There is a timeline for Dalglish’ books. You can find it on his website. However, that does not mean you have to read the books in that order. I haven’t.
David Dalglish has created a world called Drezel. Once upon a time the brothers Ashhur and Karak came to Drezel and ended up representing dark/chaos/death and light/order/life. They are godlike-creatures who have been cast from the planet and acquired followers. Like many brothers out there Ashhur and Karak fight. Unfortunately that usually involves getting their followers to fight each other.
The Weight of Blood is a dark story, one of death and destruction. The Half-Orc brothers Harruq and Qurrah Tun are responsible for quite a bit of that destruction. These two brothers seem very different yet Harruq would do just about anything for Qurrah, even if it means killing children or friends. What Qurrah will discover in The Weight of Blood is just how far he can drive his brother. Because one thing is for sure, Qurrah manipulates his brother. In spite of this, the brothers have great love for each other.
Dalglish writes dark fantasy well. His characters are complex and loveable (in spite of their deeds). Life isn’t a matter of black and white in Dalglish’s litterary world. Instead we get shades of grey that mirror real life.
Many years ago, Ysabon made her living by the sword as a skilled mercenary. Now she lives in Westedge with her brother’s children, tending to the animals and afraid of dying old and useless. Then a horrible winter storm drives monsters down from the mountains and Ysabon can save her family and her village only if she finds the strength to take up the sword for a final battle.
Winter’s Bite is a lovely story 25 pages long. I am often amazed at how much an author manages to pack into a short story. Annie Bellet is no exception. I love Ysabon. She is the kind of fierce that I would like to be. Female warriors have always been a favorite of mine especially when they have the courage and love that Ysabon shows.
Deviant Art has tons of fan-art for Kristen Britain. I found this gem depicting Alton’s struggle.
I just finished reading First Rider’s Call out loud to my son. Like Green Rider, First Rider’s Call is audio-friendly. Kristen Britain writes in a manner that makes it a delight to read aloud.
First Rider’s Call begins with the Journal of Hadriax el Fex. My son felt it would be more appropriate for him to save that story until its natural place in the book. It worked out well for him.
Leaving Hadriax el Fex’s journal for later had us starting the tale at chapter two. Karigan gets her call to return to the Green Riders, a call she has been resisting for a year. The manner in which she responds is well-thought out by Ms. Britain. From there on Karigan is thrown into one life-threatening situation after the other. I am so glad I am not Karigan. Along the way she is helped by Lil Ambriodhe – the First Rider. In Green Rider we saw Karigan interacting with ghosts and matters have not changed much in First Rider’s Call.
Blackveil wakes and sends its tendrils of magic into Sacoridia through the breach waking creatures better left sleeping. With this awakening we find the abilities of the Green Riders becoming unreliable. In Captain Mapstone’s case that causes trouble for the whole of the Green Riders. What will they do????
Like Green Rider, First Rider’s Call deals with a lot of loss and grief, but also with hope and friendship. Having to face their fears makes a difference in who various characters become. Realizing how far loved ones will go and deciding how to deal with them leads to difficult choices.
Life is like that. Yet, like many of the characters in First Rider’s Call, all we have to do is dare see ourselves for who we are. We might not be pleased with the result, but it does open up doors to new worlds.
First of all – the cover. Michael Whelan is the artist. When you go to this link you will get a look at how cover artists work and how little they actually get to work with. And still he manages to provide something that captures the dynamics of the novel.
My goodness, what an ending to a series I have loved. I do not think I was alone in worrying when Brandon had to finish the Wheel of Time series. My worries were laid to rest with his first installment: The Gathering Storm. A Memory of Light is amazing. No wonder Sanderson teaches creative writing.
What is it that makes A Memory of Light so good? As I have told you in my About page, I am terrible at analysing. Really, really bad. But there are aspects to the art of writing that I might have gotten a feel for.
A Memory of Light is tight. It’s not difficult to see that this novel must have been edited time and again to get that flowy feeling that I always go on about. There are very few mistakes and Brandon shows us that you can write a novel more than 900 pages long and still feel as though you could have read more.
The jump from character to character is flawless. Perrin‘s over-carefulness, Mat‘s playfulness, Egwene‘s “I know best” attitude and Rand’s “I must die” attitude are all incorporated into the writing without detracting from the plot.
Be prepared for fighting, lots and lots of fighting. We are, after all, at the ending of the world and the final battle. People die. People I have grown to care about. I hate that, because I really do love the quirky set of The Wheel of Time. But I see the necessity of it. I still hate it.
Once again we are exposed to friends who betray and friends who risk their lives for you. In a sense, that is what The Wheel of Time has been about for me. This group of four (five) characters from Two Rivers stays loyal to each other in spite of huge differences of opinion. Friendship, what a precious gift to bestow on each other.
I am going to say something I do not often say: Please read A Memory of Light. You’ll have to read the first 13 novels for it to make sense, but it will be worth it. That is how good I think A Memory of Light is.
As you can see from the above map, the Discworld consists of many countries and continents. Each country has its own culture and religion. From my reading there are three books in Terry Pratchett’s Discworld series that are specifically about religion and culture. These three stories are about the countries of Djelibeybi (Pyramids) – try saying it, Omnia (Small Gods) and Zlobenia vs. Borogravia (Monstrous Regiment).
Pyramids consists of four books: The Book of Going forth, The Book of the Dead, The Book of the New Sun and The Book of 101 Things a Boy Can Do.
As a young boy Pteppic was sent to Ankh-Morpork by his father, King Teppicymon XXVII. The Assassin’s Guild had accepted him as their student. The reason they had chosen the assassins’ school was because it offered the best all-round education in the world.
At home all Teppic had was a kingdom two miles wide and onedred and fifty miles long. Its stronger neighbors only tolerated their existence because anything else would lead to war between the two countries.
Assassin profile By Cathy
Djelibeybi’s days of glory were over. Now all they had to attract visitors was pyramids – enough pyramids to bankrupt the country.
Teppic’s stay was Ankh-Morpork is a success. He survived his finals (assassin’s school finals can be quite deadly) through knowledge and a great deal of luck. The test was to arrive alive and well at a site and then kill someone. He passed by accident.
Then Teppic’s father dies and Teppic becomes King Teppicymon XXVIII and has to go back to Djelybeybi. When he gets there he discovers that the High Priest Dios pretty much runs the country. Any change that Teppic wants to bring in to Djelibeybi, like plumping, is fought. All Teppic is supposed to do is get a consort and bring an heir into the world. Most importantly, a new pyramid has to be raised and his father’s pyramid has to be capped.
Pratchett plays with time and space in Pyramids. The pyramid of Teppic’s father has become so large that upon capping, Djelibeybi comes out of alignment with the rest of the disc. Chaos ensues in Djelibeybi as the dead come alive and the kingdom’s various gods want a part in ruling the kingdom. The power of belief is strong on the Discworld. There gods gain power through their believers. If the people believe the pharaoh is a god, then the pharaoh has godlike powers. Egyptian mythology along with Christianity get their fair share of Pratchett’s attention.
1989: Winner of BSFA
SMALL GODS (1992)
On the Discworld there are gods for everything. On Wikipedia you’ll find a list over the gods and their function. They come in all shapes and sizes. Lack of belief decreases power while belief increases the power of the gods. If they have no believers, the gods are small gods crying out for belief.
History has to be observed. Otherwise it’s not history. It’s just … well, things happening one after another.
This is why history has its own caretakers making sure things happen as they should. These caretakers live in a hidden valley in the Ramtops. The 493rd Abbot sends his most experienced monk, Lu-Tze, to Omnia to make certain that nothing messes up the course of history.
Brutha and Om By Thaumivore
In Omnia the time of the 8th prophet was imminent. The Church of the Great God Om has “very punctual prophets. You could set your calendar by them, if you had one big enough.” Brutha, the novice monk hears a voice. This voice is trying to get his attention. Due to a lack of belief Om finds itself stripped of power and has therefore become one of the Small Gods. When Brutha discovers that the voice he has been hearing in his head belongs to a small tortoise, Brutha is astounded. No less astounded does he become when the tortoise wants to see the High Priest. A mere novice will never be allowed into such august company.
Waiting for Vorbis By danseusenoire
Vorbis, the Deacon, is the head of the Quisition. Their job is to do all those things that need to be done that other people would rather not do. Their methods of garnering information were like the Spanish Inquisition’s, rather unpleasant. Along with General Iam Fri’it of the Divine Legion and Bishop Drunah of the Congress of Iams Vorbis is planning on forcing the word of Om on the Ephebians. Once Ephebe has been converted, the way onward to Djel and Tsort lies open.
Religion and its inquisitions, philosophy, and the battle between reason and belief end up on the playground of Pratchett’s satiric hand. Terry gives us a look at how some people seek power to the extent that they will do anything to gain it.
Some gods are crazier than others. In Borogravia Nuggan passes decrees that are increasingly bizarre. Borogravians are ruled by the Abominations – a list of taboos: no garlic, no cats, ginger hair is out and so are six-buttoned shirts, chocolate and the color blue. You can see that being a Borogravian can be a challenge for the most devout. Due to these Abominations Borogravia is constantly at war with their neighbors.
Even though women aren’t allowed pants, Polly dons them, cuts her hair short and sets off after her brother Paul, who has gone missing in the Borogravian army. She needs him back at the family pub so the pub won’t be passed on to their terrible cousin if their dad dies. All she has to do is join the Borogravian army.
French cover art by Marc Simonetti
The recruiting sergeant and his corporal assistant Strappi give Polly (or Oliver Perks as she calls herself) a shilling to kiss and a picture of the queen. Along with Polly, several other recruits join up: a vampire, one troll, an Igor and humans. Strangely enough all the of the recruits have very light voices. The tiny regiment makes their way toward the keep where the enemy is based. Guess who we get to meet there.
Commander Samuel Vimes has been sent to Zlobenia to figure out how to deal with Borogravia. To Vimes Borogravia is just another criminal that has to be dealt with as such, and he is going to treat Zlobenia and Borogravia as he would two scrappers back in Ankh-Morpork.
As you can probably imagine the main themes of Monstrous Regiment are the battle between the sexes and repressive religions. Deprivations caused by a war-happy country are only all too apparent in this story. Along with young males, food and clothing are scarce. We don’t have to look too far back into our own histories to see how all of these themes are sadly relevant for us.
The characters in Monstrous Regiment are delightful. The lengths these women go to in order to hide their gender is funny (socks in pants etc.). Their reactions to discovering the true identities of their compatriots and the difficulties that come with hiding their gender create weird scenes (especially in relation to Lieutenant Blouse – an incredibly inept soldier).
ADAPTATION
2004: Monstrous Regiment adapted for stage by Stephen Briggs
2011: Monstrous Regiment trailer fanfilm by Michelle
The Foundation series continues on from the Elijah Bailey series. The reason I call it a continuation of the series becomes apparent as one reads the books (too much of a spoiler to tell). If you go to Wikipedia, they will tell all. Having said that, their page carries quite an excellent description of the books along with analysis and links. For another in-depth analysis of Asimov’s work go to Wimmer & Wilkins’ blog. Asimov’s home page contains more general information about his life’s work.
Isaac Asimov brought fresh air into science fiction when he arrived on the scene in the 40’s. He wasn’t afraid of taking a hard look at the possible future of mankind based on what he knew of the day’s theories on sociology and psychology. The Foundation series is considered one of the most important contributions to the field of science fiction, a well-deserved opinion.
PRELUDE TO FOUNDATION (1988) AND FORWARD THE FOUNDATION (1993)
Cover for Polish Prelude to Foundation by Slawek Wojtowicz
The Foundation series was started in the 1940’s, but for easier reading you should start with Prelude to Foundation and Forward the Foundation. In Prelude we meet Hari Sheldon, the inventor of psychohistory. Hari’s goal was to be able to predict the general future of humanity, and during a conference he presents his fledgling theory to fellow scientists on the planet Trantor. Unfortunately the Empiror finds Hari’s theories a threat and begin to persecute him. This makes it necessary for Hari to flee, and his flight takes him around Trantor. In Forward the story of how Hari develops his theory continues. Sadly for Hari, the people he loves die off (naturally and unnaturally). Hari refuses to give up and finally develops what ends up being called the Seldon Plan, a way to save the future of humankind.
FOUNDATION (1951) / FOUNDATION AND EMPIRE (1952) / AND SECOND FOUNDATION (1953)
Cover for Polish Prelude to Foundation by Slawek Wojtowicz
After this introduction to the future Galactic Empire, The Foundation Trilogy with the books Foundation, Foundation and Empire and Second Foundation, follow. These are Asimov’s first installments in the Foundation history. When you read these books, please keep in mind that the series was written well before Wikipedia or the internet came into existence. As such, they seem a bit dated. Some of the theory can be tedious, but the adventures and people we meet are quite fun. The titles are a dead give-away, so we know well ahead of time that the Foundation is bound to survive. But we know nothing about the road taken.
In Foundation and Empire the leaders of the Foundation has become corrupt. The internal strife that arises from that makes the organisation susceptible to “The Mule”. The Mule advances, conquering planet after planet, making the Empire deviate from Seldon’s plan. The Foundation does not have it in them to win over the Mule, and desperately some of the members begin seeking a rumoured Second Foundation.
The title Second Foundation kind of gives it away. In this novel we are going to discover the rumoured savior of the Empire while enjoying adventure, science and social interaction. The only way to kill the Mule is by allowing members of the Foundation to find members of the Second Foundation. But this also reveals the fact that there is a Second Foundation and that its nature is somewhat different to the First one’s. Herein lies the conflict.
Foundation’s Edge by Michael Whelan
FOUNDATION’S EDGE (1982) AND FOUNDATION AND EARTH (1986)
And so we come to the two final books in the Foundation series: Foundation’s Edge and Foundation and Earth. We meet Golan Trevize as main protagonist in both books. He is convinced the Second Foundation has survived the attempt to exterminate its members, and goes looking for them. His search brings him to many planets and finally to the ancient planets (no longer on any star-chart) of Solaria, Aurora and Melpomenia. Each journey brings Trevize closer to a conclusion that may or may not satisfy the reader. I felt ambiguous, and that seems to be the intent of the author.
1966 – Best All-time Novel Series Hugo Award for the Foundation series
1983 – Hugo Award for Best Novel for Foundation’s Edge
1983 – Locus Award for Best Science Fiction Novel for Foundation’s Edge
1996 – A 1946 Retro-Hugo for Best Novel of 1945 was given at the 1996 WorldCon to “The Mule“, the 7th Foundation story, published in Astounding Science Fiction
Letters From Father Christmas is a gem from J.R.R. Tolkien. I have Letters as an audiobook. Derek Jacobi reads Father Christmas’ voice, John Moffatt reads Polar Bear’s voice and Christian Rodska reads Ilbereth’s voice.
“In these letters, Father Christmas kept the Tolkien children updated with stories about the hijinks at the North Pole – the slapsticky North Polar Bear and all the things he broke, firework explosions, the discovery of ancient caves full of old cave drawings, and battles with the goblins. (When Father Christmas couldn’t write, his Elvish secretary filled in).
Tolkien’s old-school style of writing is a bit formal and very correct, but he tosses in comments of exasperation, amusement, and in the last letter, a sort of sad resignation that children will grow up. Maybe it is because they were given to real children, not intended for publication, that the letters are only a little cutesy, and never cloying.”
A delightful read and completely unlike anything else that I have read by Tolkien. His love for his children and grand-children shows throughout the writing.
Cover artist Ross MacDonald and Jamie Stafford-Hill
The Half-Made World is a combination of fantasy and science fiction set in a Western (Wild West) environment. Half the forces battling in The Half-Made World is set in a Wild West setting and ruled by something called “The Gun”. The Gun consists of demons inhabiting weapons (guns). Humans who take up these weapons end up being possessed by The Gun’s demons and slowly, but surely, they go insane.
The other party of this war is “The Line”. The Line is set in an industrialised environment where steam-engines are possessed by demons and somehow rule the humans in their control. This industrialised world is bleak, colorless and rigid. Both parties want control of the world with humans as their slaves.
Humans, being what we are, seek to control others through supposed control of the demons. Any reader of human/demon novels knows that humans tend to come out with the poorer deal of any relationship between the two. Power is the lure the demons put before whichever human they seek to control. Ahhh, even people with the best intentions can fall for that temptation.
Somehow a weapon has been discovered that might elude the power of the demons and they do like this possibility. Their emissaries are sent to capture the person known as The General. He just happens to be at a hospital called The House Dolorous, a hospital that is not what it seems to be.
Liv Alverhuysen travels west to the hospital. She is from a part of the country where neither The Line nor The Gun hold control and is not aware of what they are and how strong their forces are. Once at The House Dolorous, Ms. Alverhuysen is supposed to help heal the minds of patients. The various parties meet and fates decided.
I really liked the underlying sense of humor in this novel. The Half-made World is well written, and the text flows from one line to the next. I admire that in an author. There is plenty of tension, a good climax and a fitting conclusion.
humanitysdarkerside 