Victor Gregg talks about his experiences during WWII. He states firmly that he blames only the decision makers for the atrocities of the war. The reason he has come forward at such a late time of his life is because he sees that nothing changes. The people are still being lumbered with the horrible decisions being made by governments. Gregg also states categorically that he is no pacifist, but that someone needs to speak up for all the victims.
Highly recommended.
The Chimera Vector set me into research mode. I started looking into “chimera vector” and discovered quite a few articles on the research into this type of transportation on the net. I have included four of them below. Chimera: a DNA molecule with sequences derived from two or more different organisms, formed by laboratory manipulation.
According to Psychology Today a psychopath is a person who exhibits a long list of character traits. One needs to show a lack of empathy (cold-heartedness, an inability to feel deeply); show a lack of shame, guilt, fear or embarrassment at ones actions; a tendency to blame others for their own failures, or no shame if confronted; show a strong ability to remain focused on a task; appear charming yet have a tendency toward pathological lying, and they seem comfortable even when found out; incredibly overconfident, as if they cannot fail; impulsive; incredibly selfish and parasitic; lack realistic long-term goals; and finally be prone to violence.
In The Chimera Vector we get to meet several people who fit the bill of a psychopath. The whole concept of psychopathy or sociopathy is extremely fascinating. It is one of those terms that we bandy about as if being a psychopath was a common thing. Looking at the list above, I see many of them that could fit myself and most other people I know. But when I take a closer look at the people I meet, I think I can say that there is probably only one one person that I could definitely call a psychopath. Long-term planning was no problem for him at all and holding power is something he has definitely been concerned with. Power behind the throne, not the apparent one that is more image than real.
Power is what The Chimera Vector is all about. The lengths people are willing to go in their hunger for power. We see people playing power games every day – within families, at work and at play. But seldom do we see power games taken to the extreme that The Chimera Vector shows. But we wouldn’t, would we. That is the whole point of The Fifth Column. People must not see the games the leaders of The Fifth Column play, for their real power lies in their secrecy. To them all the death and mayhem they deal is part of the games.
Programming soldiers like Sofia, Jay and Damien into becoming unquestioning killer robots is fun. Killing innocent people to keep the world going their way is fun. Watching countries erupt into cauldrons of fire is fun. Power is fun. Fun and addictive.
I see all this and I believe it. The Chimera Vector is believable. If some scientist manages to discover how to create weapons like The Fifth Column use, soldiers like this will be developed. Perhaps I have too cynical a view of the world, but this is what I believe. History has shown us time and again that once a power-hungry leader gains control of research and development gruesome consequences evolve. In fact, history has shown us (and shows us) that in their grasp for power the world itself becomes expendable to the power-players.
And yes, I did enjoy The Chimera Factor. A great deal, in fact.
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I was given this novel by the author. Whether that affected my review is difficult to say. I’ve tried to be as objective as possible.
Path of Blood takes us into both these worlds. Yohuac and his absolute loyalty to the nahualli’s and the goddesses and gods of Cemanhuatl is disturbing in its completeness. Reisiltark is no different. Like heroes in a great many young adult sagas she will do anything to save her country from destruction. That she happens to be a more or less “good” person is a lucky thing for Kodu Riik. What if she had made the kind of choices that Upsakes had – who also believed that he was doing the Lady’s will.
In spite of seeing what a terrible person Aare is (and it would take a completely blind and deaf person to avoid that) the Lord Marshal of Kodu Riik is going to swear loyalty to the man the moment he takes the Iisand’s throne. To him it is the throne he is swearing himself to and not the man. But life is never like that. It is always the person we end up swearing ourselves to and the values that person emotes. That is if we are looking at tyrannies, monarchies or dictatorships. Whether we choose to follow that person out of our own free will or because we are forced does not really matter in the end. What matters is what price our loyalty ends up having. I doubt I would have the strength to gainsay a person like Aare. His way of ruling is much too brutal and frightening.
Fortunately there are sometimes alternatives. In the case of Path of Blood we have the followers of Reisiltark and the rest of the rebels. These are the ones that managed to escape the steel grip of Aare’s followers. They have set up camp by Mysane Kosk in the hope of helping Reisiltark heal their land. I think I consider people like these rebels brave. They are the ones who have the courage to stand up to a tyrant and have put their lives on the line for their freedom. Sadly that is the consequence of power-hungry people – one sometimes has to take up weapons to stop them maiming the place one lives in and the people one lives with.
I’m not certain how I feel about Reisiltark herself. I don’t know if I really believe in her. Perhaps she is too much the anguished hero. In that sense she and Yohuac are a perfect match. She fills her role as hero perfectly. Heroes are supposed to be larger than life, have amazing values and be able to make difficult decisions on who has to die when trouble arrives. This very good and very bad cast of people is part of what makes a young adult novel. In my head Path of Fate is very much a young adult novel. There is violence, gore and darkness, BUT very little of it is descriptive and the dark is interspersed with light.
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One of the really interesting people in Path of Honor is Verit Aare. Verit Aare is the heir to the throne and eager to replace his father. As his father has been more or less absent the past six months, Aare’s lust for power is growing. Unfortunately for Koduteel (capital) and all of Kodu Riik Verit Aare is a psychopath/sociopath. While a lot of us have psychopathic traits, very few of us reach Aare’s level of sociopathy. According to Psychology Today one needs to show a lack of empathy (cold-heartedness, an inability to feel deeply); show a lack of shame, guilt, fear or embarrassment at ones actions; a tendency to blame others for their own failures, or no shame if confronted; show a strong ability to remain focused on a task; appear charming yet have a tendency toward pathological lying, and they seem comfortable even when found out; incredibly overconfident, as if they cannot fail; impulsive; incredibly selfish and parasitic; lack realistic long-term goals; and finally be prone to violence.
I feel certain most of you would be worried if a person like this lusted for the leadership of your country. Yet Aare seems to fulfil most of these criteria and for me that is the reason I find him especially fascinating and possibly revolting. Take how he treats his sister, the Vertina Emelovi, and what he does to his father’s hostage, Soka.
When Soka was nine years old his father had broken the terms of the hostage agreement. Something had to be done to avenge the wrong and it was decided that Soka would lose an eye. But the Iisand was not able to attend the removal and sent his son, Verit Aare, instead. Aare made the little boy remain awake during the procedure but had Soka drugged so he would remain docile while it went on. Finally, a map of Soka’s father’s lands was sown into the lid of his eye as a reminder of the deal. It had not been the Iisand’s intention that the procedure would be so cruel for the boy, but Aare liked the feeling it gave him.
Once again, Soka is in his power. Naturally, Soka is scared shitless. What will the Verit do to him this time?
On to Verit Aare’s sister. Poor Emelovi. She has to live with the man on a daily basis and he is not a good brother to have. Her fear of him is intense, yet he has kept his father duped as to the depths of his depravity. Perhaps that is because people tend to see what people want to see. Vertina Emelovi, on the other hand, is quite familiar with her brother’s cruelty. He expects nothing but complete submission. If she does not do what he tells her to, she suffers greatly. The first time she was made aware of that was when he killed her puppy because Emelovi had refused to dance with one of his friends. Since then, well. One does what one has to with such a maniac in the vicinity.
Aare does not like Reisil. He does his best to turn the court against her. Lucky him. Sodur (another ahalad-kaaslane team) has made his job much easier. On his part, Sodur did have the best of intentions. But what do intentions help when consequences are what determines the value of them. Poor Reisil, the consequences for her are stinky. Things are looking up for Aare when it comes to using his charisma and power-hunger against her.
Reisil is not completely alone. Kebonsat has come to court Emelovi on the chance an alliance between Kodu Riik and Patvermese might happen. Hmmm. Despite this task, Kebonsat does not forget his friendship with Reisil. Nor has Juhrnus. Reisil is thankful to have two such loyal friends on her side as it seems the rest of the powers of Kodu Riik have turned against her. But friends do turn up in strange places and sometimes lives change because of decisions one has made. She does have the “common people” on her side. But the common people do not have much power. Not really. Like us, the common people in Kodu Riik trust that the powers that be must be interested in the best of the country. Man, we are suckers, aren’t we.
Then two new powers turn up at court.
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My review of Path of Fate
Magic. Not all fantasy books include magic, but a lot of them do. Path of Fate is definitely about magic. We have the bond between the ahalad-kaaslane, Reisil-Tark’s evolving power and the power of the Patvermese magicians. All of these types of magic come together and open up a discussion about power, politics, gods and responsibility.
My rhetoric question of the day is: If you have power, do you also have a responsibility for how that power is used? Hell, yes!!! But just because you have a theoretical responsibility does not mean that translates into having to answer for your use/abuse in the real world. We all know that. Even I know that and I am not the best person in the world when it comes to paying attention to what goes on around me.
Reisil-Tark’s greatest role in Path of Fate seems to be to put a light to the abuses of power going on in and around Kallas during the story. We join her as her own sense of responsibility grows and embeds itself firmly into her mind and heart. Watching her come to realise that the people around her are not what she had thought/hoped for is an interesting process. It hurts when people we trust betray that trust. More difficult is seeing how we, ourselves, betray the trust of others. Reisil-Tark has to come to terms with that side of herself as well. My experience is that the reality of myself is the most difficult one of face. Being able to say that I screwed up or need to change a part of myself hurts. The pain is in many ways similar to the pain I have experienced whenever there has been need for surgery. This is the kind of pain I am sensing from Reisil when she has to come to terms with herself.
Path of Fate is Reisil-Tark’s story. She is an enjoyable character who does her best to deal with the life she has been given. Finding her strength in a world where she is pretty much alone is a process and we get to follow her on that journey.
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I’ve been wondering for ages what being a soldier for years upon years would do to a person. That is a soldier who is out fighting all the time. It would have to be the close-up kind of soldier who has to make life and death decisions for another person on a regular basis. What would that do to you, and how many of your choices would you find bearing you down?
War is a terrible thing. The Old Warrior has been trained for a life of killing since childhood by people who treated him roughly. His choices have numbed him to the horrors he is part of. In the end that life is catching up with him, but then …
“The Nightmare” appears in the form of a little girl who has lost her mom and dad and wolf to the killers around her. She stands there in the middle of the noise and gore with an empty look on her face. “The Nightmare”. The one who manages to break through to the old warrior and create a chink in his suit of denial.
The Old Warrior was a sad and action-filled story. It ended differently from how I had expected and that annoyed me. But I also find it refreshing (and annoying – did I mention that) when closure is not reached. But life is like that. We cannot always know how things end.
I started reading Hellfire and was immediately engrossed in the world of Ia and her Damned. Annoying really when a novel is this good. I believe I actually stayed up until 3 in the morning just because I did not want to go to bed until I knew how Hellfire ended. The ending was a sort of cliff-hanger – in the sense that the story did not end with Hellfire – yet not – in the sense that Hellfire had a conclusion.
…What if you could see the future? What if you foresaw that, three hundred years from your time, your entire galaxy would be destroyed in an overwhelming invasion? What would you do to stop it, when it would all happen long after you were dead and gone? (Jean Johnson)
Me? I don’t know if I would care enough to do anything about it. But what if the experience had been as if I, myself, had experienced the extinction of life? Sad to say, I’m not a particularly noble person. I doubt I could go to the lengths that Ia does in trying to protect the future of her galaxy. I doubt I would stay sane (well, as sane as I will ever be).
Does she see her life as the sacrifice it is? Oh, yes. What she had wanted for herself was to be a singer. Instead she became a soldier on her journey to ready the different breeds of people for the future. A future she would never experience herself. Her motivation? That was what being a pre-cognitive did. Especially being one as strong as she was.
People being the way we are, means we tend to disbelieve anything we have not experienced ourselves. Which is why Ia has let various creatures across the galaxy received snippets of her visions with information on how to avoid the potential future she wishes for them to avoid. This is where Ia’s type of pre-cognition varies from the type of clairvoyance that could be more paradoxical. Ia’s type shows a potential future based on a potential number of choices. By building on her reputation, prophecy by bloody prophecy, Ia has now arrived at Hellfire.
Upon reaching Hellfire Ia has gotten far enough on her journey that she has managed to convince the human authorities of her claims of pre-cognition. All it took was being right a certain number of times and they were more or less on her side. But three hundred years is a long time for most people to keep their minds on. It is the political games here and now that seem to matter, not what some great-, great- … grandchild of ours will be going through. Keeping the military leaders’ minds on what lays ahead is a challenge Ia has to win again and again throughout Hellfire.
With her ship, she and her crew travels around the galaxy recruiting more believers and fighting a whole bunch of battles.
For those of you who like technical details, you will get those. I haven’t a clue as to how likely any of them are, but they are nevertheless interesting.
For those of you who are fans of action and thrills, there are plenty of those as well. The above battles are only part of it. Ia gets herself and her crew out of various tight situations. While we already know that she, herself, has to survive until she has amassed a certain following, we don’t know who else gets to live along with her.
For those of you who like humour, don’t worry. We get plenty of that along with the bleaker moments. Jean Johnson has managed to lighten the story with some witty dialogue.
Finally, for those of you who like romance, there is that as well.
Add to all of this the writing of Jean Johnson and we have a novel that carries its middlehood well. I am certainly looking forward to Damnation.
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Model photo on cover by Marcus J. Ranum
“SEPTEMBER 1, 5509 BCE
In the beginning, there was the earth, formless and empty. Darkness hung over the surface of the deep.
And then there was light.
It spilled over the waters, vast and powerful, and its creation severed the unity that had come before. This light was a separate entity from the darkness. Something novel and cruelly different.
The spirits called it “day.” Its opposite was called “night.” Between them was evening and morning – the First Day.
This division marked the end of peace in the universe.
Everything has been pretty much fucked up since then.”
S.M. Reine’s humour seems to fit mine just fine.
Half the fun of writing reviews is the preparatory work I do. This time I felt like checking out the ancient dates in Paradise Damned and ended up with the info at the bottom of this post.
I want to give S.M. Reine a special thanks for coming up with the old women of Oymyakon, Russia. No wonder these ladies are so tough. Oymyakon is so cold that it has the lowest recorded temperature of any permanent village (- 71.2 C). Brrr, not my kind of winter. Here, indeed, “Winter is coming”. Nothing phases these matriarchs. Give them hybrids or Malcolm, and they won’t hesitate to shoot either if they have to.
Paradise Damned is divided into four different stories that tie together. The first is from the good old ancient days, the next is from the good old days, the third is from Limbo with James and the last story occurs in Araboth 2010.
Longevity or immortality is a concept that I have found a lot of people would like to take part in. How would you stay sane? It seems to me that all the people around you would have to be immortal as well. Otherwise, you would have to watch loved ones die over and over all through “eternal life”. I see how people react to such losses already, and have to wonder how you could deal with it on such a time-scale.
Adam seems to stink at it. His one major loss gave him a liking for mayhem. Yatam and Yatai didn’t deal well with it either. In the end they got the release they sought. What about Adam? Will someone relieve him of the burden of life?
Elise is now back to her job of being a false Eve. She isn’t taking to it. Fighting against it brings grooming/training her way in the form of severe mental and physical torture. I wonder if her lifetime of abuse and pain is aiding her or hindering her in keeping hold of who she is?
Sometimes when I read stories about real life people who have gone through stuff like this (not the impossible things but the rest), I wonder how they managed to hold on to themselves through it all. I know it messed up my grandfather who was tortured during WWII. The post traumatic stress was so strong he tried to self-medicate to deal with the mental pain. The face he showed me as a child was that of a gentle and loving man who brought joy to my life. He managed to stay away from alcohol in his meeting with his grand-children.
Granted, Elise is make-believe, but not really. There are people out there who go through grooming/torture in order for another person to achieve some kind of result. Each and every one of these people will end up changed forever. While a lot of them will be able to hold on to themselves, some will not. The question in Paradise Damned is whether Elise manages to stay true to herself and her ideals in spite of what she goes through.
On a lighter tone for me (maybe not for the rest of you), Elise’s arrival at Oymyakon was amazing. I liked what she did and how she did it.
Once again S.M. Reine has done an excellent job.
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p>5509 BCE: The Byzantine calendar dates creation to 1 September of this year.
4009 BCE: ” placing the creation of Adam no later than 4009 B.C.E.”
3504 BCE: Eve’s creations, angels that are about to hatch, are killed. (Paradise Damned)
3242 BCE: Adam’s need for human replacements for Eve comes about. (Paradise Damned)
There is a need in me to try to understand something about the characters I meet in various fictional and non-fictional works. In Defying Fate it is easy to understand a person like Zane St. Vil. Zane is a kopis with the Union. He is of average intelligence and pleased with the power and firepower the Union brings him. He is a coward at heart and bullyish on the outside. Zane will always do what makes him seem bigger and badder than the rest and if he meets resistance he will use the greatest force possible.
Then we have a person like James. Ultimately, I know that James will do what serves James the best. But what route is he going to take? We are talking about a highly intelligent man with a devious mind and lots of power at hand. He is perfectly willing to harm the people he loves if he thinks it will serve them in the long run, in spite of him never having had the gift of prescience. A person like that is difficult to predict.
I won’t pretend to understand James. His personality has so many twists and turns that I cannot follow along. I imagine part of that personality has come about because he has had to hide his nature from Elise and every other person he has met since his change. Part of it has been with him all along, but as we tend to be the sum of our parts, being an angel would have influence on some of what James does.
Nathaniel is the perfect son for him. This is one powerful kid. James needs a person who exceeds his own abilities so he can stop seeing himself as the epitome of witchcraft. In addition Nathaniel is a 12-year-old in the way that only peeved-off and disappointed 12-year-olds can be. He’d practically worshipped his father ever since he discovered who his father was. Then Nathaniel met the person behind the myths and found that James was not as glorious as he had been made out to be.
Nathaniel is like Elise in many ways. He is fiercely loyal to those he attaches himself to and he will do just about anything for them. In this case that means saving Elise. James says he cannot come along and Nathaniel pretty much says that James has nothing to say in the matter. In the end James brings Nathaniel along because a coming together of choices leaves Hannah dead. Poor Nathaniel.
Gary Zettel is a dedicated and driven leader of the local unit of the Union. He and Allyson are probably the two worst people the Union could have made kopis and apsis. The two of them together are a nuclear bomb waiting to explode. Their potential for destruction is enormous and, like James, they don’t care who gets hurt along the way. Well, James cares, but he still does it. Gary and Allyson on the other hand follow the teaching of “ends justifying the means”. They are also unpredictable.
With a group of people like this Defying Fate can only be one thing – full of thrills. My goodness, Reine writes action well and her descriptions of Malebolge are a delight. Dark, violent and crazy is what Defying Fate is.
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I saw the old cover for Space Junque on Rigel’s site and much preferred this one. This cover is seriously cool. Phatpuppy is on my list of favorite cover artists (she’s got her Halloween theme going right now).
Why change the title so often? Weird. Rigel explains it (I still like the above cover best):
Hero Material is a prequel, the story of how the paranormal world in the Apocalypto series replaces the old unmystical normal world. The series proper is a paranormal fantasy, and all the action is definitely on earth or within the realm of the gods.
In fact, when the paranormal elements of Hero Material nee Space Junque kick in, it’s been a shock to a lot of readers, not expecting such things in science fiction. I blame myself for too-light foreshadowing. But I blame the old cover too.
Now the name has been changed again – to Samael’s Fire.
As you see above Apocalypto is meant to be a paranormal fantasy series. Samael’s Fire is the first step on that road.
Charybdis Meadowlark is living in a post-apocalyptic version of our world where the corporations have been able to play to their heart’s content and the environment has gone down the drain. Environmental terrorists, like the DOGs, aren’t making the Earth any cleaner. When we meet Char, she is fleeing Sacramento. Her friend Mike has warned her that the DOGs are about to bomb Sacramento and that she needs to get off Earth and into space.
From the very beginning many of Char’s experiences are about fleeing one sort of trouble after the other. Trouble seems attracted to her but unlike a great majority of people Char has incredible luck in how it affects her.
Charbydis is very much our main character. The story is told from her point of view and she is the one we get to really know. The only other person we get to know fairly well is Jake. Char meets him as he sells her coffee at the coffee kiosk.
From all of the other reviews I feel certain you’ve realised that Char and Jake become an item. There is instant sexual attraction on both sides, they don’t really like each other and both are beautiful people. Like so many other novels there is a sort of love triangle.
In space there is plenty of action, a lot of explosions, some fighting and meetings with gods/goddesses and shapeshifters. These gods/goddesses are like the older type gods: norse/greek/roman = pretty selfish and fighting each other for their worshippers. It is upon meeting the gods/goddesses that the shift toward fantasy slowly happens.
Samael’s Fire is a safe and fun read both for those who do not like explicit violence and those who do not like explicit sex.
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If an author is going to create an Apocalyptic event he might as well do it thoroughly. Killing off seven billion people overnight seems to be pretty thorough to me. Messing with the environment and changing the stars and planets we usually see adds to that thoroughness. R.J. Murray shares such an event with us in The Event. The Event appears to be a science fiction tale that slowly but surely leans toward fantasy. Not fantasy as we know it but rather new technology that has to be developed due to the teeny tiny damages wrought by Earth’s changes. Mutated people that have the qualities we find in traditional fantasy adds to the fantasy feel of the story.
As with other apocalyptic tales, we find that the qualities people already have seem to intensify in times of crisis. This is a normal trait in humans. Any type of traumatic event tends to pare down all of our extras leaving some sort of quality central that we draw upon. This is when we see a person run back into a mall again and again saving people’s lives while others break into buildings raiding them of wares, beat up others and do other heinous deeds. People are people whether our skyline changes or not.
The mutations we see are people whose bodies morph into something other than they were used to being (that is, those who did not turn to dust or remain human). Let’s see what we have:
Wizards are people who find themselves younger/stronger/longer-lived and able to handle the tools left from before the apocalypse. All races have their own wizards.
Elves also seem to be long-lived and changed into a stronger/younger version of themselves. But they seem more attuned to plants and living creatures rather than technology.
Dwarves are like the ones in stories: like to live underground and have an affinity for stone. Dwarves are shorter and more compact than humans. They will probably end up being longer-lived as well.
Humans are more numerous than the others and breed easier. There really isn’t much more to say about them.
Goblins are like the goblins we know from epic fantasy. There are various types, sizes and numbers. Most of them live underground or underwater. They too have wizards.
Thankfully Murray hasn’t fallen for the temptation of making people smarter or dumber than they were just because they happen to be elf, wizard, dwarf or goblin. There are qualities that are intensified but if you were dumb as bread before the apocalypse, well, you are going to remain dumb as bread – and probably dead within a very short time. Some of the people have to learn the hard way and for some that means they end up dead.
That probably tells you that it is not all happy endings. In spite of that I would not say that The Event is particularly dark. It is more like the traditional sword/sorcery stories in tone. I’m guessing this is a young adult story. It’s a pretty straight-forward tale without explicit violence or explicit sex. There is action and plenty of it.
Murray builds his world for us showing us how people become what they are and what happens to the Earth itself. By the end I felt pretty comfortable with the whole thing. I felt there was a proper ending although there was a tiny hill-hanger showing me that a continuation was on its way.
A pretty enjoyable tale that looks as if it has great potential.
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Dean C. McMillin has written the sequel to Shadewright: Shadowslave. At the beginning of Shadowslave we get a synopsis of the storyline in Shadewright.
Huge brag before we get down to business. It has been a while since I read Shadowslave and I needed to take a quick look before getting back the feeling I had with this world. Don’t you know, I had to sit down and read the whole thing over again. A wild guess might tell you that I really enjoyed McMillin’s writing.
The Shadewright Cycle (at least the first two installments) has some interesting characters and important themes along with tons and tons of action, humour and romance (yeah, I guess I could call it that). I think Shadowslave is fairly dark, but not too dark for young adults. Nor is there very explicit violence or explicit sex in it. There is some gore though in connection with homununculi and a strange baby.
Back to my favorite part – the characters. Arick the Arcwright, Lord of Lightning T’Gantas is my favorite character. He seems kind of “simple” to the people around him. Shadowslave shows us that Arick definitely is not. He does, however, lean toward the clumsy and spectacular and explosive. That man is a wandering accident waiting to happen. Arick has to be the luckiest unlucky guy I have ever had the pleasure of meeting. McMillin made me fall in love. Praise, praise, praise for Arick’s character.
Racism. Hmmm. Plenty of racism in Shadowslave (and Shadewright). The Phantist, Serjeant Despanya Euran and Duskron are all three greyskins. That means that they have grey skin and are somehow tied to the Shadows, with the potential of being shadewrights. The degree of talent varies and Despanya has chosen to deny that side of her completely. Like our own world skin colour matters a great deal in the Shadowworld. Despanya has double-trouble in that she is a woman as well. Because gender does matter in Arlandia and Rall.
The Phantist is our main character. He worked hard in Shadewright to develop his abilities as a shadewright and became quite proficient and popular because of it. He also got into trouble with a voice he hears emanating from the earth. That threat in his life follows him into Shadowslave along with his meeting another dangerous entity in Shadows. I kind of think of the Phantist as the awkward hero. Maybe it is his character more than any of the others that leads me to think of the Shadewright Cycle as young adult. His tale is a coming of age story in the fantasy way.
Emm-Ma, the Quicklime Girl, is a very strange babysitter with an even stranger child to take care of. The two of them are fascinating characters. I can’t say more. I want to, but I can’t. I liked her though and strangely enough I liked the baby.
Healer Malleck and Colonel Brendan are into genetic tampering. Healer Malleck more than the Colonel. Both are willing to employ pretty bizarre and dangerous tools to get ahead of “the other side”. Sound familiar to any government at all? Is there any government that does not do this??? Two men who are extremely dedicated to their beliefs.
Finally we have Lesander. Or maybe Lesander’s property would be more correct. Something really strange is going on on Arliss Island. The Phantast is essential in figuring out the mystery and Duskron desperately wishes it was not so.
Review: Brian P. McKinley
There are tons of reviews of Seraphina out there. Seriously, tons. Most of them praise Rachel Hartman’s writing to heaven and with good reason. Believe it or not, this is actually Hartman’s first novel. Her grasp of the flow is amazing. This is definitely an author to follow.
What genre is this? Well, that is a toughie. Like The Intergalactic Academy blog points out in their review, there are reasons one might suspect the world of Seraphina lies not only in a fantasy universe but also in a science fiction one. You would be surprised at the number of stories out there that seem to be fantasy (and are) but end up having a basis in humans having come to another world.
One of the traditional conflicts between humans and dragons in Seraphina has to do with humans invading the continent of the dragons. This might be one hint as to the otherworldliness of humans. The other is as TIA points out some of the vocabulary.
How the wars began in the first place is not commonly known, but as Seraphina is lucky enough to have a dragon music teacher (Omra) she learns of these matters. That her father happens to be the local expert on the treaty between humans and dragons has given Seraphina more knowledge than the usual citizen. There is a reason for her father’s expertise. He is the father of a girl who is half-dragon/half-human. Seraphina’s mixed race must be hidden from the knowledge of both dragons and humans as such a relationship is thought of as disgusting. But it is interesting that such a relationship is even possible. Perhaps that means that a dragon’s transformation into human is on a genetic level.
When peace was forged, one of the consequences was that dragons could no longer be among humans in dragon form. Dragons society seems to be ruled by logic rather than emotion. To them becoming human is a shock to the system as they are drenched in feelings they do not understand. Emotions are forbidden and all memories pertaining to such emotions are excised upon returning to dragon form. Such excision could mean that the dragons have some form of advanced technology unless the excision happens through some kind of paranormal ability.
Seraphina’s mother took human form and fell in love with Seraphina’s father. Seraphina was the result of that match. Sadly, Seraphina’s mother died at child-birth. Child-birth is the time her father discovered that Seraphina’s mother was a dragon. This has to do with the color of dragon’s blood. Seraphina herself showed no sign of the match until puberty. At that time she gained scales on parts of her body and a gigantic degree of self-disgust. In fact, her disgust ended up being so strong it led to self-harm. I have absolutely no trouble understanding why the self-harming happened. When one’s difference is so readily identifiable, the temptation to remove it must be staggering.
There are some positive factors in Seraphina’s life. Her music teacher Omra has stuck with her since her dragonhood was revealed. With him she does not have to fear revealing her forbidden race. As I said earlier, Omra is Seraphina’s music teacher. When Seraphina showed the same kind of talent her mother had had, Seraphina was permitted lessons if they were held out of sight of her father. Music has led her to the position she now holds – as the assistant to the court composer.
Seraphina is our protagonist. An excellent protagonist. She has depth and character in a way that only the British can manage to convey. Understatement seems to be something the Brits get through their mother’s milk. Hartman attacks a great deal of society’s crueller sides gently and with enough of a sting that the reader feels it. (I feel it) Such writers are a miracle to me, something I can admire yet never aspire to be.
Reviews:
The Corpse King is our introduction to the trilogy Elegy. We are in a land of sorcery, swords and adventure with arbiters running around trying to keep some kind of order and clean manna (magic) whenever it sends out bad vibes. In The Corpse King we have a dark fantasy in the way of zombies, death-manna and insanity.
Apprentice D’Arden Tal and Master Havox Khaine are two of these manna-cleaners. If you take a look at Kellen’s website you will see that for some reason the world Eisengoth is the one sending off bad manna vibes. How do you fight a world? With a world gone insane you are bound to live in a dark place. In fact, I find that the cover reflects the mood of this world gone mad.
It might be a good thing if you like zombie books. This description illustrates why:
D’Arden caught a glimpse of the old man, wizened head perched atop a naked, colorless, emaciated form that was slowly shambling toward him. The belly was swollen to the bursting point, dragging entrails across the wooden floor. Maggots writhed everywhere, covering the body nearly from neck to foot as they feasted.
As you see, not something for the faint-hearted. Well written though. Nice and gory.
Have fun. I did.
Reviews:
First of all I would like to compliment Jeff Gunzel on his choice of cover artist. The cover of Land of Shadows is amazingly beautiful. Love the work of Ronnell D. Porter.
I see that some of the earlier reviews have asked for editing of Lands of Shadow. I have an updated version from 2013 and have a feeling that there must have been quite a bit of editing done if the previous critique was true. I like that in an author – the ability to listen to what people have to say and then decide if what is said is worth listening to. So that is one plus in Jeff Gunzel’s favor.
I loved the opening scene. The warrior Morcel’s choice to leave off the life he had been leading lately brings him in a sense back to the land of the living. All because that one last drop had fallen. Life is like that (although maybe not quite as brutal as the village scenes). Sometimes that one drop extra falls and you cannot stand your own choices any longer. Change comes – sometimes for the better, sometimes not. Morcel’s having had his fill plays an important role in the plot of The Land of Shadows.
Right away I am going to warn you of a particularly gruesome scene – the one that changes Morcel’s life. This is NOT a book for Young Adults and there are definitely trigger factors for those who have been victims of sexual abuse. Consider yourselves warned.
In this scene we meet a girl who also plays an important role in the development of the plot. If you are awake you will spot her reappearance. She is quite a strong character.
There is action from the beginning of Land of Shadows. Talk about intense scenes that just grip me and will not let me go. Not until Chapter 3 do we get a description of beautiful Tarmerria. But that beauty does have a back side. There are plenty of unwanted elements, crime and scary outlanders.
What we get in the Land of Shadows is a bunch of people who have had to make terrible choices in order to stave off a potentially terrible future. But bearing the consequences of their choices takes a toll on them and the ones they have made those choices for. Life is all too often like that. A person can only do what they think is right and hope that they do not mess up too badly.
Land of Shadows is a dark novel, dark and beautiful. It is well worth the read and I would say that Jeff Gunzel has the potential of being an amazing writer. He already hits the flow over and over again and plays with my feelings like a virtuoso.
humanitysdarkerside 