The end of Dark Space has left Mira pregnant, raped by Trin so he could ensure his progeny with a pure-blood noble from Araldis. Rast states it so well
“Women get raped,” said Rast harshly, her pale skin flushed with emotion. “Sometimes in war, sometimes just for the hell of it. That’s what happens.” She gripped Mira’s wrist and pulled her close. Then she hugged her tightly for a long moment.
“We’ll get your world back for you, Baronessa. But tell me something: are you sure you really want it?”
Not only did Trin rape Mira and send her off-planet to get help. While staying behind he makes certain to besmirch Mira’s reputation by claiming that she has run off. For Trin does not want Mira to become more popular than he. After all, that might endanger his own shot at becoming Principe after the war.
War, ambition, greed, death.
Trin is more concerned with saving his men than with saving the population of Araldis. Cass Mulravey sees that he has no clue that if he wishes to rebuild his world, he will need women to bear children. The two of them are at odds through all of Chaos Space. Only Djeserit’s attempts to broker a peace between them keeps them from open dispute. Until Trin has managed to finagle the loyalty of the women who have followed Cass, he has to at least give the appearance of working for the greater good. Perhaps all of this pretending will turn to true behavior eventually???
We find out who Djeserit’s mother is. Oh, dear! Poor girl. None of us choose our own parents, but some of us are left with worse parents than others. Bethany Farr is no ideal mother. She seems to have repented of sending Djeserit off and now wants to save Djeserit and thereby Aldaris. But will Bethany carry through or perhaps only work towards the redemption of her daughter until her next “love” comes along??
Insignia, the biozoon carrying Mira, turns out to have an agenda of its own. The vessel has repeatedly tried to get Mira to understand that it does not care about humanesques in general, only the ones with which it can communicate. When its contract with the Fedor clan runs out in the middle of an escape, Mira fully comes to understand how true and real that is.
Mira is one severely traumatized person who is thrown from one chaotic episode to the next. Needing to make decisions pronto goes against her socialization, and tearing herself loose from that socialization is incredibly painful for her. In Dark Space Mira learned to handle a gun, something that was forbidden to the upper-class women. In Chaos Space she has to learn to see through the fallacies of her traditions. Having worked my way out of fundamentalism, makes it easy for me to relate to what Mira must have gone through. Being brought up in a society where women are taught from a young age that they are less and also taught how to internalize this tradition and accept it as right and proper makes the reach through the fog of indoctrination severely painful and self-actualizing. Mira is forced to grow once she makes the choice to make her way through her fog and grow she does.
Asking for help is more complicated than Mira had thought. Naively, Mira had expected that explaining her planet’s situation to OLOSS would bring OLOSS to the rescue. But OLOSS is concerned with what is in it for them and want to get hold of Insignia so they can study it. Having read something about the history of our own world this concern with profit in the face of aid is nothing new. In fact, I wonder if the need to profit from another person’s tragedy is embedded in the human psyche?
DePierres’ writing is as riveting in Chaos Space as it was in Dark Space. Again I found myself struggling to stop reading.
4 thoughts on “dePierres, Marianne: Chaos Space (The Sentients of Orion II) (2008)”
Reblogged this on Sentients of Orion and commented:
Chaos Space revisited