NASA/Skywalker Sound: Riding the Booster with Enhanced Sound (2012)

This does indeed make it a certain thing that I am a bit nerdy. I was riveted for the whole 8:31 minutes. Riveted.

No fakery. Just enhancement.

Diemer, Sarah: Our Lady of Wolves (2012)

Our Lady of Wolves

Our Lady of Wolves adds itself to the list of bleak stories I have been reading ever since I discovered folk-tales way back in my childhood. Bleak and grim stories about people having to deal with the  harsher sides of life, some of them quite horrible. Like the decimation of Kelly’s village. But life is like that. Sometimes there are no happy endings, only less worse ones.

Kelly’s faith in her Lady of Wolves was rewarded albeit differently from what she had thought but in line with Kelly’s prayers. A wonderful story about 26 pages long showing us desperate moments in a bunch of desperate people’s lives.


Reviews:


Our Lady of Wolves is available at Smashwords

Fisher, Jude: Sorcery Rising (Fool’s Gold I) (2002)

Sorcery Rising
Right jacket: Paul Young
Left jacket: Michael Whelan

Another reading aloud project is on its way. This time my son and I have had the honor of reading Jude Fisher‘s tale about the world of Elda.

Sorcery Rising was a pleasure to read out loud. Ms. Fisher’s words were a joy to pronounce and join together in rows and rows of images. Each time one of the old Norse words appeared was especially fun. Here in Norway we are still taught the meaning of some of the language. On Iceland old Norse is almost intact – enough that the Islanders can read the old texts. Anyways, old Norse is incredibly fun to speak. See sample at bottom of post.

Reading aloud is a strange experience. When the person I am reading to is one who appreciates both the snuggle time and relief from the hard work that comes with dyslexia, I feel as if what I am doing is making life better for at least one person. Jude Fisher made that job simpler for me by making her words flow.

Katla is a fun person. She is her father’s favorite and somewhat indulged. In a sense I guess she could be called a free soul, or at least a person who seems to be themselves fully. Climbing rocks, metal-working, teasing and being teased by her brothers, having her mother despair of Katla ever becoming lady-like, and prone to be impulsive. I can see why she would get into serious trouble. And she does. The kind that gets you burned if you are an Istrian.

Katla, herself, is Eyran. While less patriarchal than the Istrians (who hide their women from the public sphere), the Eyran fathers still have control over the lives of their daughters. Freedom goes only so far, and that length is decided by men. Physical strength matters. While Katla is strong from her smithy-work, she is easily taken down by the men around her. Her twin, Fent, is one who likes to pit himself against his sister.

Twins, yet so different of temperament. Where Katla is impulsive, Fent is volatile. Both seem to be touched by the super-natural. Their expressions of that power differs greatly. Fent fears and hates what challenges his beliefs of humanity. Katla seems to take life as it comes.

Halli, their older brother is the sibling that is set to inherit when their parents die. With that comes a sense of responsibility. Or perhaps Halli is naturally stable. He is going to need it in the times to come.

Their father, Aran, has been touched by magic and not in a positive way. Poor guy. Normally Aran is a man known for his common sense and stable nature. With the geas placed on him he becomes driven and irrational. His children do not understand what is going on and they fear and despise the changes in their father.

Saro Vingo is the younger brother in the Vingo family of the Istrian world. As a younger brother he is always being held up and found wanting against his older and extremely handsome brother, Tanto. Tanto is a douche-bag, a cruel user of people and animals.

Tycho Issian is an interesting character. The man is obsessed with Falla, the goddess of the Istrians. When his daughter, Selen, tries to stand up to her father, Tycho is willing to send her to the daughters of Falla if she does not obey his will. But his obsession is about to change.

Sorcery Rising is somewhat explicit, both sexually and violence wise, but not unduly so. I think its target audience is from older young adults and up.


Reviews:


Sorcery Rising available at Amazon


Stigma: The Story of an Ongoing Problem

Cane, Laken: Strange Trouble (Rune Alexander III) (2014)

Strange trouble

Bloody hell. Give the poor girl a break. Laken Cane drives her main character, Rune Alexander, hard. And can she write! All of that exquisitely described pain and anguish. Holy horror of a cow! What a life our heroine leads.

Rune Alexander fills me with compassion. I want to crawl into Strange Trouble and somehow comfort her, to let her know that she is OK as she is. My own ghost pain is awakened, and I want to tell her that things will get better. But I would be lying by saying that because Ms. Cane is a cruel mistress for the Shiv Crew.

The Rune Alexander series is a bleak and dark series. There aren’t a great deal of happy moments. Well, there are plenty of happy moments, but that is what they are. Moments. Then Rune and the gang is ripped back into the terror and ache of having to be the “good guys” in spite of all of the persecution and loss. Yet Ms. Cane’s writing makes it all endurable.

The vampires, zombies and werewolves of the Rune Alexander series are not the fluffy ones that we sometimes see in literature today. These are the good, old-fashioned kind. The ones that were told stories about around the fires while night turned into darkest dark and became all the more frightening because we could no see the world.

As usual, I have a couple of favorite moments. Rune’s gift to Ellie – perfect. That put a huge smile on my face. Rune advising Raze about relationships – pot/kettle much? The two episodes with the obsidian sword. Shad and Fie at the hospital – incredibly cute. The monster’s comment: What will you do? … Hurt me? And finally Ms. Cane’s description of Damascus – whew that lady needs to work on her charm.

Laken Cane has kept the promise of Shiv Crew. Her writing has been riveting, tense and tight through all three novels.


  • File Size: 2202 KB
  • Print Length: 296 pages
  • Simultaneous Device Usage: Unlimited
  • Publisher: Laken Cane (February 4, 2014)
  • Sold by: Amazon Digital Services, Inc.
  • Language: English
  • ASIN: B00I8ZGNY6

My review of:

  1. Shiv Crew
  2. Blood and Bite

Strange Trouble was given to me as a reviewer’s copy.

Sensory Sensitivities: Understanding Triggers

Again, Musings of an Aspie (Cynthia Kim) expresses my thoughts perfectly. I’m sitting her in my new sweater just feeling the tag in back becoming more and more painful. Why I bother to leave them on for so long before I cut them off, I will never figure out. Stubborn and determined not to let a tiny piece of fabric win over me. Silly old woman.

musingsofanaspie's avatarMusings of an Aspie

This is part 3 in a series about sensory sensitivities and atypical sensory processing. Read the other parts: Part 1  |  Part 2  |  Part 4

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While atypical sensory filtering is related to sensory sensitivities, not all unfiltered sensory data will trigger sensitivities. Remember the sounds I described hearing as I’m typing this? I’m not especially sensitive to any of them. I hear them and it’s hard to tune them out, but I don’t have a biological stress reaction to them. They’re just there and over the years I’ve grown used to having a lot of irrelevant aural data constantly pinging around in my brain.

In fact, I didn’t know until a couple of years ago that other people don’t hear all of those distinct ambient sounds when they’re engaged in an activity.

I suppose what’s happening in this case is my sensory gating is failing…

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Sensory Sensitivities and Atypical Sensory Processing

Yup. This is exactly how it is for me as well. I used to think that every other person on the planet was like this as well. Now, I have learned otherwise.

musingsofanaspie's avatarMusings of an Aspie

This is the first in a series of posts about autistic sensory processing and sensory sensitivities.  Part 2 | Part 3 | Part 4

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I once had a t-shirt that I really wanted to like. It was a souvenir from a trip to Hawaii. The color, the material, the fit, the design–all perfect. It would have been my favorite new shirt, except for one thing.

It had a tiny thread in the collar that scratched my neck. A thread so small that I couldn’t see it. I’d cut out the offending tag and all of the visible stitching holding the tag in place, but that one little thread refused to go.

So I decided that I was going to get used to it. I was going to pretend that evil remnant of plastic thread didn’t exist. If it was too small to see, surely I could ignore it.

View original post 1,189 more words

Nerburn, Kent: The Cab Ride I’ll Never Forget (Make Me an Instrument of Your Peace: Living in the Spirit of the Prayer of St. Francis) (1999)

checker_cab_ad_66

Kent Nerburn the author finally let us in on the original story of “The Cab Ride” – a story that has gone the rounds on the net for various reasons. The Huffington Post published Mr. Nerburn’s article 3rd of May 2012. I am glad that a story like this is actually true.

In 1982 Mr. Nerburn was driving his taxi in Minneapolis, Minnesota and this is what happened:

There was a time in my life twenty years ago when I was driving a cab for a living. It was a cowboy’s life, a gambler’s life, a life for someone who wanted no boss, constant movement and the thrill of a dice roll every time a new passenger got into the cab.

What I didn’t count on when I took the job was that it was also a ministry. Because I drove the night shift, my cab became a rolling confessional. Passengers would climb in, sit behind me in total anonymity and tell me of their lives.

We were like strangers on a train, the passengers and I, hurtling through the night, revealing intimacies we would never have dreamed of sharing during the brighter light of day. I encountered people whose lives amazed me, ennobled me, made me laugh and made me weep. And none of those lives touched me more than that of a woman I picked up late on a warm August night.

I was responding to a call from a small brick fourplex in a quiet part of town. I assumed I was being sent to pick up some partiers, or someone who had just had a fight with a lover, or someone going off to an early shift at some factory for the industrial part of town.

When I arrived at the address, the building was dark except for a single light in a ground-floor window. Under these circumstances, many drivers would just honk once or twice, wait a short minute, then drive away. Too many bad possibilities awaited a driver who went up to a darkened building at 2:30 in the morning.

But I had seen too many people trapped in a life of poverty who depended on the cab as their only means of transportation. Unless a situation had a real whiff of danger, I always went to the door to find the passenger. It might, I reasoned, be someone who needs my assistance. Would I not want a driver to do the same if my mother or father had called for a cab?

So I walked to the door and knocked.

“Just a minute,” answered a frail and elderly voice. I could hear the sound of something being dragged across the floor. After a long pause, the door opened. A small woman somewhere in her 80s stood before me. She was wearing a print dress and a pillbox hat with a veil pinned on it, like you might see in a costume shop or a Goodwill store or in a 1940s movie. By her side was a small nylon suitcase. The sound had been her dragging it across the floor.

The apartment looked as if no one had lived in it for years. All the furniture was covered with sheets. There were no clocks on the walls, no knickknacks or utensils on the counters. In the corner was a cardboard box filled with photos and glassware.

“Would you carry my bag out to the car?” she said. “I’d like a few moments alone. Then, if you could come back and help me? I’m not very strong.”

I took the suitcase to the cab, then returned to assist the woman. She took my arm, and we walked slowly toward the curb. She kept thanking me for my kindness.

“It’s nothing,” I told her. “I just try to treat my passengers the way I would want my mother treated.”

“Oh, you’re such a good boy,” she said. Her praise and appreciation were almost embarrassing. When we got in the cab, she gave me an address, then asked, “Could you drive through downtown?”

“It’s not the shortest way,” I answered.

“Oh, I don’t mind,” she said. “I’m in no hurry. I’m on my way to a hospice.”

I looked in the rearview mirror. Her eyes were glistening. “I don’t have any family left,” she continued. “The doctor says I should go there. He says I don’t have very long.”

I quietly reached over and shut off the meter. “What route would you like me to go?” I asked. For the next two hours we drove through the city. She showed me the building where she had once worked as an elevator operator. We drove through the neighborhood where she and her husband had lived when they had first been married. She had me pull up in front of a furniture warehouse that had once been a ballroom where she had gone dancing as a girl. Sometimes she would have me slow in front of a particular building or corner and would sit staring into the darkness, saying nothing.

As the first hint of sun was creasing the horizon, she suddenly said, “I’m tired. Let’s go now.” We drove in silence to the address she had given me. It was a low building, like a small convalescent home, with a driveway that passed under a portico. Two orderlies came out to the cab as soon as we pulled up. Without waiting for me, they opened the door and began assisting the woman. They were solicitous and intent, watching her every move. They must have been expecting her; perhaps she had phoned them right before we left.

I opened the trunk and took the small suitcase up to the door. The woman was already seated in a wheelchair.

“How much do I owe you?” she asked, reaching into her purse.

“Nothing,” I said.

“You have to make a living,” she answered.

“There are other passengers,” I responded.

Almost without thinking, I bent and gave her a hug. She held on to me tightly. “You gave an old woman a little moment of joy,” she said. “Thank you.”

There was nothing more to say. I squeezed her hand once, then walked out into the dim morning light. Behind me, I could hear the door shut. It was the sound of the closing of a life.

I did not pick up any more passengers that shift. I drove aimlessly, lost in thought. For the remainder of that day, I could hardly talk. What if that woman had gotten an angry driver, or one who was impatient to end his shift? What if I had refused to take the run, or had honked once, then driven away? What if I had been in a foul mood and had refused to engage the woman in conversation? How many other moments like that had I missed or failed to grasp?

We are so conditioned to think that our lives revolve around great moments. But great moments often catch us unawares. When that woman hugged me and said that I had brought her a moment of joy, it was possible to believe that I had been placed on earth for the sole purpose of providing her with that last ride.

I do not think that I have ever done anything in my life that was any more important.

From Make Me an Instrument of Your Peace: Living in the Spirit of the Prayer of St. Francis by Kent Nerburn. Published by HarperOne.

Cooper, Elspeth: The Raven’s Shadow (The Wild Hunt III) (2013)

the_ravens_shadow
Illustration by Dominic Harman
Design by Sue Michniewicz

You know, Ailric is a douchebag. He is about as power-starved as you can possibly get and Tanith is his way to the throne. Talk about being willing to do and say anything to get his way. Humans are less than dirt to him and his jealousy knows no bounds. As if he has anything to be jealous about. Tanith tells him over and over and over again that she is not interested and could he please stop touching her. Being the third in line for the throne of the “elves”, Tanith feels pressured by many of the folks at home to bind herself to Ailric as the joining of their two families is seen as a good match.

According to Psychology Today a person with a narcissistic personality disorder is one who is arrogant, lacks empathy for other people, needs a lot of admiration. Narcissists are cocky, self-centered, manipulative and demanding. They are focused on unlikely outcomes (I don’t know – like becoming consort to Tanith) and feel they deserve special treatment. For some reason they have a high self-esteem – which goes along with their arrogance. If their self-esteem is threatened they may become aggressive (like Ailric’s threats and actions toward both Gair and Tanith) even though their self-esteem is rooted in the bedrock of who they are.

Holy cow, this is soooo Ailric. He manages to match all of the qualities. Like I said: a complete and total douchebag.

Gair is your basic good guy. He’s not perfect, not by a long shot. In fact he is feeling pretty murderous when it comes to Savin. I get this need for vengeance. Not that anyone has ever effected the killing of one of my loved ones, but there have been people I would have liked to, at the very least, beat up. People who hurt my children in any way come to mind – even if mine are adult now. In real life I prefer the good guys (and women). I happen to be married to one of the most decent men on earth. Like Gair they are all flawed in some manner, but something shines through. This strange quality is what Ms. Cooper manages to catch in her writing. Someone like Gair is often presented in a manner that makes me wriggle uncomfortably due to their unbelievability. But Ms. Cooper stays far, far, far away from that trap. Gair is a guy I would like to hug just because he is huggable. I guess he could be good-looking but that is not what I am remembering – and I finished The Raven’s Shadow at 6 am this morning.

I kid you not. I am 49 years old in a few days and I read through the night. What’s an old woman doing with an all-night-read? Shame on you Ms. Cooper for keeping me up all night. That seldom happens any longer, but I just had to finish. Now I have to wait another year or two for the next installment. What I have just done is a basic case of hurry up and wait. Oh, well. Old age is no guarantee for learning from experience. I choose to blame it all on Ms. Cooper. No personal responsibility at all – oh no!

Teia is the other extremely interesting main character. Poor girl. Once it was discovered she had the talent, she has had to be extremely careful about letting on how strong she was/is. Not only has she needed to watch out for the clan speaker, but she has also had a less than ideal relationship with the clan chief. Well, relationship is a bit strong. Before she was 16 he abused and raped Teia until he had impregnated her. Good thing she ran away even if it did lead to her becoming banfaith of the Lost Ones. A banfaith is a prophetess or oracle. Understandably, Teia feels awfully young for the kind of responsibility she holds. In a sense she is considered next to Baer (their chief) in authority. The Lost Ones ask for her guidance on where to travel which is kind of natural as Teia sees where they need to go. Where the Lost Ones need to go is to the enemy to warn them of the pending invasion.

Ytha is Teia’s old teacher. She is the one who should have made certain that Teia received proper training for a Speaker. But Ytha is afraid of what would happen if someone has more power than she. Anything (including murdering people perceived as obstacles) is acceptable to achieve her goals. Ytha’s goal is to lead all of the Nimrothi clans into the old home-land – together with her chief Drwyn as chief of chiefs. I would not like to get into her way.

Elspeth Cooper’s writing has appealed to me from the beginning. She is one of those rare people who has a gift. In all likelihood Ms. Cooper works hard to provide us with a novel of this quality. But, you know, there is that extra indefinable something that gifted people have.

———————————–

Reviews:


  • Paperback: 576 pages
  • Publisher: Gollancz (15 Aug 2013)
  • Language: English
  • ISBN-10: 0575134380
  • ISBN-13: 978-0575134386

My review of:

  1. Songs of the Earth
  2. Trinity Rising

Cooper, Louise: Daughter of Storms (The Daughter of Storms I) (1996)

Daughter of Storms cover and map

I have placed Daughter of Storms somewhere between a children’s novel and a young adult novel. Children from about ten and up (maybe even younger) would probably like Daughter of Storms. The characters are “goodies” or “baddies” and the plot is straight forward. The characters we get to know best are Shar, her friend Hestor and uncle Thel. Uncle Thel is the leader of the rest of the baddies, while Shar is our young heroic girl who manages to save the day with her extraordinary powers.

In Shar’s world magic is tied together with ceremony and ritual. The gods’ purview is taking care of the non-human matters, such as creatures from the fifth plane and up invading the world. Humans have to take care of human matters. But the gods of chaos, of which Yandros is one, sometimes stretch their own rules a little. It depends of how they are feeling. There are the gods of order (who sound rather staid to me) and the gods of chaos (who I find more interesting).

Shar is the kind of girl who stands up for herself and isn’t afraid to defy her uncle’s authority when needed. On her side we find cats. For some reason cats seem to love Shar. Good thing she isn’t allergic. Along with their love comes an ability to communicate with Shar. Their shared communication is challenging as the thought-patterns of humans and cats differ. But there is communication. This is one power I have always wanted. Not just the power to communicate with cats, but the power to communicate with dogs and cats.

Thankfully Shar also has two friends to help her in her endeavours: Hestor and Kitto. Hestor is a Circle Initiate (deal with elemental magic) and Kitto (who is the child of a brigand). At one point, these two turn out to be vital to the survival of Shar.


Review:


Sold by Abe Books

Gimpel, Ann: Earth’s Blood (Earth Reclaimed II) (2014)

Artist: Kelly Shorten Interior book design: Cera Smith Editor: Angela Kelly Line editor: Jenny Rarden
Artist: Kelly Shorten
Interior book design: Cera Smith
Editor: Angela Kelly
Line editor: Jenny Rarden

First of all I am going to talk about going off on tangents. My thing is words – Autism is part of me. That means that sometimes the sound of a word in my head or the way it feels in my mouth sets me off on a chase. One of the words in Earth’s Blood that set me off was Lemurian. The Lemurians are also called the Old Ones and are hated by both the Celtic gods, of which Fionn is one, and Aislinn. But the name Lemurian. It keeps on going round and round in my head. Part of it has to do with lemurs. Lemurs are soooo cute/adorable/sweet (maybe not) and all of those adjectives that we give animals that look like them. The other part was when I started looking for things to do with Lemurian on the net. Wow, there is actually a whole belief system centered around the concept (see links below). People are fascinating.

Sometimes when I read a novel one of the characters begins to annoy me. Once I realise what is happening I stop and ask myself why. This time it was Aislinn’s way of handling her situation that got to me. I was getting more and more frustrated with her until I finally stopped and looked at what it was I was projecting. Surprise, surprise. Thinking is problematic to my imagined self.

One of the things that bothered me was all of the sex between Aislinn and Fionn. This is coming from the woman who claims that she wishes there was as much sex (vanilla kind) in novels as there is action. In Earth’s Blood there is. But it bothered me and here is why: Conditioning. My child-hood religion is very orthodox. Sex is no exception to the rule. That in itself makes the whole concept of reading about it – even when it is as well written as Ms. Gimpel writes it – problematic. Oatmeal has a really great poster on the subject. It is funny and incredibly sad at the same time.

My other problem with descriptive sex was my childhood. I was sexually abused by some of my relatives and that scarred me and made sex less than fun for a long, long time (my poor husband). Once I realised what was going on in my head and emotions I could let go of the pain. Sex is good for me now. I got so turned on by some of the scenes that I dragged my husband upstairs and had some adult playtime.

The other thing that annoyed me was how volatile Aislinn was. Once again I had to stop myself from reacting and instead looked at what on earth was causing such a strong emotion in me. One of the things going on between Aislinn and Fionn was a whole lot of insecurity about their relationship from Aislinn’s side. No wonder, considering how it all came about and all of the challenges thrown their way (an understatement if there ever was one). I looked at my own insecurities when it comes to people and especially my husband. Being an autist is a challenge when it comes to a relationship – both for me and my non-autistic husband. My husband is the kind that shows his love through action and not through words. For me that is incredibly cryptic. My thinking muscles are severely challenged when trying to interpret what is going on in our relationship. We have been together 25 years, so I ought to have caught on by now, but you know – some people are just slow.

The other thing that caught me was what happened when Aislinn discovered she was pregnant and the following abortion. The myth about pregnant women being volatile is no myth. Sometimes our hormones take over completely and there isn’t much we can do about it. Add to that the new relationship between Aislinn and Finn and Aislinn just beginning to open her sealed chest of grief over her many losses in life thus far – and my feelings about Aislinn changed.

Is there action in Earth’s Blood. I realise that the above might have made you think otherwise, but there is plenty of action. Plenty, plenty, plenty. And like the sex it is detailed but not explicit (if that makes sense). The dark gods (another concept that sent me off on a tangent) and the old ones used to fight each other. But in their craving for control over the earth they have pooled their resources for the time being. Power is such a seductive thing and power is what both the Old Ones and the Dark Gods want. Power over the people and power to consume the earth’s resources.

By destroying anything to do with technology they have handicapped humans. And by killing off people without magic they have reduced the population and the potential number of people who could rise up against them. These are the creatures the Celtic gods and Aislinn and their bond animals have to fight. But when one of those Celtic gods is a dragon there is hope. Especially when that dragon does what she does best and goes off on a mission of rescue. I like Dewi. She is a cranky, self-important, stubborn, independent and insecure dragon who is terribly lonely as the only dragon left on earth. I believe she is my favorite character.

Anyways, Earth’s Blood affected me and helped me realise something about myself. That is probably one of the more important things an author can achieve. My imaginary hat off to Ann Gimpel.

I have to add one comment here. If you are one of those who struggles with talking to your teenagers about sexuality, I recommend letting them read this series. There is a lot of action and a whole lot of wholesome and fun sex in it. Sexuality is shown as something fragile in new relationships while also showing how turned on by each other people are at the beginning of a relationship.


I’ve reviewed an ARC copy, so Earth’s Blood is not out on the market yet. For a description:


My review of Earth’s Requiem


Lemuria/Lemurians (not connected to the Lemurians of the novel but I got off on a tangent.):

Halpin, Chantal: The Brinded Cat (Witch Hunter) (2013)

Cover art by Chantal Halpin's daughter
Cover art by Chantal Halpin’s daughter

I like Sam’s (Samhain) character. Upon beginning this review I looked for further literature about our magically-challenged witch. There is a novel (Death’s Daughter) in the inning, but I do not know when it is going to be published. The Brinded Cat (striped cat) is even more fun than Foul is Fair.

Witches and their cats! Or maybe it is witches and their familiars. In this case Mrs. McGinty’s cat is caught in a tree and Sam is asked by her boss, Fin, to climb up and rescue it. Fin is involved with Mrs. McGinty and therefore amenable to granting her small favors, but Fin is also afraid of heights. So Sam has to step into the fray and keep Fin in Mrs. McGinty’s favour, and she does. That is after all what good friends do. We support our friends in their affairs of the heart, but only to a certain point.

When Sam meets Mrs. McGinty’s cat, she realises that perhaps the cat needs rescuing but not rescuing from the tree. And off we go.

Sam is adorable. Ms. Halpin has made her strong, vulnerable, insightful, experienced and funny. I think perhaps I like people who protect under-dogs (well, in this case a cat). The vulnerable need protecting and once upon a time Sam herself found such protection when she most needed it.

How old would you have to be to read The Brinded Cat? Well, The Brinded Cat is safe enough for a five-year old to read the story, but I doubt they would get much out of it. There is extremely little violence and no sexual content. Beyond that I haven’t got a clue. There is plenty of action, some fighting, lots of magic, and a look at trust.

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Review:
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Words: 10,460
Language: English
ISBN: 9781301757695
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My review of Foul is Fair
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Farrugia, Nathan: The Chimera Vector (The Fifth Column) (2012)

The Chimera Vector
Cover design by Keerati Sarakun and Patrick Naoum
Cover typography by Andrei Stefan-Cosmin
Edited by Nicola O’Shea

The Chimera Vector portrait

The Chimera Vector set me into research mode. I started looking into “chimera vector” and discovered quite a few articles on the research into this type of transportation on the net. I have included four of them below. Chimera: a DNA molecule with sequences derived from two or more different organisms, formed by laboratory manipulation.

According to Psychology Today a psychopath is a person who exhibits a long list of character traits. One needs to show a lack of empathy (cold-heartedness, an inability to feel deeply); show a lack of shame, guilt, fear or embarrassment at ones actions; a tendency to blame others for their own failures, or no shame if confronted; show a strong ability to remain focused on a task; appear charming yet have a tendency toward pathological lying, and they seem comfortable even when found out; incredibly overconfident, as if they cannot fail; impulsive; incredibly selfish and parasitic; lack realistic long-term goals; and finally be prone to violence.

In The Chimera Vector we get to meet several people who fit the bill of a psychopath. The whole concept of psychopathy or sociopathy is extremely fascinating. It is one of those terms that we bandy about as if being a psychopath was a common thing. Looking at the list above, I see many of them that could fit myself and most other people I know. But when I take a closer look at the people I meet, I think I can say that there is probably only one one person that I could definitely call a psychopath. Long-term planning was no problem for him at all and holding power is something he has definitely been concerned with. Power behind the throne, not the apparent one that is more image than real.

Power is what The Chimera Vector is all about. The lengths people are willing to go in their hunger for power. We see people playing power games every day – within families, at work and at play. But seldom do we see power games taken to the extreme that The Chimera Vector shows. But we wouldn’t, would we. That is the whole point of The Fifth Column. People must not see the games the leaders of The Fifth Column play, for their real power lies in their secrecy. To them all the death and mayhem they deal is part of the games.

Programming soldiers like Sofia, Jay and Damien into becoming unquestioning killer robots is fun. Killing innocent people to keep the world going their way is fun. Watching countries erupt into cauldrons of fire is fun. Power is fun. Fun and addictive.

I see all this and I believe it. The Chimera Vector is believable. If some scientist manages to discover how to create weapons like The Fifth Column use, soldiers like this will be developed. Perhaps I have too cynical a view of the world, but this is what I believe. History has shown us time and again that once a power-hungry leader gains control of research and development gruesome consequences evolve. In fact, history has shown us (and shows us) that in their grasp for power the world itself becomes expendable to the power-players.

And yes, I did enjoy The Chimera Factor. A great deal, in fact.

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Reviews:

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I was given this novel by the author. Whether that affected my review is difficult to say. I’ve tried to be as objective as possible.

Introducing: Sidekicks

What a great idea. Any of you readers out there interested and able could have some fun doing this.

Alex's avatarHelp On Four Legs

Last week, I asked for your participation in a project that my friend Melanie and I are working on. As of that post, we had a broad vision of what we wanted to accomplish, no name, and the only progress we’d made was that we’d made a secret Pinterest Pinboard. That’s essential, I’m told.

Today, I’m happy to say that we have a name, a photoshoot under our belts and several more in the works, a web domain, and an elevator pitch, albeit shaky at the moment, and also subject to change. Apparently elevator pitches are also essential.

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York, Steven J.: One Foot in the Grave (2010)

One Fott in The Grave
Cover art by Steven J. York

One Foot in the Grave is a wonderful little (5 pages) tale about loss.

Stories that have the sense of the macabre about them hold a special place in my heart. Death and coming to terms with unresolved issues adds to the flavour of the story. Steven J. York spins all of this into a delightful tale about a man, his foot and once-upon-a-time beloved Betty.

Ever since his loss Christmas has become a special experience for our narrator and we get to follow that experience 50 years down the road. I believe I have become a fan of Mr. York.

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Reviews:


  • File Size: 125 KB
  • Print Length: 5 pages
  • Simultaneous Device Usage: Unlimited
  • Publisher: Tsunami Ridge Publishing (March 20, 2011)
  • Sold by: Amazon Digital Services, Inc.
  • Language: English
  • ASIN: B004T4WTSE

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