Harajuku Girls in Japan, Photograph from GoJapanGo.com
Cover art by Fred Gambino
From a Bhagavata Purana manuscript, c. 1640.
Nosferatu is loosely based on “Count Dracula” by Bram Stoker.
Resting Incubus, p. 118 of Demonomicon
Nancy from the Egyptian Mau Rescue Organization
“An advert for Hayatake Torakichi’s circus troupe in Hirokoji Street in Nishiryogoku.” (“REKIHAKU” No.118)
“Orochi (「ヤマタノオロチ」?; Yamata no Orochi) is a major demon of Ōkami and Ōkamiden. It is an eight-headed serpent demon that resides in the Moon Cave.” (Ōkami Official Complete Works, 2007)
The world of Owl and the Japanese Circus, by Kristi Charish, is dominated by antique thief extraordinaire, Owl, previously known as Alix Hiboux. Alix’s transformation from archaeology grad student to thief is in part a result of one of the laws we get to know in this urban fantasy. The International Archaeological Association (IAA) operates outside the law of the land in certain cases. Not all archaeological discoveries can be shared with the public. Also, the IAA takes care of their people in the know. Unfortunately for Alix, she fell victim to one such person.
“In exchange for saying, “No, I was wrong, none of the data in that report was falsified, the postdoc and supervisor still remain god apparent, I’m a bad grad student,” I had been verbally promised funding for the next four years and a coveted transfer to the lost city dig site in Ephesus, Turkey. Right after I had signed the paperwork that had legally absolved the university and my supervisor of any wrongdoing, all my funding had been terminated and my transfer had disappeared.”
All of a sudden, Alix was persona non grata in academia. Her reputation was ruined, and she needed to make a living. Turning thief was a matter of getting back at her old university and utilizing her outstanding understanding of the authenticity of antiques and antique languages. She chose her clients carefully (she thought), made sure they never met face-to-face, and paid a courier well to deliver the orders. All went well. Owl made loads of money. And then – poof – vampires. Once the lid is off Pandora’s box, there is no putting the monsters back. When we meet her, Owl is on the run from said vampires.
“I turned around slowly and looked up at the tallest Japanese man I’d ever seen, wearing a pair of designer sunglasses. He wore a tailored suit with diamond cuff links – real diamond cuff links – and matching shoes, but that wasn’t what got the kid. A tattoo of a dragon wound its way around his neck and disappearing underneath his shirt. It was striking, and a stark contrast to the expensive outfit. It was also a signature.”
One does not refuse Mr. Ryuu Kurusawa. Owl has done jobs for him before but never met him or his people. That is about to change.
“Ryuu Kurosawa, a Vegas mogul known for his Japanese Circus-themed casino, looked up from a white couch and smiled that business smile you come to expect from professional sharks. Not the ones that take your money, the ones that eat you while you’re still screaming.”
In return for retrieving the missing contents of a magical egg, Mr. Kurosawa will hold off the vampires. Or else.
Like most humans I have met, Owl is incredibly inconsistent and willfully blind to her own fears. And, as is the case when we are willfully blind, she does not learn from her mistakes. Even though she now knows that there are supernaturals, she never spots them. For one so focused on the details of archaeology, Owl misses the details of people around her. This leaves her with room for growth. Quite naturally, she also has huge trust issues. Along with those come a tendency to self-sabotage anything that might lead to friendship. Her tools are language and running away. However, there is some hope.
“You made me nervous the last time I was here. I didn’t know what to make of it, and personal conversations make me uncomfortable, so I did something stupid and decided to avoid you.” I ran my hand through my hair. “I’m a hell of a lot better with inconsequential conversations about vampires and RPGs,” I added, hazarding a look at him. He was still watching me and sizing me up from the doorway. Then he walked back to the outdoor bar and took the seat beside me. “All right,” he said. “We can go back to talking about RPGs and my vampire problems?” I said, maybe a little too hopefully. “No. We can have the conversation you didn’t want to have three months ago, and then I’ll decide whether I still want to be friends with you.”
One relationship Owl would never dream of sabotaging is her relationship with her Egyptian Mau cat, Captain. He goes with her everywhere. At first, I thought that would be a problem because of all of her traveling and her line of work. After a look at the various cat carriers out there, traveling was no longer an issue. When it comes to her line of work, Captain is a potential liability. Traveling with a cat in a carrier makes it easier to be spotted once that detail leaks. However, he is also a vampire alarm. Plus she loves him and he gives her balance.
Owl’s best, and oldest, friend is Nadya. The two met while at grad school. About six months before trouble hit Alix, Nadya suspected something nasty was going on and left for Tokyo. She advised Alix to do the same, but as we know, Alix ended up as Owl. Nadya is extremely smart and business savvy. She lives in the Shiyuba (sp?) district of Tokyo, owns a night club called the Space Station Deluxe and is Alix’s go-to-person when there is need of hacking.
Owl and the Japanese Circus was a fun YA urban fantasy with long-term potential. Definitely recommended.
Available at Amazon