Tag Archives: #Friendship

Ronald, M. (2011). Soul Hunt. New York: Eos.

Artist Ron Sipley

As the last installation of this trilogy, Soul Hunt completes our look into life Evie Scelan and the choices she makes to keep people away from the part of herself that she fears. How people see us and the way we view ourselves might not coincide. Evie’s inability to accept her odd talent as intrinsic and of worth has kept her trying to hide it, and indeed from herself. In Soul Hunt this battle comes to a conclusion.

Credit: NPS.gov

All of this meant that on this particular Halloween, instead of threading my way back to Mercury Courier for another job on my beat-up loaner bike (the replacement ever since a curse-riddled jackass had turned my old bike into aluminum salad), I needed to stop for a moment’s rest. Not that it helped much; even the salt tang of the harbor couldn’t quite cut through the day’s murk. I locked up my bike by the Boston Aquarium, made my way through a screaming gaggle of kids on their way to see the seals, and damn near collapsed out on the end of the dock.

Since we last met her in Wild Hunt, Evie has been exhausted. Resting, eating or living healthy has not had an effect. In fact, her exhaustion seems to be getting worse. So much so, that even her nose begins failing her. Her exhaustion is so intense she is no longer capable of comprehending how bad things are. In fact, Evie is tired enough that she no longer cares about how her beloved Red Sox are doing or about her self-imposed responsibilities. Her friends suspect something is seriously amiss.

… “For the love of all, what is wrong with you, Evie? You seemed okay for a while, you were finally getting some from your skinny-butt guy, you’d faced down worse things than I like to think about, but then it just … you just drained away. It’s like you’re a bad recording of yourself.”

The three novels that make up the Evie Scelan trilogy are Spiral Hunt, Wild Hunt and Soul Hunt and may be found on used and new-book sites like Thriftbooks and Amazon. They can also be found in various e-book versions (e.g. Kindle and Kobo). My version is paperback. Soul Hunt is about 300 pages long. Artwork for all three covers is by Ron Sipley and I’m pleased by the way they look. Fortunately they are not representative of the under-dressed female protagonist typical of that and this cover-era. Content-wise, Soul Hunt should fall within US explicit safe zones for most ages. Soul Hunt, like the other two novels, is an Urban Fantasy Mystery. Ronald succeeded well with her stated goals for Soul Hunt:

I wanted to explore the consequences of the bargain Evie had made, I wanted to put her in a place where all her options were gone, and I wanted to explore the nature of dread. (MR)

The author likes a bit of complexity to her mysteries and her way of letting the problems that are brought to Evie meet and divert through the story adds to the fun. Mysteries that need solving are whatever terrified Tessie (seamancer), Deke’s (pyromancer) Roger, Sarah’s (hedgewitch) neighbourhood watch, Nate’s shapechanger curse, the cause of Evie’s declining health, and Evie’s midwinter date.

Moving on from Mystery to Urban, Soul Hunt introduces us to the wetter parts of Boston and their history: Fort Point Channel (Deke’s house), Georges Island (customers), Little Brewster Island, Gallops Island, Nix’s Mate, Lovells Island, and Quabbin Reservoir (spooky). Recognizing the scenes in this novel was simple when I encountered the above links and saw the above video. Getting to research the veracity of Ronald’s writing has been (as usual) the best part of writing these three reviews. Ronald certainly seems to know her bits of Boston and delight in manipulating them.

I found him down by the waterfront, on the footbridge across Fort Point Channel. I locked up my bike by the courthouse and started across, whistling through my teeth, waving once he saw me.

They’d done their best to spiff up this part of the city – luxury hotels, new construction, a fragment of a park – but fragments of the old waterfront remained. Namely one big house out in the middle of the channel itself, on decaying pilings like dead man’s fingers …

As we continue to the Fantasy part of the genre, we discover that Ronald has added to her Celtic mythology with some Greek.  Like much of Greek mythology, the version created in Soul Hunt is extremely unpleasant. However, without it  Soul Hunt would have been much poorer. One of our antagonists is drawn from the story of the Gorgon and the Graeae and what a nasty antagonist this is. Finally, there is the usual Boston Fiana magic. In Soul Hunt Ronald explains some of the odder details. Many of the Fiana (e.g. Deke) of Boston use soul loci to fuel their spells. Shadow-hunters steal another person’s shadow while adepts such as Byron Chatterji use a principle called “severance and return”. Most of our usual crew are magical, although their magic has other sources and does not rely on bits of soul to work.

A great part of Soul Hunt is about the friendship between our main characters. Ronald has done an excellent job in fleshing out most of them, and the way they interact with and without Evie helps me believe in them. It seems obvious to me that the author must have been great friends with all of them.

“He was supposed to be a wizard,” Katie stage-whispered to me. “To go with my costume. but he forgot and he had to get something at the last minute.” She turned and gave him a look that I swear she must have learned from Sarah, the see-what-inferior-materials-I-must-work-with look. “So instead he’s an evil scientist who’s kidnapping fairies and turning them into trolls.”

Her interactions with Katie differ enough from her same-age interactions for me to see how strong the focus on the costs and benefits of friendship is in the series and how difficult it is for Evie to believe that she is worthy of such friends. Evie has many characteristics that I can relate to. For one thing, she lies to her friends and rationalizes those lies with “protecting them”.  Other people and situations are judged through the lens of her talents and experiences and sometimes that leads to poor decision making, e.g. lying to her friends about her condition. Humour (dry and hilarious) plays an important role in how Evie deals with other people.

… What was the rule for telling proper New England spinsters that yes, you were sharing a bed with their nephew? Did Miss Manners even cover that?

Quabbin Reservation

The ending was satisfactory. All of the aforesaid problems were resolved in one way or another and I was left with a sense of sadness that this friendship is over. I am fortunate in being able to return to it at a later date. I definitely recommend that UF fans read Soul Hunt. In fact, start with Spiral Hunt, then move on to Wild Hunt before you finish with Soul Hunt. More people need to meet Margaret Ronald’s writing.


My reviews of:

  1. Spiral Hunt
  2. Wild Hunt

Ronald, M. (2010). Wild Hunt. New York: Eos.

Artist Don Sipley

In “Wild Hunt” we return to Boston’s very own hound, Genvieve (Evie) Scelan, whose part-time job is to hunt for lost objects/people by using her sense of smell. Her “nose” has roots back to Ireland’s Fionn mac Cumhaill and his niece, Sceolan. Ronald‘s writing kept on dragging me into this novel that takes place in a Boston where the undercurrent, once again, threatens Evie Scelan and the people she cares for.

Wild Hunt continues the lives of some of the characters from Spiral Hunt. They are Evie, Nate, Katie, Sarah, Allison and Rena along with some other minor characters. The cast specific to Wild Hunt are Abigail and Patrick Huston, Mr. Janssen, Mr. Yuen, Elizabeth Yuen and Reverend James Woodfin.

Need help finding source

Yuen died twenty minutes after I arrived, and I was there to make sure of it. …

“Please listen carefully Hound. You can sense the … ghost — of my father-” … “-within this jar. When I am dead, I will want you to confirm that it is gone. Do you understand?” …

“I’m sorry you had to be the one to see this.” (ch. 1)

When the Bright Brotherhood’s hold on Boston had broken, other forces were circling in for power. Power is a dangerous tool if wielded by the wrong hands and Yuen’s death opened the door to a chain of events that had its roots in myth and history. The entire novel plays with that history.

Protecting herself and others from the undercurrent was hard-wired into Evie by her mother. Unfortunately, she herself had passed the point of no return and wisely decided she needed to better understand what the undercurrent was. However, by trying to keep her friends from falling into the deep further, Evie took their choice away from them. A lack of knowledge turned out to be a detriment for them and made things harder for Evie. The undercurrent is filled with dangerous people who look out for number one. Even the client who hired Evie did not care if Evie got hurt. Her extra sense both helped and hindered Evie in her hunts for  history.

When authors have the knowledge they need about a certain topic, their knowledge gives them the freedom to mess with it. Ronald’s understanding of Celtic mythology, Wild Hunts and Boston drives the story. From the first chapter she guided us through an alternate Boston, magicking important places such as the Mount Auburn Cemetery,

This was my city. I’d said as much to Janssen, and I didn’t regret it. Here, in this high place, I could see it all – and further, the heavy green of trees in Cambridge and Newton, the Blue hills through their haze, Summit Hill and its park, the great coliseum of Harvard’s stadium across the river. … (p. 100)

A shape rose up from the gaping blackness of the stairwell, a man in a robe or a long coat, no more than a shadow against shadows. A snarl cut through the amalgam’s screaming like a sword through a snake……..(p. 107)

the Isabella Stewart Gardner Museum,

The building that was such a drab block on the outside held a garden within. An atrium four stories high looked down onto green grass and running water, fountains and sculpture and tiles side by side as if strewn by some titanic hand……. (p. 186)

and the MIT University.

I followed his trail past the weird little brick thing that looked like a missile silo, past another building that looked like the rest of the buildings had been beating up on it, …. (p. 19)

Ronald’s characters are easy to love. There is little glamour in any of their lives or to their looks. All of them are people trying to get by in the lives handed to them by fate. PhD candidate, Nate, has to be a father for his little sister Katie (8). Poor Nate struggled with several issues time. Katie had to be much more independent than most eight-year-olds do, yet retained their vulnerability. She is one of my favourite people. Sarah and her partner Allison were life-savers for the pair. Sarah has her own store and Allison is a lawyer. The couple trained and watched over Katie when Nate could not. In different ways Evie loves all four of them. We did not see Rena as much this time around. Or rather, we saw her in a different capacity. Evie’s character was solidified through her interactions and feelings about all of her friends.

I used to be able to deal with these things better. I used to not care what happened in the undercurrent, so long as it left me unscathed. … (p.17)

… two of my friends had been yanked headfirst into the deeps of the undercurrent…

There were obligations, and then there were things that you couldn’t ever pay back, not fully…. (p. 18)

This lack of glamour made it easier for all of them to grab a bit of my heart. They all grew even more into their roles and became “real”. Maybe that is what defines Ronald’s writing. She made me care enough about the characters that they have stayed in my mind. While most metaphors kept the atmosphere dark: “There was something both pitiful and disgusting about it, like a baby rat.” there was plenty of humour: “cram everything into a reticule the size of a biscuit“.

Wild Hunt was filled with plenty of action and adventure and fun scenes. Much like Spiral Hunt, Wild Hunt seemed to be about the value and cost of friendship and family and also about who family is. Is biology the deciding factor of who gets to be a family?

I would most definitely recommend this book that is an urban fantasy mystery ghost story filled with Celtic mythology, some violence, some sex, and Boston in Massachusetts.


Reviews:

My review of Spiral Hunt.

Ronald, M. (2009). Spiral Hunt. New York: EOS.

Cover art by Don Sipley

A descendant of Celtic mythological figures, Evie Scelan honors her long-dead ancestor Sceolan. With a nose that guides her through the neighborhoods of Boston, Scelan hunts what has been lost. In Spiral Hunt, climax is reached at the spiral’s centre. Like her long time ancestor, Scelan must see through illusions, deceptions and glamours to uncover truth the Bright Brotherhood wanted hidden from the rest of the undercurrent.

No one ever calls in the middle of the night if they have good news. ……

……………… “Hound watch for a collar. The hunt comes …”

“Frank, you son of a bitch.” I said at last. “Couldn’t you have stayed dead?” (ch. 1)

Spiral Hunt is a mystery urban fantasy story, with the disappearance of Frank as its mystery, Boston as its urban, and Celtic mythology as its fantasy. Boston is our Boston, except with an addition of an undercurrent (i.e. the super-natural). As a bike courier, Scelan has access to people of all inclinations and socioeconomic classes  all over Boston. Throw in magic, corruption, and Celtic gods and heroes and we have a highly entertaining story. There is no love-triangle and the Bechdel Test is passed with flying colours. Its mythology is well researched. Part of her preparations included the study of Celtic mythology to a degree that she was comfortable enough with the material to play with it for our pleasure. None of the characters of the story have unlimited power, or even amazing amounts of power on their own. Only those born to their powers (blood magic), like Scelan, can use it without destroying themselves or others. However, even blood magic is severely limited and can be highly addictive.

… It was an old silver Chrysler painted up like a demolition derby car, but with weirder symbols, like the result of a ghetto graffiti-fest organized by the Rosicrucians. … (p. 42)

Roland’s prose is lovely. Her writing is clear and without mistakes. Dialogues in Spiral Hunt affect the mood and tone of the story, and, even when they happen in the middle of a crisis, they remained believable. Throughout the story the author gifts me with hints that feed my curiosity.  Showing, not telling, is the rule of thumb in this story. Point of view is a first-person point of view, allowing us a look at what goes on inside Scelan’s head and how she perceives her world. I tend to prefer this kind of story-telling. Each chapter number is preceeded by the celtic symbol called triskelion/triskela or a triple spiral. My paperback copy is about 300 pages.

“I know what you are going to say,” I said warily. “Every magician in the city …”

Sarah wasn’t listening. “Every magician in-” She frowned and shot an exasperated glare at me. “Okay. But doesn’t make it any less true. You can’t be a magician and just give out your real name to anyone who asks.”

“I do give out my real name. That’s because I’m not a magician.”

While solving the mystery of Frank’s disappearance, Evie has to hunt several truths about herself, most of them painful to find. Not until she stops lying to herself is she able to reach her potential. That lie carries a heavy price for her. However, Evie is not the only one who lies to Evie. Who can she trust and what is the cost of that trust? Not only that, but she has to figure out how to live up to the trust of the important people in her life. As with so many other stories, Spiral Hunt is about learning to accept yourself as you are. That acceptance does not mean that there is nothing that needs to change. In fact, acceptance seems to show Evie even more things that she has to work on. One of those things should probably be her love of the baseball team, the Red Sox. Or not.

So. How do I rate Spiral Hunt? I loved it. Definitely one of the better novels I have read. This is my second time reading it and I will read it again = Wholeheartedly recommended.


Reviews:

 

Cross, K. (2014). Miss Mabel’s School for Girls. (Network I). Antebellum Publishing.

Cover by Jenny Zemanak

Without strings attached, K. Cross offers a free copy of Miss Mabel’s School for Girls to any and all on her website.

I stared at the lavender flowers on the white china and willed my heart to stop pounding. Papa’s advice whispered through my head like the balm of a cool poultice, settling my nerves (p. 1).

Miss Mabel’s School for Girls is a fun installment in the young adult serial The Network. Miss Mabel’s School for Girls was Cross‘ first installment in the story about Antebellum, a magic world ruled by a government called the Network consisting of five nations with a High Priestess and High Priest as their leaders. Miss Mabel’s school lies in Letum Woods in the Central Network (led by the High Priestess).

I spent years preparing for this. It won’t frighten me now.

I was a terrible liar. Attending Miss Mabel’s School for Girls did frighten me, but so did staying home, forfeiting my only chance at freedom (p. 6).

Given the author’s place of residence (Idaho, US) it comes as no surprise that this is a story about good (Bianca’s side) vs. evil (Miss Mabel’s side). The story is told from the main character’s (i.e. Bianca Monroe, 16 years old) point of view. The reason for Bianca’s desperate need to get into the school and become Miss Mabel’s pupil and assistant is revealed early on. We soon learn that she has been honed for that purpose for many years by her family. During her interview with the Watcher, Bianca is warned that she must not underestimate Miss Mabel.

“This is the third-year corridor. Don’t go in there!” Camille said, pulling me back when I stepped across the doorway. “They get really picky about first-years in their area. Especially Priscilla.” She lowered her tone and spoke behind her hand. “She gets really upset. Her dad is rich so she gets away with it.” (p. 11).

In addition to being a good vs. evil story, Miss Mabel’s School for Girls is also about finding one’s place in the world. On her first day at school, Bianca gains two first-year friends (Camille who has a hard time concentrating on her studies and Leda who is always studying). Bianca enters the Competition for the spot of Assistant and her main competitor is Priscilla, who is from a powerful family. Priscilla also seems driven to win the competition and is terrified of the consequences of losing. Only one person may win, and I expect all of you to know who that person will be.

Most likely it is due to compatibility problems between Kindle and whichever publishing program Cross used that the text sometimes has a stapled underline beginning with a number and the word “Highlighters”. Several authors have commented on similar  problems.

The three friends have three girls as opponents. Beautiful Priscilla from a powerful family and her plain friends Stephany and Jade. Reading about these two groups makes it obvious to me which other authors Cross has been influenced by. In Bianca’s case, the threesome’s characteristics are very similar to Harry Potter, Hermione and Ron. Priscilla’s threesome isn’t as obviously so.

Miss Mabel is the beautiful wicked witch. At times her behaviour becomes stereotypically so, but fortunately, Case manages to steer away from stereotype most of the time. There is no cackling. She is probably the character I liked the most.

I glanced up at Letum Wood with an uncertain eye. Nothing in that forest would make this as simple as it sounded. The eerie darkness crept about like a lazy fog, filled with unknown shadows and creatures you couldn’t always anticipate. (p. 52).

I really enjoyed Bianca’s ventures into Letum Wood and Priscilla’s troublesome last trial. I really liked Leda’s courage.  Miss Mabel’s School for Girls is a dark story and Cross does a good job creating the atmosphere and emotions required. Thankfully, the author generally manages to steer clear of telling and instead lets us find out things on our own.

Despite similarities and Miss Mabel’s sometimes stereotypical behaviour, the characters are believable for its US readers. Those who worry about explicit content (violence or sex) need not worry. For readers who enjoy young adult good vs. evil stories Miss Mabel’s School for Girls is a good read.

If you wish to read the stories in chronological order, you should begin with Mildred’s Resistance or you could buy the entire Network serial in one go.


Reviews:

Wells, Martha; The Serpent Sea (Raksura II)(2013)

All countries/societies/cultures/etc. have their own rules and regulations (written and unwritten) that must be followed to avoid being ostracized. Small communities, in particular, have a difficult time with newcomers, because those newcomers shake up their beliefs about right and wrong. Aspies are often life-long newcomers to the places they are born. We cross invisible lines and are called socially deficient. When Moon came to the Indigo Cloud Court he knew only what Shade had told him of their ways.

Moon had been consort to Jade, sister queen of the Indigo Cloud Court, for eleven days and nobody had tried to kill him yet. He thought it was going well so far.

As much as the world of the Court confuses Moon, Moon confuses the Arbora (cannot fly) and Aeriat (can fly).

Moon caught hold of the railing and slung himself up to crouch on it. He said, “Tell the others.” He leapt away from the boat, shifted to Raksuran form in midair and caught the wind.

Consorts are raised to be timid creatures and do not learn to fight. Generally, they are obedient and do not raise their voices. Moon, who takes the lead, changes form in mid-air and joins in hunting for and guarding the Court, is a person who will not accept Raksura strictures. Through his example, he shows others that changes aren’t necessarily a bad thing and that there are options to traditional patterns. In return, the Court shows Moon that living forever in a place can be a good thing. Unfortunately, Moon’s past leaves him expecting to be kicked out of the Indigo Cloud Court.

What is left of the Indigo Cloud Court, after the Fell have decimated them, travel onboard the two wind-ships, the Valendera and the Indara, to their ancestral lands, the Reaches, to find a Mother Tree to live in. Moon’s experience with living in trees has not left him wanting more.

The multiple layers of branches reached up like giants’ arms, and the trunk was enourmous, wider around than the base of the ruined step pyramid that had formed the old Indigo Cloud colony. from the lower part of the trunk, greenery platforms extendet out, multiple levels of them, some more than five hundred paces across. A waterfall fell out of a knothole nearly big enough to sail the Valendera through, plunged down to collect in a pool on one of the platforms, then fell to the next, and the next, until it disappeared into the shadows below.

In Serpent Sea Martha Wells has given us a mystery, a moving island, and an arrogant neighbor. Everything I have to say about Serpent Sea is positive. I love the way Wells blends major and minor tones. The text winds its way through dangers and peace creating a symphony of words that fits my taste and, with ease, draws me through the story. Once again, Moon is the only POV. Seeing through those eyes shows me a complex world and interesting characters. Like Nobent. Talk about excellent predator. And the moving island. Oozing darkness and goo. Not a human society in sight.


My review of The Cloud Roads

Lee & Miller; Agent of Change (1988)

Predictions about how future technology might look when one is bound by the limitations of current technology or the imagination of engineers is one of the things that makes reading science fiction fun.  Agent of Change was written in 1988 and I noticed a few technological doodahs that we have surpassed. Val Con’s camouflage method is not one of those areas.

The man who was not Terrence O’Grady had come quietly.

And that, Sam insisted, was clear proof. Terry had never done anything quietly in his life if there was a way to get a fight out of it.

Pete, walking at Sam’s left behind the prisoner, wasn’t so sure. To all appearances, the man they had taken was Terrence O’Grady. He had the curly, sandy hair, the pug nose, and the archaic blackframed glasses over pale blue eyes, and he walked with a limp of the left leg, which the dossier said was a souvenir of an accident way back when he’d been mining in the Belt of Terado.

Val Con yos’Phelium is a deep-undercover agent sent to accomplish “impossible” assassinations. Before becoming a spy, he had been first-in scout, i.e. front-line explorer. When he became a spy, an enhancer was imbedded into his brain. All spies were inserted with similar enhancers. In Agent of Change he discovers most of its down-sides and gets to show off its benefits.

The alley twisted once more and widened into bright spaciousness, showing him a loading dock and five well-armed persons protected behind shipping containers and handtrucks. Before the dock a red-haired woman held a gun to the throat to a Terran, using his body as a shield between herself and the five others.

“Please guys,” the hostage yelled hoarsely. “I’ll give you my share-I swear it! Just do like she -”

One of those behind the containers shifted; the hostage stiffened with a throttled gasp, and the woman dropped him, diving for the scant cover of a wooden crate. Pellets splintered it, and she rolled away, the fleeing hostage forgotten, as one of the five rose for a clear shot.

Miri Robertson had been a sergeant with a mercenary group. After leaving the group, she hired on with Sire Baldwin as a body guard on a three-month contract. Sire Baldwin had not been upfront about what Miri might need to protect him from, i.e. he was on the run from the interplanetary mob called Juntavas. Unknowingly (obviously), Miri and the rest of his staff were caught in Baldwin’s double cross. As a result Miri was on the run from vengeful Juventas with a bounty on her head. The above fight is between Miri and one of the many groups out to cash in that bounty. It is this fight that brings Val Con and Miri together and leaves them sticking together until they manage to outfox those who have it in for either of them.

Rapt, Edger came into the lobby, kin trailing after. Here, he noted, the sound of the sirens was not so shrill; the rich counter-harmony of the singers faded to a primal growl over which the solitary, singlenoted song of the building soared triumphant, nearly incandescant.

And there were other textures herein encountered, doubtless meant as a frame to the piece: the softness of the carpeting beneath his feet; the clearness of the colors; the harshness of the light reflected from the framed glass surfaces. Edger stepped deeper into the experience, opening his comprehension to the wholeness of this piece of art.

Patiently, his Clan members waited.

Edger is a member of the T’Carais, a people who live centuries, even millenia. He is not yet considered adult in spite of being 900 human years old. As they grow, the T’Carais shed their old shells and grow new ones. Edger is on his Twelfth Shell. The name in his visas reads: Twelfth Shell Fifth Hatched Knife clan of Middle River’s Spring Spawn of Farmer Greentrees of the Spear-makers Den, The Edger. T’Carais names show others who they belong to, their positions, their age and important phases during their lives and, therefore, might take hours to say. Due to his interests Edger acts as ambassador/market researcher and is multi-lingual. T’Carais are social animals, much like humans, and there are several other T’Carais travelling with Edger in a Clutch spaceship. Edger is in Agent of Change because Val Con was once adopted by him as clan-brother, and he helps Val Con and Miri because that is what brothers do.

Both Miri and Val Con are essential to the story. Neither plays second fiddle to the other, and neither is a stranger to violence.  Given their roles in life, that is only to be expected. I really enjoyed how gender was played out in the story. Even today’s authors (either gender) tend to fall into stereotypical traps. Sharon Lee and Steve Miller have not and I wish more authors would follow their example. In addition, the author pair, try to not make fun of cultural cultural differences, something that might be tempting with a species such as the T’Carais. However, one does not mess with the T’Carais. They have me smiling with, rather than at, differences between Terran, Liad and T’Carais. All three are baffled at times by what the others do, but all of them seem genuinely interested in learning from each other. Val Con and Miri carry mental baggage from their pasts.  Sometimes that gets in the way of them, but not of the plot.

Agent of Change exceeded my expectations. I understand why the Liaden universe has become popular.


Reviews:

Clement, J.A.; The Locket; 2012/2017

Originally The Locket was one of the short stories in the Christmas Lites II anthology edited by Amy Eye.

The Locket takes us back to a time before On Dark Shores begins. A Scarlock before war, poverty and desperate choices visits the life of Nereia. It is also a tale about Yule and family.

“Is it true that I don’t have to go to bed till midnight, Mama?” Nereia cut into her memories, coming away from the window to sit next to her mother. “Papa said that if you said yes, I could stay up and see the actual Yule ceremony this year. May I, Mama? I’d really like to, may I?”

The Locket is a sweet story that had me thinking about all the things I am grateful for and how they have both changed and stayed the same through my life. It also had me re-visiting my thinking on the excuses leaders make for going to war with other people.

I’m not sure my review is completely neutral as I was one of the betas for the 2016 edition of The Locket.


The Locket is available at Amazon UK, Amazon US, Smashwords


My reviews of

  1. On Dark Shores 0: Songs of the Ice Lord
  2. On Dark Shores 1: The Lady
  3. On Dark Shores 2: The Other Nereia
  4. On Dark Shores parallel: The Black-Eyed Susan

De Pierres, Marianne; Peacemaker 1 (2014)

The Peacemaker series begins with the novel Peacemaker. Peacemaker also has a first installment of the webcomic edition on De Pierres website. De Pierres has called her Peacemaker stories cowpunk, meaning they are Australian Westerns (yes there is such a thing) with possible aliens/paranormal creatures, technologically enhanced humans and animals and an environmentally challenged country. Australia has gone from having its current 500 national parks to only one, Birrumen Park. There was still an outback while Virgin’s father was alive. He started a park lobby because he saw the direction real estate developers were dragging the country in. Now, Birrumen lies, as the last of its sort, in the heart of a supercity and is surrounded by a road, The Park Esplanada. Noise, people and buildings drench the outside of the park.

Peacemaker is told by Virgin. She is our main character.  Most of her childhood has been spent with her father in Birrumen Park. He taught her to not trust anyone, least of all those closest to her, and to love the park as much as he did. Virgin is passionate about keeping the Park out of the hands of real estate developers. As long as the tourists keep coming, the Park still has a chance.

… the company scientists deemed it too environmentally fragile to handle the impact of permanent residents. Tourists did enough damage.

And we had to have tourists.

The Park saved Australia’s tourism industry and tourists save the Park. My daughter just did her BA dissertation on eco-tourism. Many places depend on tourists to stay alive, but tourists bring their own set of problems that aren’t compatible with keeping a place “untouched”. Owners of the park are forced to make concessions like the Wild West theme of Birrumen. The future we see in Peacemaker is a likely one. Humans don’t have the intelligence to control our population growth or our ecological foot-prints.

Benny, Virgin’s horse, and the Park both ground Virgin when the chaos of the city becomes too much. Both are filled with technology. Benny has been augmented with recording equipment, and endurance and cognitive enhancers. All of his augmentations send information back to Totes, the park tech, and then on to the company storage and processing centre. Birrumen has all sorts of measuring equipment to make sure the park is left as undisturbed as possible. An electromagnetic field above the park keeps unwanted people out and the view in. No human is supposed to be in the park after dark. One evening Virgin forgets her phone inside and has to go back in.

Even though I’d been ranger here for a few years, I was suddenly a little nervous. The sand and rock and palms that I knew so well during the day had taken on an eerie quality.

The company didn’t like us “on board” (their expression for being in the park) after dark – something to do with insurance. I always pushed that directive to the limit because I like to see the sunset. …

As I bent to fumble with the pump, I felt my phone underfoot. Then another sound attracted my attention – muffled voices from the other side of the semicircle of palms that skirted the Interchange area.

Voices? Impossible! I was the last person out of the south-east sector every day. Park scanners and satellite imaging confirmed it, as well as my own visual sweep.

I picked up my phone and crept towards the sound, my boots silent on the sand. There were two of them, arguing, but I couldn’t get a handle on the thread. …

A strangled cry got me running toward them, hauling my pistol free from my holster. …

But the pair had fallen down onto the sand.

I flicked my phone light on and shone it at them. Only one person was there. Blood trickled from a small, deep wound on his neck.

Impossible! There were two! …

Weirdness arrives in the form of a crow. Virgin is attacked and wounded but manages to escape. On top of that, she was supposed to pick up her new partner, Marshall Nate Sixpence, but made it too late to make a good first impression. Then, her imaginary friend from her childhood reappears, a large wedge-tailed eagle called Aquila. Virgin is certain she is going insane because she is the only one who sees Aquila. Except she isn’t. Turns out Nate can also see imaginary friends. Hmmm. Maybe they aren’t as imaginary as Virgin thinks. Nathan calls them disincarnates. Her life is turned on its head. She goes from routine to chaos, from safety to one life-threatening situation after the other. Therein lies the mystery. Virgin’s investigative journalist friend, Caro, helps Virgin many times. Her boss, Bull Hunt, Superintendent of Park Ecology, remains on her side even when the police go after her. He used to be friends with her father and has continued to take care of her.

In some ways Virgin is a loner. She certainly thinks of herself as one, but tends to gather friends because of the way she treats people: Blunt but tries to protect the weak. Some of those friends are interesting cases. Totes, the park tech, is one such. Even though he bugs her apartment, Virgin keeps him on because she believes he is on her side. Chef Dabrowski feeds her and is as much of a surrogate parent as she will let him be. She is the kind of person who does not want to be a burden to the people she loves, yet does her best to help the very same people. Her personality appeals to my Asperger.

This is my favorite De Pierres series thus far. Her writing is compelling, the story asks interesting questions, is fun, full of action, full of interesting characters and has a great female lead. Plus it’s in Australian English. So, a definite yes from me.


Reviews:


Winner Aurealis Award– Best Science Fiction Novel, 2014

Goody, Heide & Grant, Iain; Clovenhoof I (2012)

Heide Goody & Iain Grant‘s collaboration began with Clovenhoof. They enjoyed it enough to continue collaborating on at least eleven more stories. I adored Clovenhoof. If you enjoy British humour, this is a must. Life right now needed Clovenhoof. When my Asperger struggles to deal with what life hands me, laughs are precious. Clovenhoof was fall over funny and relevant. Probably relevant for any person who has had siblings, parent issues or have struggled to fit into their local cultures and bureaucracies.

“We’re a little disappointed,” said Saint Peter. “Let’s take the measure of suffering. This was very straightforward. All suffering should be graded as good or higher.”

“And we’re certainly getting those grades in a lot of the suffering that we deliver,” said Satan.

“A lot. Not all.”

“Yes, but it wouldn’t be reasonable to expect it for everything,” Satan argued. “We got some clients who simply enjoy it too much, and then there are those who lie about the experience because they can’t help themselves.”

… “You give me no choice but to recommend your immediate removal from the post.”

Poor Satan. The guy can never catch a break. First he gets thrown out of Heaven. His punishment for wanting to save God’s children was being master of Hell, a hellish job. Then, he gets thrown out of Hell for trying to meet the demands of the assessment board. Fired by uptight Michael and conniving St. Peter (helped by, hmmm, not telling). Where does he end up? Earth. England. Birmingham. Sutton Coldfield.

“Having restocked the shelves of the Thriller section with a newly arrived box of Deightons and Le Carrés and settled down for a mid-morning cup of tea, Ben heard a muffled roll of thunder, looked up and saw that a naked man had appeared on the pavement outside the shop.”

Ben Kitchen is one of our main characters, the owner of the aforesaid used book-store (Books ‘n’ Bobs). He lives in the same building as Mr. Jeremy Clovenhoof (Michael’s sense of humour), and is painfully shy towards women he might be interested in. The two of them coincidentally end up on the same floor of an apartment building in Boldmere. They live in flats 2a and 2b.

We also get to know Nerys from the third floor of the same building. She works at Helping Hand Job Agency. One of her clients turns out to be Jeremy. And what a client he is. Both she and Ben try to figure out where Jeremy is from and why he is such an odd person.

Satan has no concept of money, credit cards, bills, rent, making food, what to wear, social rules, how to find a job or any of the other hellish things we are expected to magically understand upon reaching adulthood. Add in the fact that Satan is an Alien, and as one might expect of The Devil in such a situation, he makes a mess of things – both in his life and in others. However, Satan is an OK guy. He knows he did his best in Hell and wants to get a second opinion from God. Michael and he have not been on good terms since the War in Heaven, so Clovenhoof is not about to trust any decision made by him and St. Peter. Getting that second opinion is not a simple matter when the opposition refuses to cooperate. Because he is an Alien, Satan sees the world without the prejudices we grow up with. He also does not have the same moral compass humans like to imagine they have. In many ways Satan makes me think of the experiences many Aspergers have in trying to connect with their surroundings. So many rules and regulations make no sense and “morals and empathy” are just words people use to persecute others.

The story moves between the new and unusual experiences Satan has on Earth and the reason Satan got kicked out of Hell (it might not be what you think it is). I have learned several vital things about English society. Good thing there are search engines:

  • Scrumpy Thunder
  • Lambrini
  • Crispy Pancakes

Reviews

Turner, Tej; Dinnusos Rises (2017)

I recommend reading The Janus Cycle before you continue with Dinnusos Rises. As the story moves along, we reconnect with the paranormal members of Sunset Haze: Patrick (violin+half-fey), Faye (flute+dream walker), Jack (acoustic guitar+half-fey), and Ellen/Jessica (voice+medium/ghost). Neal lets them practice in one of the club’s rooms in exchange for the occasional session downstairs. Their abilities draw people. We also reconnect with Tilly, Pandora and Frelia.Toward the end of The Janus Cycle, we read:

“… Janus was once this great place where nobody gave a fuck and you could just have fun, but then some bloody kids who don’t have a clue tried to steal your vibe.”…

“You just need to move on, he declared. “Look around you – this, what we have here tonight – isn’t it that feeling, that craziness you were looking for? You are Janus. Let those kids keep the empty shell. You can make a new one!” (The Janus Cycle, p. 217)

That place is, Dinnusos.

“… Victorian, with high ceilings and sash windows. It’s big, too. … If the main bar ever gets too rowdy and you fancy some quiet, there’s a whole labyrinth of rooms on the upper floors you can get lost in. One of the city’s old canal ways runs along the back of the building.” (Dinnusos, p. 14)

Neal and Tristan became a couple in The Janus Cycle.  Dinnusos is owned by Neal. His partner painted magical murals, on most of the walls of the club, that appear to have prophetic value for some of the main characters. You can find Dinnusos in Yesterville:

“A place of urban decay and broken streetlamps. Vagrants and outcasts. Faded signposts and overgrown gardens. Thrifty means and humble dreams.” (Dinnusos, p. 14)

Wilder Mann mit Wappenschild copper engraving by Martin Schongauer

Tej Turner has used the same writing style he used in The Janus Cycle. There is an overarching story with chapters that get told from a different point of view, allowing us to catch up with the life of the individual and keeps the story going at the same time. Taxus Baccus (TB) is an environmental organization led by Jardair, Jack’s wuduwāsa father (Turner plays with the Greek and Roman pantheons throughout the story). Until TB arrived at Jack’s house (a squat), Jack and his pet squirrel, Nuttles, lived on their own. Their lives go from quiet to chaotic in a matter of hours. TB travels from town to town addressing, in their own way, environmental issues each town struggles with. Tej Turner uses Taxus Baccus to address the fragility of our supposed right to free speech and the right to live our lives as we wish.

“It seems to me that this country is run by sociopaths with gloating expressions and oily hair. They wander around Westminster with their leather briefcases, selling off public assets to their pals from boarding school and members of their extended family who have vested interests. All the while, class war is waged through an ever-encroaching succession of draconian legislations. They will not rest until they have rounded up everyone into the rat race because they, by fortune of birth, are the big cats. The the more rats there are, the more they have to dig their paws into.” (Dinnusos, p 62)

Dinnusos Rising contends that it we, the general populace, make such methods possible through our complacency and docility. The percentage of people who turn up for various elections certainly seem to support that contention. Westminster uses various media to pimp their message to the public

“… the news channels and tabloids were doing their utmost to demonise us. Footage and photos were being carefully selected, and it seemed their cameras only had spare film for the more outrageous members f the movements … They never told the public why were were doing the things we were doing. They made us seem like rebels without a cause.” … (Dinnusos, p. 72)

Through The National Conciliation Act (NCA), Westminster intends to cement the corporatocracy we see strengthening its hooks into various governments around the world.

“Later on we will be interviewing MP, Mr. Ben Fitzgerald, to see if he can shed any light upon rumours Westminster is considering bringing in new legislation which will grant authorities more power to dismantle anti-social behaviour.” (Dinnusos, p. 92)

The NCA bans political demonstrations and movements like Taxus Baccata.  It would give Westminster the power to shut down any business charity or organisation which was perceived as having a “subversive agenda“. They could tighten restrictions on the internet. It would become illegal for employees to speak badly about the companies they work for and turn civil disobedience into a criminal – rather than civil – offence.

Pandora’s workplace, Fibertine Investment Bank (FIB), is a great example of a corporation that wants the NCA passed. FIB invests in corporations around the world and outwardly appear to be concerned about ethical corporation issues. They even have their own Ethical Practices Officer. However, when Pandora tries to bring ethical issues to the attention of her boss, Mr. Watts, he reminds her of FIB’s business motto:

“Business is blameless,” … there is no need to feel guilt, or worry about facing consequences. (Dinnusos, p. 92)

Corporatocracy is not the only topic Turner addresses. Friendship represented by Pandora and Frelia, Faye and Tilly, and Jack and Tilly is a complicated dance. Trust is betrayed, destructive and healthy decisions are made, and new beginnings are all part of the friendships in Dinnusos Rising. Turner also shows us individual experiences with self-harm, suicide ideation, drugs, abuse,  sexuality, and gender. We see how falling in love may affect other relationships. Again, Tilly is the one who meets most of the challenges. She is also the youngest of our characters.

Dinnusos Rises is well-edited, well written, has fleshed out characters, and presents current issues in a package filled with action and adventure. Both Dinnusos Rises and The Janus Cycle are excellent contributions to discussions about the above topics. Dinnusos Rises has my whole-hearted recommendation.

I was given an ARC copy to review.


My review of The Janus Cycle

Carlon, Lee: A God-Blasted Land (The Bastard Cadre I) (2016)

AGBL_Cover-Low-Res
Cover design by Lee Carlon

The Bastard Cadre, episodes 1-14 is the first book of this ongoing serial written by Lee Carlon. I am not used to continually changing stories, but find the concept fascinating. Carlon describes the way he works:

… one thing to note about this serialization is that unlike traditional serializations where the author is bound to the words that have been committed to the page, publishing online allows me to treat The Bastard Cadre as a continuous work in progress. Each episode is complete at the time of publication, but I do update the text from time to time. (peakcity)

Change can be daunting when you are an aspie. Part of that has to do with the accompanying anxiety. I have to go through mental gymnastics to keep anxiety’s influence on my opinion as limited as possible while reviewing The Bastard Cadre.

Newterra is on a world with two suns. Its geography is loosely based on Australia’s. Some of the inhabitants on Newterra might be descended from Earth humans. Others, not so much. Dragons, dualists, descendants and gods are in the last category, although, I’m arguing with myself about the gods. Newterra’s gods are not very old, they fight each other, hold separate territories and 20 years ago they Cleansed the world with a type of fire. The Cleansing took biological lives but not electrical ones. There are still plenty of AIs around. Vehicles can be picked up in almost any city and cleaning bots are still doing their jobs in the larger cities. We enter the world 20 years after the Cleansing and meet a world that has lost numbers and a great deal of understanding of technology.

Our main characters, Avril Ethanson, Ethan Godkind and Ranora fi’Intar, all seem to be human. Avril and Ranora are both young and have unusual abilities. Avril can affect electrical impulses. Ranora can read people and cards. Ethan is Avril’s foster-father and has held that role since soon after Avril was born. These three characters give us insight into how Newterra works and what its people are like. Clues to their importance and backgrounds are doled out during the telling of this story. This way of learning about places and people in a story is my preferred one.

Avril and Ethan are scavengers who salvage old tech and barter it for essentials. When we meet them, the past is about to catch up with Ethan. Life has a tendency to mess up our plans and put our procrastinations to shame. There was so much Ethan had planned on telling Avril to prepare him for what might happen. When they meet Beads, the finder, it is almost too late and Avril is in for some gigantic surprises that involve his heritage and potential future.

We learn little about Ranora’s background. She is a talented painter who brings the past to life. Bringing the past to life in her art is probably connected to her ability to read people and objects to uncover “secrets”. Ranora seems to be on her own when we meet her. Being alone in Newterra tends to shorten your life-expectancy. When a bounty-hunter gang shows up, Ranora uses her ability to claim a spot in it. We all make choices in our lives. Some mess life up for us while others bring unexpected gifts our way. Joining the gang was a choice that brought both mess and gift to Ranora, such as bringing her into contact with both Ethan and Avril.

The Bastard Cadre’s intended audience is young adult and older. From the get go we get an action-filled story about fate, betrayal, family and different ways of handling the world. The Bastard Cadre was given to me to review. Recommended.


Reviews:

  • Benjamin Spurlock
  • Leachim
  • N.E. White
  • N.N.
  • Rosie Writes

A God-Blasted Land can be found on Amazon

Zoelle, Anne; The Awakening of Ren Crown (Ren Crown I) (2012)

Hiyo to all who read my blog posts,

Ren Crown: The Awakening blog tour

From March 28 – April 1, 2016

I was asked to join it as a reviewer.

First, formalities:

  1. Rafflecopter giveaway: This includes Amazon Gift Card, Special Edition poster and coloring book and pens!
  2. Anne Zoelle may be found on her websiteFacebook and Twitter. An excerpt can be read on her website.
  3. All 3 books in the series are on Amazon. The Awakening sells for $0.99 during the tour.

Now to the fun stuff. Let’s review The Awakening.

The Awakening should appeal to people who are into interesting magic systems and worlds. Ren Crown’s world is the one we inhabit (Layer one). A suppression spell has been cast on our layer keeping people from remembering anything to do with real magic.  At some point the Magic community had decided to split the mundane world from anything to do with magic. Unauthorized magic is immediately discovered and investigated.

The Awakening begins with a death. Florence (Ren) Cross and her brother Christian are breaking into the garage of the girl Christian is asking for a school dance. Just weeks are left of the school-year. Christian had been acting peculiarly a few weeks. This evening he keeps on rubbing his wrists. Even Ren had been feeling an itch under her skin and feels an urge to create her own paint.

Outside, the weather is acting strangely. As soon as the two leave the garage lightning begins a thunder-less dance. Christian is having cramps and sparks fall off his fingertips.

“A weird wave of electricity surged through my fingers where they touched him. I snatched my hand back, staring at the digits. The charged feeling dissipated within me, but increased in the air around us, swirling and darkening. I tentatively touched his arm again, and the energy shot into me once more. It was like focused euphoria.”

In the magic community Christian and Ren are what the call “ferals”. Ferals are children with innate magic who grow up outside of the influence of the magic world. While they are supposed to be protected by magic laws, having unregistered magic-users available is a dream come true for scruple-less magic users. Christian’s awakening works on them as bees to pollen. These magic-users  have the tools to drain all magic from a person, killing them. And so Christian dies and we meet grief.

At this point, Ren is still not aware of her own magic. Her awakening happens a little later, in her classroom under the eyes of their new art-teacher, Mr. Verisetti. What was supposed to be a dangerous yet happy event, is instead one of anger, tears and fear.

Zoelle writes about Ren’s grief in a manner that I think could help those who, themselves, are grieving or affected by the choices of others who are grieving. A consequence of a loved one dying may, sometimes, be that we, intentionally or unintentionally, make stupid and/or dangerous choices. Ren does and is not exempt from their consequences. Nor are her surroundings. Zoelle does not preach or judge. She just shows.

Not everything in the story is about Ren and her sorrow. There are strifes in the magic community that she and we find out about as we go. The magic school has students from all over the wizard community. Without preconceptions about this new world she is entering, not knowing who belongs to which family, the class system (highly stratified community) or what is possible, Ren finds herself stepping across divides that were thought unbreachable.

Without Christian about, Ren discovers that people want to be her friend. She is highly suspicious of some motives, but accepts any person with the same level of nerd/geek as herself.

Until she accomplishes her goal, Ren’s greatest fear is that others discover she is feral. Once her goal is over and done with, Ren wants to get the hell out of an incredibly dangerous place. Who knows. Maybe she will.

Definitely recommended.


Reviews:

Green, Dominic: Saucerers and Gondoliers (Ant & Cleo 1) (2008)

Saucerers and Gondoliers cover
Cover by Dominic Green

It was the cover that lured me in. Sometimes I am lucky and the cover actually presages the contents.

Dominic Green‘s Ant & Cleo series is as well-written and ridiculous as only British humor can be. These two young (12 years old) people go through experiences that are disconnected to reality as we prefer to believe it. Unless, of course, Britain, Russia (USSR) and the US have actually managed to get colonies into space. I suppose it is possible?

First, Antony and Cleopatra, the main characters. Their characters have little to do with the portrayal by Shakespeare but more in common with the originals. Ant seems to be bluff, passionate and a little simple-minded (and highly underestimated by Cleo), while Cleo is fairly intelligent and practical.

It all begins with a trip to the woods with Ant’s father. Forests are great places for adventure, though I doubt many people get to go into space with an alien from Lalande 21185. Strangely enough, this alien looks like a human:

“The new man looked tired and thin, and had a haircut that suggested he spent a lot of his time in prison. He was wearing neither a suit nor combat fatigues, but a pair of Levi’s which still had the label dangling from the back of them, and a maroon T shirt. The T shirt had aliens in flying saucers on it, along with the words SPACE RASTA.”

Mr. Green throws Ant & Cleo into situations that keep them wondering about the things they have learned in school. The spaceship they leave Earth in is their first clue to their ignorance. “Made in Britain by Hawker Siddeley Aviation” seems a bit far-fetched to them. But that is what the maker’s plate says.

Then they meet Americans (US) in space. What a parody of every prejudice non-US citizens have had of them. White-supremacy, a confederate flag and deep southern accents along with names like Billy-Bob, Billy-Hank and Wayne-Bob. A whole sleuth of movies go through my memories as I write this. The funniest thing about these stereotypes is that Hollywood is the worst perpetrator of the image (and early James Bond). Their new compatriots join them on that planet. Glenn Bob and Truman make an odd couple. One very curious and the other diligent in carrying out assigned jobs.

After the US, Ant & Cleo get to meet members of the Soviet Union. Yes. In space the USSR still rules and feelings between the US and Russians continue to be very cold (I guess a bit like today).  Here, too, accents and behavior copies movie and television stereotypes. Mr. Green nails these stereotypes.

“Glorious Soviet Yutopia does not kyill wyomen and chyildren”

OMG, non-russians speaking English with Russian accents drive me crazy. Finally, Ant & Cleo get to meet and talk with the British. Their poor kidnapper has been unconscious ever since their spaceship broke Earth’s orbit, so they do not know who he is and where he is from. He is British. Here again, Green nails every stereotype. These are the British who shake their head and carry on with the job even when they are severely wounded, wring sweat out of their long underwear to make water and express strong feelings by saying things like “Golly”, “Gosh” and “Bally good”.

Nothing is realistic. Well, except that quite a lot of it is. Tension between countries, secretive and lying governments and people who try to follow the propaganda they have been brought up are all things Green portrays as is. Propaganda, my goodness, what a great examples of propaganda and the brainwashing citizens are put through and accept.

I enjoyed this book immensely and think it would be appropriate for people from around 10 years old and up. Adults might have to explain some of the references, but with the I-net available to many, they might not.

Definitely recommended.


Reviews:


Reading order:

Jensen, Megg: Anathema (Cloud Prophet I) (2011)

Keeping slaves is generally not something people openly admit  today. Many countries continue this practice and my contention is that most states participate in this tradition while closing our minds and eyes to that fact. Traditionally, people have become slaves either through being conquered by another nation, power-hunger or through criminal acts.

Sometimes being conquered happens via false promises. Such is the case with the Serenian island in Anathema. Serenians were lured by promises of help from the Malborn. Once the Malborn were in force on the island, it took ten years for them to eradicate opposition. Criminals were those who would not obey the three “rules” Malborn leaders had set as a condition of harmony between the two people. “Trust, adore and obey” was what the Malborn required from the Serenians. Once you were deemed a criminal you would either be killed or enslaved along with your entire family. Add to that their military prowess, and the Malborn were bound to win.

Reychel remembers nothing but slavery. At fifteen slaves were branded with their master’s mark. This mark and their shaved heads clearly divided slaves from the rest of the population and it also make it extremely difficult for successful escapes to happen. Kandek, her master, is about to lose two of his slaves, one of whom is Reychel. The other is Ivy, Reychel’s best friend. First out is Ivy.  Fortunately for Reychel, her turn comes soon after. Her escape was public and unusual.

When slavery is all a person has known all sorts of things about being a free person had to be learned. There was a whole network set up to help escaped slaves deal with their new status. Blending in was vital. Both of them also had to come to terms with Reychel having magic powers of some sort. Ivy already knew about hers. Her ability to calm others, even to the point of forcing them to do things, becomes an important element of the story. Learning Reychel’s ability is also essential. The reader knows this long before Reychel does.

Another discovery Reychel ends up making is the value of her friendship with Ivy. Why did Ivy want her rescued, and why is Ivy acting so strange now that they are out of slave quarters? Sometimes people have different opinions of what friendship is and what friends are for.

Usually, slaves weren’t worth enough for a master to mount a search for too long. That was the case with Ivy. Reychel, however, was the exception to the rule. Kandek will not give up. If not for the friendship of one of the militia both girls would have been caught within the first weeks. There is a love interest with Marc, the militia guard. Another discovery about Ivy is the result of that interest.

Ivy is a fun character. Reychel is in line with a young adult hero type. So is Marc. All three are important to the story and the action-filled adventure Megg Jensen gives us.

Recommended.


Reviews:


Anathema can be found at Amazon

Meaney, John: Bone Song (2007)

My introduction to John Meaney came through the Nulapeiron series with the book Paradox. I was blown away by the quality of the writing. Then I placed the novel on my shelf and sort of forgot about it (I read a lot). Through my library Bone Song came to my attention. Talk about pleasant reunion with an author. This reminder led to the purchase of the remainder of the Nulapeiron Sequence and the later continuation of Tristopolis with Dark Blood.

John Meaney writes a mean book, a novel that draws me into its lair waiting to be consumed by it. And I was. Bone Song was incredibly difficult to put down. Meaney’s description of Tristopolis is beguiling and dark. Atmosphere and personalities light up like a beacon in my mind.

Considering the title of my blog Bone Song is the perfect first novel to review. In it we find the darker side of humanity described in a manner that shows us the lure of power – power-hunger – power-addiction and the concept that some people are more equal than others.

Bone Song is the first book in the Tristopolis series. Tristopolis is the city of Lieutenant Donal Riordan, the good guy in this plot. It is also a city where the dead are sent to give energy to the generators that keep the city running. Zombies, wraiths and gargoyles are only some the races inhabiting this world along with humans, and Donal manages to interact and make friends with them all.

Bone Song is supposedly a horror book but I’m not sure I agree with that assessment. It’s certainly a dark enough world, but it seems bleak rather than horrifying and creepy.

Donal has been assigned to protect an exceptional opera singer who the authorities suspect is on the hit-list of a mysterious serial killer. The job does not go well. Donal gets drawn into a world of deception and betrayal, a world where he has to find someone hidden by powerful connections.

There is murder and mayhem, but Donal shines like a beacon in this book. He’ll kill and maim if he has to, but he’d prefer it if he didn’t. His opponents (mysterious as they are) are quite different. “The end justifies the means” seems to be their motto. This does seem to be the motto of power-addicted people.


Reviews:


Bone Song available on Amazon US