other authors, but that goes against everything I believe about writing reviews.
“Miss Seeton prepared to hurry by a couple pressed into an adjacent doorway, when the girl spat:
“Merdes-toi, putain. Saligaud! Scélérat, si tu m’muertes …” She ended on a gasp as the boy’s arm drove into her side.
Oh, no. Really. Miss Seeton stopped. Even supposing the girl had been rude – and it had certainly sounded so – that was no excuse. A gentleman did not hit … She prodded him in the back with her umbrella.
“Young man …”
He whirled and leaped. Deflected by the umbrella he landed beside the prostrate Miss Seeton. Grabbing her by the coat, he jerked her towards him. …”
Miss Seeton is close to retirement age, single and a teacher. Her thoughts are associative and others have trouble following along. She is like this all the way through the book. Well, not all the way. Other things do happen and other people have their own things going. But many of Miss Seeton’s encounters are about her minding her own business until some other person decides to intrude upon it. I have not met such a delightful creature in a long time.
Carvic (pen-name) understood that she needed a strong supporting cast for the concept to work. There is. Due to the crime’s nature, the police – Scotland Yard are involved. Superintendent Delphick (the Oracle) leads up the investigation involving a killer. Deplhick appears able to understand Miss Seeton’s way of thinking. Poor Sergeant Ranger often finds himself at a loss for what to say when Miss Seeton opens her mouth. The village of Plummergen is certainly not ready for her. Except for the gossips. Does she ever fuel their terrible rumours. Then we have Nigel who is trying to save his childhood friend from herself.
British humour is seldom solely about the humour. At least that is the way it seems to me. I did not have to look very hard to find a bit of satire. Yet kind. In that sense Carvic reminded me of a few favourite authors from that part of the world. Picture Miss Seeton is a mystery parody, or a parody mystery, set in a time before electronics took over our lives. I would guess that number one is set at around its publication date in 1968. This e-edition is based on the 1988 version. Apparently parts have been removed from the original version. There are 23 books in the series. Only the first five are by Carvic (he died). Definitely recommended.
The relative merits of my weapon of choice all became a little academic when my phone began to play the Mexican Hat Dance. I rummaged in my pocket, wishing I was better at technology so that I could change the ringtone or at least mute the damn thing. It’s hardly appropriate for a Specialist Funeral Director to have such a chirpy tune ringing out across a graveyard. I pulled the phone out and stabbed randomly at the buttons, trying to silence the thing. It was then I realized that in doing so, I had inadvertently stood up, revealing myself to the dead head.
“Hello?” Detective Inspector savage’s voice sounded incredibly loud. Somehow, I’d managed to put him on speakerphone. “Are you there, Coffin?”
The dead guy spun round. He looked fast for someone who had died a few weeks ago and just finished the impossible journey from six feet under the soil to the surface. He also looked like every one of the days of those weeks had taken its toll on him. His face was bloated and grey, the skin splitting around his forehead to reveal white bone and a lining of something creamy. He gave a low growl from his black lips which gave me a lovely view of his yellowed, uneven teeth.
“Hi, Savage, can I ring you back? It’s not a good time right now.”
Savage was one of those people who never took the hint. “It won’t take a minute, Coffin. We’ve had a report of an open grave in a place called Hampton Green…”
“I’m dealing with a lich, right now, Savage, I can’t really…” I didn’t finish the sentence. The dead guy launched himself forward and rammed his shoulder into my gut, grabbing me round the waist and forcing me backwards onto the ground. (ch. 1)
Blood, Bone and Coffin is a prequel to Demons. It is a novella about the Specialist Funeral Director whose job it is to lay the undead to rest. Sometimes the police give him work to do. Usually, they do not call him at such an inconvenient time as the one in the quote. Or perhaps Coffin learns how to silence his cell-phone.
What begins with the request to lay a zombie to rest, ends up being a search for the killer of residents at the Twilight Grove Nursing Home in Hampton Green, England.
BB&C is a fun little paranormal whodunit with odd people all over the place. Recommended.
Heide Goody & Iain Grant‘s collaboration began with Clovenhoof. They enjoyed it enough to continue collaborating on at least eleven more stories. I adored Clovenhoof. If you enjoy British humour, this is a must. Life right now needed Clovenhoof. When my Asperger struggles to deal with what life hands me, laughs are precious. Clovenhoof was fall over funny and relevant. Probably relevant for any person who has had siblings, parent issues or have struggled to fit into their local cultures and bureaucracies.
“We’re a little disappointed,” said Saint Peter. “Let’s take the measure of suffering. This was very straightforward. All suffering should be graded as good or higher.”
“And we’re certainly getting those grades in a lot of the suffering that we deliver,” said Satan.
“A lot. Not all.”
“Yes, but it wouldn’t be reasonable to expect it for everything,” Satan argued. “We got some clients who simply enjoy it too much, and then there are those who lie about the experience because they can’t help themselves.”
… “You give me no choice but to recommend your immediate removal from the post.”
Poor Satan. The guy can never catch a break. First he gets thrown out of Heaven. His punishment for wanting to save God’s children was being master of Hell, a hellish job. Then, he gets thrown out of Hell for trying to meet the demands of the assessment board. Fired by uptight Michael and conniving St. Peter (helped by, hmmm, not telling). Where does he end up? Earth. England. Birmingham. Sutton Coldfield.
“Having restocked the shelves of the Thriller section with a newly arrived box of Deightons and Le Carrés and settled down for a mid-morning cup of tea, Ben heard a muffled roll of thunder, looked up and saw that a naked man had appeared on the pavement outside the shop.”
Ben Kitchen is one of our main characters, the owner of the aforesaid used book-store (Books ‘n’ Bobs). He lives in the same building as Mr. Jeremy Clovenhoof (Michael’s sense of humour), and is painfully shy towards women he might be interested in. The two of them coincidentally end up on the same floor of an apartment building in Boldmere. They live in flats 2a and 2b.
We also get to know Nerys from the third floor of the same building. She works at Helping Hand Job Agency. One of her clients turns out to be Jeremy. And what a client he is. Both she and Ben try to figure out where Jeremy is from and why he is such an odd person.
Satan has no concept of money, credit cards, bills, rent, making food, what to wear, social rules, how to find a job or any of the other hellish things we are expected to magically understand upon reaching adulthood. Add in the fact that Satan is an Alien, and as one might expect of The Devil in such a situation, he makes a mess of things – both in his life and in others. However, Satan is an OK guy. He knows he did his best in Hell and wants to get a second opinion from God. Michael and he have not been on good terms since the War in Heaven, so Clovenhoof is not about to trust any decision made by him and St. Peter. Getting that second opinion is not a simple matter when the opposition refuses to cooperate. Because he is an Alien, Satan sees the world without the prejudices we grow up with. He also does not have the same moral compass humans like to imagine they have. In many ways Satan makes me think of the experiences many Aspergers have in trying to connect with their surroundings. So many rules and regulations make no sense and “morals and empathy” are just words people use to persecute others.
The story moves between the new and unusual experiences Satan has on Earth and the reason Satan got kicked out of Hell (it might not be what you think it is). I have learned several vital things about English society. Good thing there are search engines:
Once again Alan Scott serves us a plateful of humour with a dash of serious. OMG, that talk-show. “Women Who Bitch With Other Women” remind me of some very popular talk-shows that definitely do not have ASD’s in mind. “Next season’s must-have fashion accessory!” indeed.
Once again, the idiotic government wants to kill their once-upon-a-time tool. This is one of the worst thing about governments around the world. For heavens sake, let SCoT-1 get his well-deserved revenge instead of wasting unnecessary lives trying to stop an unstoppable person – especially with Terminal Flatulence on his side.
It was the cover that lured me in. Sometimes I am lucky and the cover actually presages the contents.
Dominic Green‘s Ant & Cleo series is as well-written and ridiculous as only British humor can be. These two young (12 years old) people go through experiences that are disconnected to reality as we prefer to believe it. Unless, of course, Britain, Russia (USSR) and the US have actually managed to get colonies into space. I suppose it is possible?
First, Antony and Cleopatra, the main characters. Their characters have little to do with the portrayal by Shakespeare but more in common with the originals. Ant seems to be bluff, passionate and a little simple-minded (and highly underestimated by Cleo), while Cleo is fairly intelligent and practical.
It all begins with a trip to the woods with Ant’s father. Forests are great places for adventure, though I doubt many people get to go into space with an alien from Lalande 21185. Strangely enough, this alien looks like a human:
“The new man looked tired and thin, and had a haircut that suggested he spent a lot of his time in prison. He was wearing neither a suit nor combat fatigues, but a pair of Levi’s which still had the label dangling from the back of them, and a maroon T shirt. The T shirt had aliens in flying saucers on it, along with the words SPACE RASTA.”
Mr. Green throws Ant & Cleo into situations that keep them wondering about the things they have learned in school. The spaceship they leave Earth in is their first clue to their ignorance. “Made in Britain by Hawker Siddeley Aviation” seems a bit far-fetched to them. But that is what the maker’s plate says.
Then they meet Americans (US) in space. What a parody of every prejudice non-US citizens have had of them. White-supremacy, a confederate flag and deep southern accents along with names like Billy-Bob, Billy-Hank and Wayne-Bob. A whole sleuth of movies go through my memories as I write this. The funniest thing about these stereotypes is that Hollywood is the worst perpetrator of the image (and early James Bond). Their new compatriots join them on that planet. Glenn Bob and Truman make an odd couple. One very curious and the other diligent in carrying out assigned jobs.
After the US, Ant & Cleo get to meet members of the Soviet Union. Yes. In space the USSR still rules and feelings between the US and Russians continue to be very cold (I guess a bit like today). Here, too, accents and behavior copies movie and television stereotypes. Mr. Green nails these stereotypes.
“Glorious Soviet Yutopia does not kyill wyomen and chyildren”
OMG, non-russians speaking English with Russian accents drive me crazy. Finally, Ant & Cleo get to meet and talk with the British. Their poor kidnapper has been unconscious ever since their spaceship broke Earth’s orbit, so they do not know who he is and where he is from. He is British. Here again, Green nails every stereotype. These are the British who shake their head and carry on with the job even when they are severely wounded, wring sweat out of their long underwear to make water and express strong feelings by saying things like “Golly”, “Gosh” and “Bally good”.
Nothing is realistic. Well, except that quite a lot of it is. Tension between countries, secretive and lying governments and people who try to follow the propaganda they have been brought up are all things Green portrays as is. Propaganda, my goodness, what a great examples of propaganda and the brainwashing citizens are put through and accept.
I enjoyed this book immensely and think it would be appropriate for people from around 10 years old and up. Adults might have to explain some of the references, but with the I-net available to many, they might not.