Tag Archives: #TerryPratchett

Pratchett, T. (1990). Moving Pictures. London: Victor Gollanz

Reblog of my review of Terry Pratchett’s “Moving Pictures” from 1990.

Trust is a valuable commodity. To whom do I give my trust? The entertainment industry? News media? Scientific research? Pratchett’s Moving Pictures is a biting and funny social commentary about the impact and influence media can have on us.

About thirty miles Turnwise of Ankh-Morpork the surf boomed on the wind-blown, seagrass-waving, sand-dune-covered spit of land where the Circle Sea met the Rim Ocean.

The hill itself was visible for miles. It wasn’t very high, but lay amongst the dunes like an upturned boat or a very unlucky whale, and was covered in scrub trees. No rain fell here, if it could possibly avoid it. Although the wind sculpted the dunes around it, the low summit of the hill remained in an everlasting, ringing calm.

Nothing but the sand had changed here in hundreds of years. (p.10)

@Josh Kirby

Moving Pictures is the 10th novel in the Discworld bibliography and was published in 1990 (my paperback edition is 333 pages). Its cover was illustrated by Josh Kirby. His illustration is spot on with regards to both the spirit and letter of the story. Our narrator is omniscient and, therefore, knows and shares details from important places and people. One of Pratchett’s techniques is Footnotes. They aren’t essential to the story-line, but they do add to the narrative-believability. Chapter headings are non-existent. At first, that might be confusing but you soon get used to it. There are 17 non-English translations of the story and the novel has been dissected by scholars from some of those countries.

‘Oh, yes. Yes. Yes,’ breathed Soll. ‘What a picture! Pure kinema!’

‘A giant woman carrying a screaming ape up a tall building,’ sighed Dibbler. ‘And we’re not even having to pay wages!’ (p.300)

Making fun of the movie industry begins on the dedication page with Pratchett’s “Thank you speech” and continues throughout the story. Names (e.g. “Silverfish“), titles (e.g. “Last Keeper of the Door“) and places (e.g. “Holy Wood“) are from novels and films (e.g. “Gone with the Wind” + “King Kong” = “Blown Away”) that span the period that started with the Phantasmagoria shows of the 1790’s up through the one-reel Celluloid film from the late 1800‘s that developed into the silent movies of the early 1900‘s ending with the movies 1980‘s.

Many of the characters in this story are like people I know. Main characters are Theda Withel (Ginger/Delores del Syn), Victor Tugelbend (Victor Marachismo), Cut-My-Own-Throat Dibbler (Dibbler), Gaspode The Talking Dog (Gaspode), the Alchemist’s Guild, the Wizards of Unseen University, the Librarian, Holy Wood and Ankh-Morpork.

Our story begins and ends with Holy Wood. From the description above, it seems an idyllic place yet all Keepers of the Door have maintained a 3-times-a-day set of rituals to prevent an apocalypse. When Death puts a stop to the priestly line, whatever was kept back by the chanting begins to seep out……

The rest of the review is at TerryPratchettAndMe

Pratchett, T. (1990). Faust Eric (Illustrated). London, Gollanz.

Another review about the wonderful Terry Pratchett’s Discworld, this time regarding “Eric”, 1990.

Terry Pratchett and me

“Eric” is mainly about who has power, who wants power and who will suffer from it.

The demon King of Hell, Astfgl, has been waiting for Eric Thursday to open a summoning circle.

(his) brand of super-intelligent gormlessness was a rare delight. Hell needed horribly-bright, self-centered people like Eric. They were much better at being nasty that demons could ever manage.

When this long-awaited event finally happened, the King’s best demon, Vassenego, was supposed to materialize in the magic circle and bend Eric to Astfgl’s will.

We last left Rincewind running away from the Thing in the Dungeon Dimensions after telling Coin to run towards the light and not look back over his shoulder no matter what he heard. One of Rincewind’s greatest strengths is running. He does not care where, as long as it is away from trouble. Somehow, Eric’s summoning brought him back from his marathon in the…

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Guards! Guards! by Terry Pratchett

My review of Terry Pratchett’s Guards! Guards! from my Terry Pratchett blog.

Terry Pratchett and me

Guards! Guards! begins with an Ankh-Morpork brought to her knees by the fiascos of its previous rulers and the manipulations of its present Patrician, Lord Vetinari. Lord Vetinari has worked hard to subvert any thought of traditional social contract between ruler and the ruled. He has created organized crime/intricate guild system and subverted Ankh-Morpork’s police force/Watch. Its officers are no longer considered a threat to those who break the “law”.

The city wasa, wasa, wasa wossname. Thing. Woman. Thass what it was. Woman. Roaring, ancient, centuries old. Strung you along, let you fall in thingy, love with her, then kicked you inna, inna, thingy. thingy, in your mouth. Tongue. Tonsils. Teeth. That’s what it, she did. She wasa … thing, you know, lady dog. Puppy. Hen. Bitch. And then you hated her and, and, just when you thought you’d got her, it, out of your, whatever, then…

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Pratchett, Terry; Pyramids (1989)

I reviewed “Pyramids” on my Terry Pratchett blog.

Terry Pratchett and me

“But here, away from the great centres of population, where the Circle Sea meets the desert, there is a line of cold blue fire. Flames as chilly as the slopes of Hell roar towards the sky. Ghostly light flickers across the desert.

The pyramids in the ancient valley of the Djel are flaring their power into the night.

The energy streaming up from their paracosmic peaks may, in chapters to come, illuminate many mysteries: why tortoises hate philosophy, why too much religion is bad for goats, and what it is that handmaidens actually do.”

As the Discworld unfolds, the stories become more poignant. Yes, gags, plays on words, and downright bizarreness are plentiful. Except, this isn’t why Pratchett remains one of my alltime favourite authors. Real world people and events (even historical) are. Pyramids is sort of about Egyptian history, all boy boarding schools (particularly final examinations), family, coming…

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Art based on “The Luggage” @Terry Pratchett

My blogs terrypratchettandme and zanegreyandme are what often happens when an Aspie has an interest. We immerse ourselves and want to share. This collage is an example of that immersion. The Luggage is a great writing tool whose antics I have enjoyed immensely.

Terry Pratchett and me

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Terry Pratchett: Long live the King. The King is dead.

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Yesterday, Terry Pratchett died, only 68 years old. All of 68 years old. I’m guttered.

Once Pratchett told us about his Alzheimer, my intellect told me we would only have a few years more of him. Now that the moment has arrived, those years seem too short for a person who became a dear friend.

I never met Mr. (Sir) Pratchett. Or maybe I did. His books, his documentary and his speeches have all made my days brighter. All revealed a side I, the public, could partake of.

When Snuff and She Wears Midnight came out, and I had completed the books, I remember just sitting there needing to digest the stories. They felt like a first goodbye from Terry. Then came the public appearances when people had to read his speeches out loud for him. Writing them weren’t the problem, as long as someone else could type his dictation. As long as another person could read out loud what he had dictated. Alzheimer had taken the ability to recognize physical objects.

I miss him. Already! Hopefully, the love of the world will bring some small comfort to his near and dear ones.

Artist: Aville
Artist: Aville

“Sometimes I get nice letters from people who know they’re due to meet him (Death) soon, and hope I’ve got him right.
Those are the kind of letters that cause me to stare at the wall for some time.”
― Terry Pratchett, The Art of Discworld

 

The Light Fantastic page 225 (omnibus)

“In the beginning was the word,” said a dry voice right behind him.

“It was the Egg,” corrected another voice. “I distinctly remember. The Great Egg of the Universe. Slightly rubbery.”

“You’re both wrong, in fact. I’m sure it was the primordial slime.”

A voice by Rincewind’s knee said: “No, that came afterwards. There was firmament first. Lots of firmament. Rather sticky, like candyfloss. Very syrupy, in fact -”

In case anyone’s interested,” said a crackly voice on Rincewind’s left, “you’re all wrong. In the beginning was the Clearing of the Throat -” “-then the word -”

“Pardon me, the slime -”

“Distinctly rubbery, I thought -”

There was a pause. Then a voice said carefully. “Anyway, whatever it was, we remember it distinctly.”

(Picture found on Chris Brecheen‘s website – Paul Kidby artist)

Good Omens quote from page 87

Most books on witchcraft will tell you that witches work naked. That is because most books on witchcraft are written by men.

The grand lie

“The Supreme Grand Master smiled in the depths of his robes. It was amazing, this mystic business. You tell them a lie, and then when you don’t need it any more you tell them another lie and tell them they’re progressing along the road to wisdom. Then instead of laughing, they follow you even more, hoping that at the heart of all the lies they’ll find the truth. And bit by bit they accept the unacceptable. Amazing.”

”Vimes had half expected the Scone to explode, or crumble, or flash red-hot. Which was stupid, said a dwindling part of himself – it was a fake, a nonsense, something made in Ankh-Morpork for money, something that had already cost lives. It was not, it could not be real.

But in the roaring air he knew that it was, for all who needed to believe, and in a belief so strong that truth was not the same as fact … he knew that for now, and yesterday, and tomorrow, both the thing, and the whole of the thing.”

Terry Pratchett (2000), “The Fifth Elephant”, London: Transworld Publishers, Corgi Books